Caroline Eselin

16 Titles

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If Beale Street Could Talk | ShotOnWhat?

Costume Designer

If Beale Street Could Talk (2018)

Directed by: Barry Jenkins

Cinematography by: James Laxton

Edited by: Joi McMillon, Nat Sanders

Cameras: ARRI ALEXA 65 Camera

Lenses: ARRI Rental Prime DNA Lenses

Under the Silver Lake | ShotOnWhat?

Costume Designer

Under the Silver Lake (2018)

Directed by: David Robert Mitchell

Cinematography by: Mike Gioulakis

Edited by: Julio C. Perez IV

Cameras: ARRI ALEXA Mini Camera

Lenses: Cooke S4/i Lenses

The Hollars | ShotOnWhat?

Costume Designer

The Hollars (2016)

Directed by: John Krasinski

Cinematography by: Eric Alan Edwards

Edited by: Heather Persons

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Angenieux HR Zoom Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses

Moonlight | ShotOnWhat?

Costume Designer

Moonlight (2016)

Directed by: Barry Jenkins

Cinematography by: James Laxton

Edited by: Joi McMillon, Nat Sanders

Cameras: ARRI ALEXA XT Plus Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Hawk V-Lite Lenses, Kowa Cine Prominar Anamorphic Lenses

The Courier | ShotOnWhat?

Costume Designer, Costumer

The Courier (2012)

Directed by: Hany Abu-Assad

Cinematography by: Antonio Calvache

Edited by: William Steinkamp

The Paperboy | ShotOnWhat?

Costume Designer

The Paperboy (2012)

Directed by: Lee Daniels

Cinematography by: Roberto Schaefer

Edited by: Joe Klotz

Cameras: Aaton XTR Prod Camera, ARRIFLEX 16SR3 Camera

Lenses: Canon Lenses, Zeiss Super Speed Lenses

Seeking Justice | ShotOnWhat?

Costume Designer

Seeking Justice (2011)

Directed by: Roger Donaldson

Cinematography by: David Tattersall

Edited by: Jay Cassidy

Cameras: Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Leaves of Grass | ShotOnWhat?

Costume Designer

Leaves of Grass (2009)

Directed by: Tim Blake Nelson

Cinematography by: Roberto Schaefer

Edited by: Michelle Botticelli

Cameras: Red One Camera

Lenses: Angenieux Lenses, Cooke Lenses, Zeiss Lenses

Ballast | ShotOnWhat?

Costume Designer

Ballast (2008)

Directed by: Lance Hammer

Cinematography by: Lol Crawley

Edited by: Lance Hammer

The Kite Runner | ShotOnWhat?

Wardrobe Supervisor: Second Unit, Xinjiang, China

The Kite Runner (2007)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Don't Come Knocking | ShotOnWhat?

Costume Designer

Don't Come Knocking (2005)

Directed by: Wim Wenders

Cinematography by: Franz Lustig

Edited by: Peter Przygodda, Oli Weiss

Ray | ShotOnWhat?

Additional Costumer

Ray (2004)

Directed by: Taylor Hackford

Cinematography by: Pawel Edelman

Edited by: Paul Hirsch

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 35 IIC Camera

Lenses: Cooke Cinetal Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

Runaway Jury | ShotOnWhat?

Costumer

Runaway Jury (2003)

Directed by: Gary Fleder

Cinematography by: Robert Elswit

Edited by: William Steinkamp

Monster's Ball | ShotOnWhat?

Set Costumer

Monster's Ball (2001)

Directed by: Marc Forster

Cinematography by: Roberto Schaefer

Edited by: Matt Chesse

Cameras: ARRIFLEX 35 IIIC Camera, ARRIFLEX 535 Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Zeiss Standard Speed Prime Lenses

Lush | ShotOnWhat?

Key Set Costumer

Lush (2000)

Directed by: Mark Gibson

Cinematography by: Caroline Champetier

Edited by: Sarah Flack

O Brother, Where Art Thou? | ShotOnWhat?

Production Assistant

O Brother, Where Art Thou? (2000)

Directed by: Joel Coen, Ethan Coen

Cinematography by: Roger Deakins

Edited by: Ethan Coen, Joel Coen, Tricia Cooke

Cameras: ARRIFLEX 535 B Camera

Lenses: Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

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