Assistant Hair Stylist
Knives Out (2019)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Hair Department Head
Vice (2018)
Directed by: Adam McKay
Cinematography by: Greig Fraser
Edited by: Hank Corwin
Hair Stylist: Los Angeles
Ghost in the Shell (2017)
Directed by: Rupert Sanders
Cinematography by: Jess Hall
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera
Hair Department Head
Dunkirk (2017)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Avid Editing System
Department Head Hair
'True Detective' Omega Station (2015)
Directed by: John Crowley
Cinematography by: Nigel Bluck
Department Head Hair
'True Detective' The Western Book of the Dead (2015)
Directed by: Justin Lin
Cinematography by: Nigel Bluck
Edited by: Alex Hall
Department Head Hair
'True Detective' Black Maps and Motel Rooms (2015)
Directed by: Daniel Attias
Cinematography by: Nigel Bluck
Edited by: Chris Figler
Department Head Hair
'True Detective' Maybe Tomorrow (2015)
Directed by: Janus Metz
Cinematography by: Nigel Bluck
Edited by: Chris Figler
Department Head Hair
'True Detective' Church in Ruins (2015)
Directed by: Miguel Sapochnik
Cinematography by: Nigel Bluck
Department Head Hair
'True Detective' Night Finds You (2015)
Directed by: Justin Lin
Cinematography by: Nigel Bluck
Edited by: Alex Hall
Department Head Hair
'True Detective' Down Will Come (2015)
Directed by: Jeremy Podeswa
Cinematography by: Nigel Bluck
Department Head Hair
'True Detective' Other Lives (2015)
Directed by: John Crowley
Cinematography by: Nigel Bluck
Edited by: Chris Figler
Hair Department Head
Interstellar (2014)
Directed by: Christopher Nolan
Cinematography by: Hoyte Van Hoytema
Edited by: Lee Smith
Cameras: Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Department Head Hair - 8 Episodes, 2015
True Detective (2014)
Directed by: Cary Joji Fukunaga, Issa López, Daniel Sackheim, John Crowley, Justin Lin, Nic Pizzolatto, Jeremy Saulnier, Daniel Attias, Janus Metz, Jeremy Podeswa, Miguel Sapochnik
Edited by: Alex Hall, Leo Trombetta, Affonso Gonçalves, Chris Figler, Byron Smith, Meg Reticker, Brenna Rangott
Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Classic Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision PVintage Prime Lenses, Panavision Ultra Speed MKII Lenses
Hair Department Head
American Sniper (2014)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Cameras: ARRI ALEXA XT Camera
Key Hair Stylist
Inherent Vice (2014)
Directed by: Paul Thomas Anderson
Cinematography by: Robert Elswit
Edited by: Leslie Jones
Editing System: Avid Editing System
Hair Department Head
The Internship (2013)
Directed by: Shawn Levy
Cinematography by: Jonathan Brown
Edited by: Dean Zimmerman
Cameras: ARRI ALEXA Plus Camera
Key Hair Stylist
Big Miracle (2012)
Directed by: Ken Kwapis
Cinematography by: John Bailey
Edited by: Cara Silverman
Key Hair Stylist
The Dark Knight Rises (2012)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera
Lenses: Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Hair Department Head
Trouble with the Curve (2012)
Directed by: Robert Lorenz
Cinematography by: Tom Stern
Cameras: Panavision Panaflex Platinum Camera
Key Hair Stylist
Horrible Bosses (2011)
Directed by: Seth Gordon
Cinematography by: David Hennings
Edited by: Peter Teschner
Cameras: Panavision Genesis Camera
Hair Department Head
'Parks and Recreation' Indianapolis (2011)
Directed by: Randall Einhorn
Cinematography by: Matt Sohn
Edited by: Dean Holland
Hair Department Head
'Parks and Recreation' Go Big or Go Home (2011)
Directed by: Dean Holland
Cinematography by: Matt Sohn
Edited by: Dean Holland
Hair Department Head
'Parks and Recreation' Flu Season (2011)
Directed by: Wendey Stanzler
Cinematography by: Matt Sohn
Edited by: Ivan Victor
Hair Department Head
'Parks and Recreation' Time Capsule (2011)
Directed by: Michael Schur
Cinematography by: Matt Sohn
Edited by: Dean Holland
Hair Department Head
'Parks and Recreation' Ron & Tammy 2 (2011)
Directed by: Tucker Gates
Cinematography by: Matt Sohn
Edited by: Dean Holland
Hair Department Head
'Parks and Recreation' Media Blitz (2011)
Directed by: David Rogers
Cinematography by: Matt Sohn
Edited by: Ivan Victor
Hair Department Head
'Parks and Recreation' Telethon (2010)
Directed by: Troy Miller
Cinematography by: Michael Trim
Edited by: Ivan Victor
Hair Department Head
'Parks and Recreation' Freddy Spaghetti (2010)
Directed by: Jason Woliner
Cinematography by: Michael Trim
Hair Department Head
'Parks and Recreation' The Master Plan (2010)
Directed by: Dean Holland
Cinematography by: Michael Trim
Assistant Hair Stylist: San Francisco
Hereafter (2010)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Hair Stylist: Second Unit
G.I. Joe: The Rise of Cobra (2009)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Hair Department Head - 9 Episodes, 2010-2011
Parks and Recreation (2009)
Directed by: Dean Holland, Michael Schur, Ken Whittingham, Troy Miller, Randall Einhorn, Morgan Sackett, Craig Zisk, Tristram Shapeero, Michael Trim, Nicole Holofcener, Wendey Stanzler, Greg Daniels, Beth McCarthy-Miller, Jason Woliner, Amy Poehler, Charles McDougall, Alex Hardcastle, Seth Gordon, Jorma Taccone, Tucker Gates, Daniel J. Goor, Nick Offerman, Alan Yang, Jeffrey Blitz, Paul Feig, Michael McCullers, Millicent Shelton, Ken Kwapis, David Rogers, Rob Schrab, Matt Sohn, Kyle Newacheck, Robert B. Weide, Norm Hiscock, Jay Karas, Julie Anne Robinson, Adam Scott, Tom Magill
Cinematography by: Tom Magill, Michael Trim, John Inwood, Peter Smokler, Matt Sohn, Shana Hagan, Johnny Martin, Jacob Pinger
Edited by: Ivan Victor, Dean Holland, Mark Sadlek, Dan Schalk, John M. Valerio, Richie Edelson, Jeff Seibenick, Shawn Paper, Jon Corn, Daniel S. Russ
Cameras: Sony HDW-F900R Camera, Sony PDW-F800 Camera
Lenses: Fujinon Lenses
Hair Stylist
Star Trek (2009)
Directed by: J.J. Abrams
Cinematography by: Dan Mindel
Cameras: ARRIFLEX 435 ES Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Autodesk Smoke Editing System, Avid Editing System
Hair Stylist
Changeling (2008)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Key Hair Stylist
Rails & Ties (2007)
Directed by: Alison Eastwood
Cinematography by: Tom Stern
Edited by: Gary Roach
Hair Stylist
Flags of our Fathers (2006)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Key Hair Stylist
Letters from Iwo Jima (2006)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Key Hair Stylist
Blood Work (2002)
Directed by: Clint Eastwood
Cinematography by: Tom Stern
Edited by: Joel Cox
Key Hair Stylist
True Crime (1999)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Edited by: Joel Cox
Key Hair Stylist
American Beauty (1999)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Cameras: Panavision Panaflex Platinum Camera
