Hd Video Assist Engineer: Second Unit
Live by Night (2016)
Directed by: Ben Affleck
Cinematography by: Robert Richardson
Edited by: William Goldenberg
Cameras: ARRI ALEXA 65 Camera
Hd Video Assist Engineer: Visual Effects Unit
Ghostbusters (2016)
Directed by: Paul Feig
Cinematography by: Robert D. Yeoman
Cameras: ARRI ALEXA XT Camera
Video Engineer
The Jungle Book (2016)
Directed by: Jon Favreau
Cinematography by: Bill Pope
Cameras: ARRI ALEXA XT M Camera
Hd Video Assist Engineer: Los Angeles Unit
Let's Be Cops (2014)
Directed by: Luke Greenfield
Cinematography by: Daryn Okada
Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera
Hd Video Assist Engineer
The Purge: Anarchy (2014)
Directed by: James DeMonaco
Cinematography by: Jacques Jouffret
Cameras: ARRI ALEXA XT Camera
Editing System: Avid Editing System
Video Assist: Second Unit
Oblivion (2013)
Directed by: Joseph Kosinski
Cinematography by: Claudio Miranda
Edited by: Richard Francis-Bruce
Cameras: Red Epic Camera, Sony CineAlta F65 Camera
Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens
Editing System: Avid Editing System
Digital Video Assist
Gangster Squad (2013)
Directed by: Ruben Fleischer
Cinematography by: Dion Beebe
Cameras: ARRI ALEXA Studio Camera, Phantom Flex Camera
Editing System: Avid Editing System
Video Assist: Additional Photography, Los Angeles
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Video Assist Operator
True Romance (1993)
Directed by: Tony Scott
Cinematography by: Jeffrey L. Kimball
Video Assist Operator
Point of No Return (1993)
Directed by: John Badham
Cinematography by: Michael W. Watkins
Edited by: Frank Morriss
Video Assist: Las Vegas
Another Stakeout (1993)
Directed by: John Badham
Cinematography by: Roy H. Wagner
Edited by: Frank Morriss
Video Assist
Lethal Weapon 3 (1992)
Directed by: Richard Donner
Cinematography by: Jan de Bont
Cameras: Panavision Panaflex Platinum Camera
Video Assist Engineer
Radio Flyer (1992)
Cinematography by: László Kovács
Cameras: Panavision Cameras
Video Assist Operator
The Last Boy Scout (1991)
Directed by: Tony Scott
Cinematography by: Ward Russell
Video Assistant: Los Angeles
Air America (1990)
Directed by: Roger Spottiswoode
Cinematography by: Roger Deakins
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Video Assist Engineer
Arachnophobia (1990)
Directed by: Frank Marshall
Cinematography by: Mikael Salomon
Edited by: Michael Kahn
Video Assist
National Lampoon's Christmas Vacation (1989)
Directed by: Jeremiah S. Chechik
Cinematography by: Thomas E. Ackerman
Video Assist
Lethal Weapon 2 (1989)
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Video Assist Operator
She's Out of Control (1989)
Directed by: Stan Dragoti
Cinematography by: Donald Peterman
Edited by: Dov Hoenig
Video Assist
Lethal Weapon (1987)
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Video Assist Engineer: Los Angeles
The Goonies (1985)
Directed by: Richard Donner
Cinematography by: Nick McLean
Cameras: ARRIFLEX 35 III Camera
Editing System: Steenbeck Editing System
Video Assist Operator
The Man with One Red Shoe (1985)
Directed by: Stan Dragoti
Cinematography by: Richard H. Kline
Cameras: Panavision Cameras
Video Assist Engineer
Mr. Mom (1983)
Directed by: Stan Dragoti
Cinematography by: Victor J. Kemper
Edited by: Patrick Kennedy
