Assistant Buyer
Star Wars: Episode IX - The Rise of Skywalker (2019)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Assistant Buyer: Additional Photography / Property Dept Coordinator/buyer: Prep
Solo: A Star Wars Story (2018)
Directed by: Ron Howard
Cinematography by: Bradford Young
Edited by: Pietro Scalia
Property Department Coordinator/buyer
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Set Decoration Coordinator: Los Angeles
Alien: Covenant (2017)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
3d Scanning Digital Asset Manager: Abu Dhabi
Star Wars: Episode VII - The Force Awakens (2015)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRI ALEXA Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Retro C 100mm T2.8 Lens, Panavision Retro C 35mm T2.8 Lens, Panavision Retro C 40mm T2.8 Lens, Panavision Retro C 50mm T2.8 Lens, Panavision Retro C 60mm T2.8 Lens, Panavision Retro C 75mm T2.8 Lens
Editing System: Avid Editing System
Set Decoration Coordinator
The Hateful Eight (2015)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Assistant Production Coordinator: Los Angeles
Terminator Genisys (2015)
Directed by: Alan Taylor
Cinematography by: Kramer Morgenthau
Edited by: Roger Barton
Cameras: ARRI ALEXA XT Plus Camera
Assistant Production Coordinator: Cleveland
Captain America: The Winter Soldier (2014)
Cinematography by: Trent Opaloch
Cameras: ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C30 35 mm T3.0 Lens, Panavision C35 35 mm T2.3 Lens, Panavision C60 60 mm T2.8 Lens, Panavision E100 100 mm T2.3 Lens, Panavision E135 135 mm T2.8 Lens, Panavision E180 180 mm T2.8 Lens, Panavision E35 35 mm T2.0 Lens, Panavision E40 40 mm T2.0 Lens, Panavision E50 50 mm T2.0 Lens, Panavision G100 100 mm T2.6 Lens, Panavision G25 25 mm T2.6 Lens, Panavision G30 30 mm T2.6 Lens, Panavision G40 40 mm T2.6 Lens, Panavision G50 50 mm T2.6 Lens, Panavision G60 60 mm T2.6 Lens, Panavision G75 75 mm T2.6 Lens
Props Buyer
Kick-Ass 2 (2013)
Directed by: Jeff Wadlow
Cinematography by: Tim Maurice-Jones
Edited by: Eddie Hamilton
Art Department Coordinator
'Happy Endings' The St. Valentine's Day Maxssacre (2012)
Directed by: Joe Russo
Cinematography by: Michael A. Price
Edited by: Sandra Montiel
Art Department Coordinator
'Happy Endings' Meat the Parrots (2012)
Directed by: Jay Chandrasekhar
Cinematography by: Michael A. Price
Edited by: Sandra Montiel
Art Department Coordinator
'Happy Endings' The Shrink, the Dare, Her Date and Her Brother (2012)
Directed by: Jeff Melman
Cinematography by: Michael A. Price
Edited by: Sandra Montiel
Art Department Coordinator
'Happy Endings' Makin' Changes! (2012)
Directed by: Michael Patrick Jann
Cinematography by: Michael A. Price
Edited by: Steven Sprung
Art Department Coordinator
'Happy Endings' Everybody Loves Grant (2012)
Directed by: Kyle Newacheck
Cinematography by: Michael A. Price
Edited by: Steven Sprung
Art Department Coordinator
'Happy Endings' The Butterfly Effect Effect (2012)
Directed by: Victor Nelli Jr.
Cinematography by: Michael A. Price
Edited by: Sandra Montiel
Assistant Production Coordinator
John Carter (2012)
Directed by: Andrew Stanton
Cinematography by: Dan Mindel
Edited by: Eric Zumbrunnen
Lenses: Panavision ALZ3 270-840 mm T4.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Apple Final Cut Pro 7
Art Department Coordinator - 15 Episodes, 2011-2012
Happy Endings (2011)
Directed by: Rob Greenberg, Jay Chandrasekhar, Jeff Melman, Joe Russo, Anthony Russo, Fred Goss, Tristram Shapeero, Victor Nelli Jr., Fred Savage, Kyle Newacheck, Lee Shallat Chemel, Eric Appel, Steven Sprung, Michael Patrick Jann, Rebecca Asher, Randall Einhorn, Troy Miller, Matt Shakman, Gail Lerner, Gail Mancuso, Beth McCarthy-Miller, Stuart McDonald, Josh Bycel, David Caspe, Michael A. Price, Ken Whittingham
Edited by: Sandra Montiel, Steven Sprung, Richard Candib, Robert Bramwell, Cindy Mollo, Jane Choi, Brian LeCoz
Art Department Coordinator
'Happy Endings' Baby Steps (2011)
Directed by: Tristram Shapeero
Cinematography by: Michael A. Price
Edited by: Steven Sprung
Art Department Coordinator
'Happy Endings' Grinches Be Crazy (2011)
Directed by: Jeff Melman
Cinematography by: Michael A. Price
Edited by: Sandra Montiel
Art Department Coordinator
'Happy Endings' The Code War (2011)
Directed by: Rob Greenberg
Cinematography by: Michael A. Price
Edited by: Steven Sprung
Art Department Coordinator
'Happy Endings' Full Court Dress (2011)
Directed by: Victor Nelli Jr.
Cinematography by: Michael A. Price
Edited by: Sandra Montiel
Art Department Coordinator
'Happy Endings' Lying Around (2011)
Directed by: Fred Savage
Cinematography by: Michael A. Price
Edited by: Steven Sprung
Art Department Coordinator
'Happy Endings' Spooky Endings (2011)
Directed by: Fred Savage
Cinematography by: Michael A. Price
Edited by: Steven Sprung
Art Department Coordinator
'Happy Endings' Secrets and Limos (2011)
Directed by: Anthony Russo
Cinematography by: Michael A. Price
Edited by: Sandra Montiel
Art Department Coordinator
'Happy Endings' Yesandwitch (2011)
Directed by: Joe Russo
Cinematography by: Michael A. Price
Edited by: Sandra Montiel
Art Department Coordinator
'Happy Endings' Blax, Snake, Home (2011)
Directed by: Anthony Russo
Cinematography by: Michael A. Price
Edited by: Sandra Montiel
Assistant Production Coordinator
The Runaways (2010)
Directed by: Floria Sigismondi
Cinematography by: Benoît Debie
Edited by: Richard Chew
Cameras: ARRIFLEX 416 Camera
Lenses: Zeiss Master Prime Lenses
Production Secretary
17 Again (2009)
Directed by: Burr Steers
Cinematography by: Tim Suhrstedt
Edited by: Padraic McKinley
Cameras: Panavision Panaflex Platinum Camera
Office Production Assistant
Over Her Dead Body (2008)
Directed by: Jeff Lowell
Cinematography by: John Bailey
Edited by: Matt Friedman
Art Department Assistant
The Jane Austen Book Club (2007)
Directed by: Robin Swicord
Cinematography by: John Toon
Edited by: Maryann Brandon
Office Staff Assistant: Re-shoots
Zodiac (2007)
Directed by: David Fincher
Cinematography by: Harris Savides
Edited by: Angus Wall
Cameras: Thomson Viper Camera
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Production Secretary: Los Angeles
The Visitor (2007)
Directed by: Tom McCarthy
Cinematography by: Oliver Bokelberg
Edited by: Tom McArdle
Cameras: ARRICAM Lite (LT) Camera
Art Department Coordinator
Crossover (2006)
Directed by: Preston A. Whitmore II
Cinematography by: Christian Sebaldt
