2048×1080 Post Resolution | 31 Titles
La Pasión de Michelangelo (2013)
Directed by | Esteban Larraín | Cinematography by | Tevo Díaz | Editing by | Felipe Guerrero, Soledad Salfate
Twilight (2008)
Directed by | Catherine Hardwicke | Cinematography by | Elliot Davis | Editing by | Nancy Richardson
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
U2 3D (2007)
Directed by | Catherine Owens, Mark Pellington | Cinematography by | Peter Anderson, Tom Krueger | Editing by | Olivier Wicki
Cameras | Sony HDW-F900 Camera
Além de Ti (2013)
Directed by | João Marco | Cinematography by | João Marco | Editing by | João Marco
Cameras | Canon EOS 550D Camera
Lenses | Canon Lenses
Spectrauma (2011)
Directed by | Michael Lauter | Cinematography by | Jon Firestone | Editing by | Michael Lauter
Cameras | Red One MX Camera
The First Aggregate (2012)
Directed by | Darhad Erdenibulag, Emyr ap Richard | Cinematography by | Emyr ap Richard | Editing by | Jinlei Kong, Matthieu Laclau
Cameras | ARRI ALEXA Camera, ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera, Bolex H16 Camera, Red Epic Camera, Red One Camera, Red One MX Camera
Lenses | Kern-Paillard Switar Lens, Red Pro Zoom 17-50 mm T2.9 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens, Zeiss Standard Prime MKII 32 mm T2.1 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens
1989 (2009)
The Secret Life of Bees (2008)
Directed by | Gina Prince-Bythewood | Cinematography by | Rogier Stoffers | Editing by | Terilyn A. Shropshire
The Avengers (2012)
Directed by | Joss Whedon | Cinematography by | Seamus McGarvey | Editing by | Jeffrey Ford, Lisa Lassek
Lenses | Panavision Frazier Lenses, Panavision Lenses
Hell (2011)
Directed by | Tim Fehlbaum | Cinematography by | Markus Förderer | Editing by | Andreas Menn
Cameras | Red One MX Camera