Sean Hunter Moe

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Avengers: Endgame | ShotOnWhat?

First Assistant "b" Camera

Avengers: Endgame (2019)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera

Lenses: Panavision APO Panatar Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Avengers: Infinity War | ShotOnWhat?

First Assistant "b" Camera

Avengers: Infinity War (2018)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, Red Helium (Weapon) 8K, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Leitz Summilux-C Series Lenses, Panavision APO Panatar Lenses, Panavision Primo 70 Lenses, Panavision Sphero 65 Series Lenses

Editing System: Avid Editing System

Baby Driver | ShotOnWhat?

First Assistant "b" Camera

Baby Driver (2017)

Directed by: Edgar Wright

Cinematography by: Bill Pope

Edited by: Jonathan Amos, Paul Machliss

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA Studio Camera, ARRI ALEXA XT Plus Camera, ARRICAM Lite (LT) Camera, Panavision Panaflex Millennium XL2 Camera

Captain America: Civil War | ShotOnWhat?

First Assistant Camera: "b" Camera

Captain America: Civil War (2016)

Directed by: Anthony Russo, Joe Russo

Cinematography by: Trent Opaloch

Edited by: Jeffrey Ford, Matthew Schmidt

Cameras: ALEXA IMAX Camera, ARRI ALEXA 65 Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo 70 Lenses, Panavision T Series Anamorphic Lenses

St. Vincent | ShotOnWhat?

First Assistant Camera: "a" Camera

St. Vincent (2014)

Directed by: Theodore Melfi

Cinematography by: John Lindley

Edited by: Sarah Flack, Peter Teschner

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

Editing System: Avid Editing System

"Nashville" You Win Again | ShotOnWhat?

First Assistant Camera: "b" Camera

'Nashville' You Win Again (2013)

Television Episode

Directed by: Paul A. Edwards

Cinematography by: Ross Berryman

Edited by: Glenn Farr

"Nashville" I've Been Down That Road Before | ShotOnWhat?

First Assistant Camera: "b" Camera

'Nashville' I've Been Down That Road Before (2013)

Television Episode

Directed by: Stephen Cragg

Cinematography by: Ross Berryman

Edited by: J. Kathleen Gibson

Oblivion | ShotOnWhat?

First Assistant B Camera

Oblivion (2013)

Directed by: Joseph Kosinski

Cinematography by: Claudio Miranda

Edited by: Richard Francis-Bruce

Cameras: Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Fujinon Premier (HK3.1x14.5) 14.5–45 mm T2.0 Lens, Fujinon Premier (HK4.7x18) 18-85 mm T2.0 Lens, Fujinon Premier (HK5.3x75) 75–400 mm T2.8 Lens, Fujinon Premier (HK7.5x24) 24-180 mm T2.6 Lens, Zeiss Master Prime Distagon 12 mm T1.3 Lens, Zeiss Master Prime Distagon 14 mm T1.3 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 18 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 25 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 32 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Distagon 40 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens, Zeiss Master Prime Planar 65 mm T1.3 Lens, Zeiss Master Prime Sonnar 100 mm T1.3 Lens, Zeiss Master Prime Sonnar 150 mm T1.3 Lens, Zeiss Master Prime Sonnar 75 mm T1.3 Lens

Editing System: Avid Editing System

"Nashville" I Can't Help It (If I'm Still in Love with You) | ShotOnWhat?

First Assistant Camera

'Nashville' I Can't Help It (If I'm Still in Love with You) (2012)

Television Episode

Directed by: R.J. Cutler

Cinematography by: Rob Sweeney

Edited by: Glenn Farr

Nashville | ShotOnWhat?

First Assistant Camera: "b" Camera / First Assistant Camera - 3 Episodes, 2012-2013

Nashville (2012)

Television Series

Cinematography by: Michael Lohmann, Ross Berryman, Shawn Maurer, Tim Sutherland, Rob Sweeney, Rodney Charters

Edited by: Farrel Levy, Lizzy Calhoun, Larry McGinley, Jamin Bricker, Garret Price, Glenn Farr, J. Kathleen Gibson, Michael Hathaway, Keith Henderson

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 45-120 mm T2.8 Lens

The Last Song | ShotOnWhat?

First Assistant "b" Camera

The Last Song (2010)

Directed by: Julie Anne Robinson

Cinematography by: John Lindley

Edited by: Nancy Richardson

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 535 Camera

"Dexter" Hello, Bandit | ShotOnWhat?

Assistant Camera: "b" Camera

'Dexter' Hello, Bandit (2010)

Television Episode

Directed by: John Dahl

Cinematography by: Romeo Tirone

Edited by: Louis Cioffi

"Dexter" My Bad | ShotOnWhat?

First Assistant Camera: "b" Camera

'Dexter' My Bad (2010)

Television Episode

Directed by: Steve Shill

Cinematography by: Romeo Tirone

Edited by: Stewart Schill

Pineapple Express | ShotOnWhat?

First Assistant Camera: "b" Camera

Pineapple Express (2008)

Directed by: David Gordon Green

Cinematography by: Tim Orr

Edited by: Craig Alpert

Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Spider-Man 3 | ShotOnWhat?

First Assistant Camera: "b" Camera

Spider-Man 3 (2007)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Dexter | ShotOnWhat?

Assistant Camera: "b" Camera / First Assistant Camera: "b" Camera - 2 Episodes, 2010

Dexter (2006)

Television Series

Cinematography by: Romeo Tirone, Jeffrey Jur, Martin J. Layton, Alan Caso, Terry Stacey

Edited by: Louis Cioffi, Stewart Schill, Keith Henderson, Matthew Colonna, Amy E. Duddleston, Michael Ruscio, Elena Maganini, Scott K. Wallace, David Latham, Padraic McKinley, Chris Figler, Rob Seidenglanz

Cameras: ARRI ALEXA Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Nikon D800 Camera, Sony CineAlta F23 Camera, Sony HDW-F900 Camera

Flightplan | ShotOnWhat?

First Assistant Camera: "a" Camera, Germany / First Assistant Camera: "b" Camera

Flightplan (2005)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Spider-Man 2 | ShotOnWhat?

Second Assistant Camera: "a" Camera

Spider-Man 2 (2004)

Directed by: Sam Raimi

Cinematography by: Bill Pope

Edited by: Bob Murawski

Cameras: ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses: Panavision Hylén System Lens, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Team America: World Police | ShotOnWhat?

First Assistant Camera: Third Unit / Second Assistant Camera

Team America: World Police (2004)

Directed by: Trey Parker

Cinematography by: Bill Pope

Edited by: Thomas M. Vogt

Cameras: ARRIFLEX 435 Camera, Pan-Arri 435 Camera

Lenses: Panavision Lenses, Panavision Primo Close Focus Spherical Lenses

The Matrix Reloaded | ShotOnWhat?

Second Assistant Camera: "a" Camera, USA

The Matrix Reloaded (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Holes | ShotOnWhat?

Assistant Camera

Holes (2003)

Directed by: Andrew Davis

Cinematography by: Stephen St. John

Edited by: Thomas J. Nordberg, Jeffrey Wolf

The Matrix Revolutions | ShotOnWhat?

Second Assistant Camera: "a" Camera, USA

The Matrix Revolutions (2003)

Directed by: Lana Wachowski, Lilly Wachowski

Cinematography by: Bill Pope

Edited by: Zach Staenberg

Cameras: Pan-Arri 435es Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Jay and Silent Bob Strike Back | ShotOnWhat?

Second Assistant Camera

Jay and Silent Bob Strike Back (2001)

Directed by: Kevin Smith

Cinematography by: Jamie Anderson

Edited by: Scott Mosier, Kevin Smith

Bedazzled | ShotOnWhat?

Second Assistant Camera

Bedazzled (2000)

Directed by: Harold Ramis

Cinematography by: Bill Pope

Edited by: Craig Herring

Wild Wild West | ShotOnWhat?

Second Assistant Camera: Second Unit And Re-shoots

Wild Wild West (1999)

Directed by: Barry Sonnenfeld

Cinematography by: Michael Ballhaus

Edited by: Jim Miller

Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 B Camera, VistaVision Cameras

Lenses: Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens

American History X | ShotOnWhat?

Camera Loader

American History X (1998)

Directed by: Tony Kaye

Cinematography by: Tony Kaye

Edited by: Gerald B. Greenberg, Alan Heim

Cameras: Panavision Panaflex Series Cameras

Lenses: Panavision Lenses

Boogie Nights | ShotOnWhat?

Camera Loader

Boogie Nights (1997)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Dylan Tichenor

Cameras: Moviecam Compact Camera, Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

Gridlock'd | ShotOnWhat?

Camera Loader

Gridlock'd (1997)

Directed by: Vondie Curtis-Hall

Cinematography by: Bill Pope

Edited by: Christopher Koefoed

Hard Eight | ShotOnWhat?

Second Assistant Camera

Hard Eight (1996)

Directed by: Paul Thomas Anderson

Cinematography by: Robert Elswit

Edited by: Barbara Tulliver

Lord of Illusions | ShotOnWhat?

Camera Loader: Second Unit

Lord of Illusions (1995)

Directed by: Clive Barker

Cinematography by: Rohn Schmidt

Edited by: Alan Baumgarten

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