Line Producer: Morocco, Unit Production Manager: US, Morocco
John Wick: Chapter 3 - Parabellum (2019)
Directed by: Chad Stahelski
Cinematography by: Dan Laustsen
Edited by: Evan Schiff
Line Producer, Unit Production Manager
The Spy Who Dumped Me (2018)
Directed by: Susanna Fogel
Cinematography by: Barry Peterson
Edited by: Jonathan Schwartz
Lenses: Angenieux Lenses, Cooke S4/i Lenses
Co-producer, Unit Production Manager
Creed II (2018)
Directed by: Steven Caple Jr.
Cinematography by: Kramer Morgenthau
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera
Co-producer, Unit Production Manager
The Last Stand (2013)
Directed by: Jee-woon Kim
Cinematography by: Ji-yong Kim
Edited by: Steven Kemper
Cameras: ARRI ALEXA Plus Camera
Associate Producer, Unit Production Manager
Super 8 (2011)
Directed by: J.J. Abrams
Cinematography by: Larry Fong
Cameras: ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Editing System: Avid Editing System
Associate Producer, Unit Production Manager
Morning Glory (2010)
Directed by: Roger Michell
Cinematography by: Alwin H. Küchler
Editing System: Avid Editing System
Associate Producer, Unit Production Manager
Couples Retreat (2009)
Directed by: Peter Billingsley
Cinematography by: Eric Alan Edwards
Edited by: Dan Lebental
Editing System: Final Cut Pro Editing System
Co-producer, Unit Production Manager
Four Christmases (2008)
Directed by: Seth Gordon
Cinematography by: Jeffrey L. Kimball
Unit Production Manager
Cloverfield (2008)
Directed by: Matt Reeves
Cinematography by: Michael Bonvillain
Edited by: Kevin Stitt
Cameras: Panasonic AG-HSC1U Camera, Panasonic AG-HVX200 Camera, Sony CineAlta F23 Camera, Thomson Viper Camera
Lenses: Canon Lenses, Zeiss DigiPrime Lenses
Unit Production Manager
Rocky Balboa (2006)
Directed by: Sylvester Stallone
Cinematography by: Clark Mathis
Edited by: Sean Albertson
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Sony HDW-F900R Camera
Lenses: Zeiss Master Prime Lenses
Unit Production Manager
Wedding Crashers (2005)
Directed by: David Dobkin
Cinematography by: Julio Macat
Edited by: Mark Livolsi
Unit Production Manager
The Girl Next Door (2004)
Directed by: Luke Greenfield
Cinematography by: Jamie Anderson
Edited by: Mark Livolsi
Unit Production Manager
Path to War (2002)
Directed by: John Frankenheimer
Edited by: Richard Francis-Bruce
Unit Production Manager
The Hot Chick (2002)
Directed by: Tom Brady
Cinematography by: Tim Suhrstedt
Edited by: Peck Prior
Unit Production Manager
Max Keeble's Big Move (2001)
Directed by: Tim Hill
Cinematography by: Arthur Albert
Cameras: Moviecam Compact Camera
Unit Production Manager
Body Shots (1999)
Directed by: Michael Cristofer
Cinematography by: Rodrigo García
Edited by: Eric A. Sears
Unit Production Manager
Office Space (1999)
Directed by: Mike Judge
Cinematography by: Tim Suhrstedt
Edited by: David Rennie
Associate Producer, Unit Production Manager
Breast Men (1997)
Directed by: Lawrence O'Neil
Cinematography by: Robert M. Stevens
Edited by: Michael Jablow
Line Producer
Jury Duty (1995)
Directed by: John Fortenberry
Cinematography by: Avraham Karpick
Edited by: Stephen Semel
Associate Producer
Stone Cold (1991)
Directed by: Craig R. Baxley
Cinematography by: Alexander Gruszynski
Technical Advisor
Lone Wolf McQuade (1983)
Directed by: Steve Carver
Cinematography by: Roger Shearman
Edited by: Anthony Redman
