Brad 'Mo' Gremillion

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The Heat | ShotOnWhat?

Rigging Electrical Best Boy

The Heat (2013)

Directed by: Paul Feig

Cinematography by: Robert D. Yeoman

Edited by: Jay Deuby, Brent White

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

12 Years a Slave | ShotOnWhat?

Best Boy Rigging Gaffer

12 Years a Slave (2013)

Directed by: Steve McQueen

Cinematography by: Sean Bobbitt

Edited by: Joe Walker

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Beautiful Creatures | ShotOnWhat?

Rigging Electrical Best Boy

Beautiful Creatures (2013)

Directed by: Richard LaGravenese

Cinematography by: Philippe Rousselot

Edited by: David Moritz

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

G.I. Joe: Retaliation | ShotOnWhat?

Rigging Electrical Best Boy

G.I. Joe: Retaliation (2013)

Directed by: Jon M. Chu

Cinematography by: Stephen F. Windon

Edited by: Roger Barton, Jim May

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision Primo Primes Spherical Lenses

Battleship | ShotOnWhat?

Rigging Electric: Baton Rouge

Battleship (2012)

Directed by: Peter Berg

Cinematography by: Tobias A. Schliessler

Edited by: Colby Parker Jr., Billy Rich, Paul Rubell

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Looper | ShotOnWhat?

Rigging Electrician

Looper (2012)

Directed by: Rian Johnson

Cinematography by: Steve Yedlin

Edited by: Bob Ducsay

Cameras: Canon EOS-7D Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

The Iceman | ShotOnWhat?

Rigging Electric Best Boy

The Iceman (2012)

Directed by: Ariel Vromen

Cinematography by: Bobby Bukowski

Edited by: Danny Rafic

Cameras: ARRI ALEXA Plus Camera, Canon EOS-7D Camera

Lenses: Panavision Lenses, Panavision Ultra Speed MKII Lenses

Straw Dogs | ShotOnWhat?

Rigging Best Electric

Straw Dogs (2011)

Directed by: Rod Lurie

Cinematography by: Alik Sakharov

Edited by: Sarah Boyd

Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Panavision Primo Primes Spherical Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Trespass | ShotOnWhat?

Rigging Best Electric

Trespass (2011)

Directed by: Joel Schumacher

Cinematography by: Andrzej Bartkowiak

Edited by: Bill Pankow

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses

Shark Night 3D | ShotOnWhat?

Rigging Best Electric

Shark Night 3D (2011)

Directed by: David R. Ellis

Cinematography by: Gary Capo

Edited by: Dennis Virkler

Cameras: Sony CineAlta F35 Camera

Lenses: Cooke CXX 15-40mm T2.0 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens

Editing System: Avid Editing System

Drive Angry | ShotOnWhat?

Rigging Best Electric

Drive Angry (2011)

Directed by: Patrick Lussier

Cinematography by: Brian Pearson

Edited by: Devin C. Lussier, Patrick Lussier

Tekken | ShotOnWhat?

Rigging Best Electric

Tekken (2010)

Directed by: Dwight H. Little

Cinematography by: Brian J. Reynolds

Edited by: David Checel

Secretariat | ShotOnWhat?

Rigging Best Electric

Secretariat (2010)

Directed by: Randall Wallace

Cinematography by: Dean Semler

Edited by: John Wright

Cameras: ARRIFLEX 435 Camera, Olympus PEN E-P1 Camera, Pan-Arri 435 Camera, Panavision Genesis Camera, Phantom HD Camera

Lenses: Panavision Primo Anamorphic Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens

Jonah Hex | ShotOnWhat?

Rigging Electrician

Jonah Hex (2010)

Directed by: Jimmy Hayward

Cinematography by: Mitchell Amundsen

Edited by: Kent Beyda, Daniel P. Hanley, Tom Lewis, Fernando Villena

Cameras: ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Skateland | ShotOnWhat?

Craft Service

Skateland (2010)

Directed by: Anthony Burns

Cinematography by: Peter Simonite

Edited by: Robert Hoffman

Youth in Revolt | ShotOnWhat?

Craft Service: Additional Photography , Rigging Best Electric

Youth in Revolt (2009)

Directed by: Miguel Arteta

Cinematography by: Chuy Chávez

Edited by: Andy Keir, Pamela Martin

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Eve's Bayou | ShotOnWhat?

Chef

Eve's Bayou (1997)

Directed by: Kasi Lemmons

Cinematography by: Amy Vincent

Edited by: Terilyn A. Shropshire

Heaven's Prisoners | ShotOnWhat?

Assistant Cook

Heaven's Prisoners (1996)

Directed by: Phil Joanou

Cinematography by: Harris Savides

Edited by: William Steinkamp

Dead Man Walking | ShotOnWhat?

Chef: New Orleans

Dead Man Walking (1995)

Directed by: Tim Robbins

Cinematography by: Roger Deakins

Edited by: Lisa Zeno Churgin, Ray Hubley

Cameras: ARRI Cameras

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