Stand-by Carpenter
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Stand-by Construction
Skyfall (2012)
Directed by: Sam Mendes
Cinematography by: Roger Deakins
Edited by: Stuart Baird
Editing System: Avid Editing System
Stand-by Carpenter
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Standby Carpenter
The Young Victoria (2009)
Directed by: Jean-Marc Vallée
Cinematography by: Hagen Bogdanski
Lenses: Zeiss Ultra Prime Lenses
Stand-by Carpenter
The Golden Compass (2007)
Directed by: Chris Weitz
Cinematography by: Henry Braham
Stand-by Carpenter: London Second Unit
V for Vendetta (2005)
Directed by: James McTeigue
Cinematography by: Adrian Biddle
Edited by: Martin Walsh
Stand-by Carpenter
To Kill a King (2003)
Directed by: Mike Barker
Cinematography by: Eigil Bryld
Edited by: Guy Bensley
Cameras: Panavision Cameras
Stand-by Carpenter
The Gathering Storm (2002)
Directed by: Richard Loncraine
Cinematography by: Peter Hannan
Edited by: Jim Clark
Stand-by Carpenter
The Importance of Being Earnest (2002)
Directed by: Oliver Parker
Cinematography by: Tony Pierce-Roberts
Edited by: Guy Bensley
Carpenter
Elizabeth (1998)
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Cameras: ARRIFLEX 435 ES Camera, ARRIFLEX 535 Camera
Carpenter
Shakespeare in Love (1998)
Directed by: John Madden
Cinematography by: Richard Greatrex
Edited by: David Gamble
Cameras: ARRIFLEX 535 B Camera
Lenses: Zeiss Variable Prime Lenses
