Motion Picture | 11129 Titles
Gretel & Hansel (2020)
Directed by | Oz Perkins | Cinematography by | Galo Olivares | Editing by | Josh Ethier, Julia Wong
Cameras | ARRI ALEXA Mini Camera
Call Me by Your Name (2017)
Directed by | Luca Guadagnino | Cinematography by | Sayombhu Mukdeeprom | Editing by | Walter Fasano
Cameras | ARRICAM Lite (LT) Camera
Lenses | Cooke S4/i Prime 35mm T2.0 Lens
Chopper (2000)
Directed by | Andrew Dominik | Cinematography by | Geoffrey Hall, Kevin Hayward | Editing by | Ken Sallows
The Giant (2017)
Directed by | Aitor Arregi, Jon Garaño | Cinematography by | Javier Agirre | Editing by | Laurent Dufreche, Raúl López
Smuggling Hendrix (2018)
Directed by | Marios Piperides | Cinematography by | Christian Huck | Editing by | Stylianos Constantinou
Cameras | ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Plus Camera
This Is My Desire (2020)
Directed by | Arie Esiri, Chuko Esiri | Cinematography by | Arseni Khachaturan | Editing by | Andrew Stephen Lee
The Dead and the Others (2018)
Directed by | Renée Nader Messora, João Salaviza | Cinematography by | Renée Nader Messora | Editing by | Ricardo Alves Jr., Thiago Macêdo Correia, José Edgar Feldman, Renée Nader Messora, João Salaviza
My Mother’s Castle (1990)
Noctambulous (2011)
Directed by | Kelvin C. Bias | Cinematography by | Robson Garcia Jr. | Editing by | Ann Foo
Cameras | Canon EOS-7D Camera, Panasonic AG-HVX200 Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens, Canon EF 70-200 mm f2.8 L IS II Lens, Canon L Series Lenses
Greyhound (2020)
Directed by | Aaron Schneider | Cinematography by | Shelly Johnson | Editing by | Mark Czyzewski, Sidney Wolinsky
Cameras | Panavision Millennium DXL Camera
Lenses | Panavision Sphero 65 Series Lenses
Gipsy Queen (2019)
Directed by | Hüseyin Tabak | Cinematography by | Lukas Gnaiger | Editing by | Christoph Loidl
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Plus Camera
Empire Hotel (2018)
Directed by | Ivo Ferreira | Cinematography by | Susana Gomes | Editing by | Sandro Aguilar
Cameras | Sony α7S II Camera
Lenses | ARRI / Zeiss Lenses, ARRI Macro 60mm T3.0 Lens, Zeiss ARRI Macro Lenses, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 100 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 135 mm T1.9 Lens, Zeiss Ultra Prime Sonnar 180 mm T1.9 Lens
Incident in a Ghostland (2018)
Directed by | Pascal Laugier | Cinematography by | Danny Nowak | Editing by | Dev Singh
Cameras | Red Epic Dragon Camera
Lenses | Optica Elite 35 Spherical Lenses
Wonder Woman 1984 (2020)
Directed by | Patty Jenkins | Cinematography by | Matthew Jensen | Editing by | Richard Pearson
Cameras | ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Baby Driver (2017)
Directed by | Edgar Wright | Cinematography by | Bill Pope | Editing by | Jonathan Amos, Paul Machliss
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera
Art of the Dead (2019)
Directed by | Rolfe Kanefsky | Cinematography by | Michael Su | Editing by | Jay Woelfel
Cameras | Red Epic Helium Camera
Lenses | Tokina Vista Cinema Prime Lenses
Rain Beau’s End (2020)
Directed by | Tracy Wren | Cinematography by | Kevin Otterness
Cameras | Red Epic Dragon Camera
Lenses | Tokina Vista Cinema Prime Lenses
F9 (2021)
Directed by | Justin Lin | Cinematography by | Stephen F. Windon | Editing by | Greg D'Auria, Dylan Highsmith, Kelly Matsumoto
Lenses | Tokina Vista Cinema Prime Lenses
The Hustle (2019)
Directed by | Chris Addison | Cinematography by | Michael Coulter | Editing by | Anthony Boys
Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses, Fujinon Alura Zoom 18-80 mm T2.6 Lens
