Romuald Drault

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Everything Everywhere All at Once | ShotOnWhat?

Production Manager: Paris Pickup Crew

Everything Everywhere All at Once (2022)

Directed by: Daniel Kwan, Daniel Scheinert

Cinematography by: Larkin Seiple

Edited by: Paul Rogers

Cameras: ARRI ALEXA Mini Camera

Lenses: Atlas Orion Anamorphic Series Lenses, Hawk V-Lite Lenses, Todd-AO Lenses, Zeiss Master Prime Lenses

Editing System: Adobe Premiere Editing System

Nine Lives | ShotOnWhat?

Production Adminstrator

Nine Lives (2016)

Directed by: Barry Sonnenfeld

Cinematography by: Karl Walter Lindenlaub

Edited by: David Zimmerman, Don Zimmerman

Cameras: ARRI ALEXA Mini Camera

Lenses: Cooke S4/i Lenses, Zeiss Ultra Prime Lenses

The Transporter Refueled | ShotOnWhat?

Production Accountant Supervisor

The Transporter Refueled (2015)

Directed by: Camille Delamarre

Cinematography by: Christophe Collette, Vincent Richard

Edited by: Julien Rey

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

Taken 3 | ShotOnWhat?

Production Accountant Supervisor

Taken 3 (2014)

Directed by: Olivier Megaton

Cinematography by: Eric Kress

Edited by: Audrey Simonaud, Nicolas Trembasiewicz

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Hawk V-Lite Lenses, Hawk V-Plus Lenses, Hawk V-Series Lenses

Lucy | ShotOnWhat?

Production Accountant Supervisor

Lucy (2014)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Cameras: ARRI ALEXA XT Camera, Red Epic Camera, Sony CineAlta F65 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

3 Days to Kill | ShotOnWhat?

Production Accountant Supervisor

3 Days to Kill (2014)

Directed by: McG

Cinematography by: Thierry Arbogast

Edited by: Audrey Simonaud

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRI ALEXA Studio Camera

Lenses: Technovision Lenses, Zeiss Super Speed Lenses

Brick Mansions | ShotOnWhat?

Executive Producer

Brick Mansions (2014)

Directed by: Camille Delamarre

Cinematography by: Christophe Collette

Edited by: Carlo Rizzo, Arthur Tarnowski

Cameras: Red Epic Camera

Lenses: Hawk V-Lite Lenses

Les invincibles | ShotOnWhat?

Production Accountant Supervisor

Les invincibles (2013)

Directed by: Frédéric Berthe

Cinematography by: David Quesemand

Edited by: Vanessa Basté, Hugues Darmois, Stéphane Garnier

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Cooke Lenses

Collision | ShotOnWhat?

Production Accountant Supervisor

Collision (2013)

Directed by: David Marconi

Cinematography by: Thomas Hardmeier

Edited by: Julien Rey

Cameras: ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-7D Camera, GoPro HD Hero2 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Leitz Summilux-C Series Lenses, Zeiss Compact Prime Lenses

20 ans d'écart | ShotOnWhat?

Production Accountant Supervisor

20 ans d'écart (2013)

Directed by: David Moreau

Cinematography by: Laurent Tangy

Edited by: Cyril Besnard

Cameras: ARRICAM Studio (ST) Camera

Lenses: Angenieux HR 25-250 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Family | ShotOnWhat?

Production Accountant Supervisor

The Family (2013)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Cameras: ARRI ALEXA Plus 4:3 Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Taken 2 | ShotOnWhat?

Production Accountant Supervisor

Taken 2 (2012)

Directed by: Olivier Megaton

Cinematography by: Romain Lacourbas

Edited by: Camille Delamarre, Vincent Tabaillon

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera, Panavision Cameras

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens

Lockout | ShotOnWhat?

Production Accountant Supervisor

Lockout (2012)

Directed by: James Mather, Steve Saint Leger

Cinematography by: James Mather

Edited by: Camille Delamarre, Eamonn Power

Cameras: Red One MX Camera

Lenses: Red Pro Prime Lenses

The Lady | ShotOnWhat?

Production Accountant Supervisor

The Lady (2011)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

Coursier | ShotOnWhat?

Production Accountant Supervisor

Coursier (2010)

Directed by: Hervé Renoh

Cinematography by: Vincent Muller

Edited by: Jean de Garrigues, Stéphane Garnier

L'immortel | ShotOnWhat?

Production Accountant Supervisor

L'immortel (2010)

Directed by: Richard Berry

Cinematography by: Thomas Hardmeier

Edited by: Camille Delamarre

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Arthur 3: la guerre des deux mondes | ShotOnWhat?

Production Accountant Supervisor

Arthur 3: la guerre des deux mondes (2010)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Stéphane Garnier, Julien Rey

From Paris with Love | ShotOnWhat?

Production Accountant Supervisor

From Paris with Love (2010)

Directed by: Pierre Morel

Cinematography by: Michel Abramowicz

Edited by: Frédéric Thoraval

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Panavision Primo Anamorphic Lenses

Les aventures extraordinaires d'Adèle Blanc-Sec | ShotOnWhat?

Production Accountant Supervisor

Les aventures extraordinaires d'Adèle Blanc-Sec (2010)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Julien Rey

L'homme qui voulait vivre sa vie | ShotOnWhat?

Production Accountant Supervisor

L'homme qui voulait vivre sa vie (2010)

Directed by: Eric Lartigau

Cinematography by: Laurent Dailland

Edited by: Stéphane Garnier, Juliette Welfling

À l'origine | ShotOnWhat?

Production Administrator: EuropaCorp

À l'origine (2009)

Directed by: Xavier Giannoli

Cinematography by: Glynn Speeckaert

Edited by: Célia Lafitedupont

District 13: Ultimatum | ShotOnWhat?

Production Accountant Supervisor

District 13: Ultimatum (2009)

Directed by: Patrick Alessandrin

Cinematography by: Jean-François Hensgens

Edited by: Stéphane Garnier, Julien Rey

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

I Love You Phillip Morris | ShotOnWhat?

Financial Supervisor: EuropaCorp

I Love You Phillip Morris (2009)

Directed by: Glenn Ficarra, John Requa

Cinematography by: Xavier Grobet

Edited by: Stéphane Garnier, Thomas J. Nordberg

Transporter 3 | ShotOnWhat?

Accountant Supervisor

Transporter 3 (2008)

Directed by: Olivier Megaton

Cinematography by: Giovanni Fiore Coltellacci

Edited by: Camille Delamarre, Carlo Rizzo

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Si j'étais toi | ShotOnWhat?

Production Accountant Supervisor

Si j'étais toi (2007)

Directed by: Vincent Perez

Cinematography by: Paul Sarossy

Edited by: Yves Beloniak

Arthur and the Invisibles | ShotOnWhat?

Payroll Supervisor

Arthur and the Invisibles (2006)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Karim Benhammouda, Yann Hervé, Vincent Tabaillon

Bandidas | ShotOnWhat?

Accountant Supervisor

Bandidas (2006)

Directed by: Joachim Rønning, Espen Sandberg

Cinematography by: Thierry Arbogast

Edited by: Frédéric Thoraval

Unleashed | ShotOnWhat?

Production Accountant Supervisor

Unleashed (2005)

Directed by: Louis Leterrier

Cinematography by: Pierre Morel

Edited by: Nicolas Trembasiewicz

The Three Burials of Melquiades Estrada | ShotOnWhat?

Financial Controller

The Three Burials of Melquiades Estrada (2005)

Directed by: Tommy Lee Jones

Cinematography by: Chris Menges

Edited by: Roberto Silvi

Transporter 2 | ShotOnWhat?

Accountant Supervisor

Transporter 2 (2005)

Directed by: Louis Leterrier

Cinematography by: Mitchell Amundsen

Edited by: Christine Lucas Navarro, Vincent Tabaillon

Angel-A | ShotOnWhat?

Accountant Supervisor

Angel-A (2005)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Christine Lucas Navarro, Frédéric Thoraval

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 17-80 mm T2.2 Lens, Cooke S4 Lenses

Fanfan | ShotOnWhat?

Accountant Supervisor

Fanfan (2003)

Directed by: Gérard Krawczyk

Cinematography by: Gérard Simon

Edited by: Nicolas Trembasiewicz

Taxi 3 | ShotOnWhat?

Accountant Supervisor

Taxi 3 (2003)

Directed by: Gérard Krawczyk

Cinematography by: Gérard Sterin

Edited by: Yann Hervé

The Transporter | ShotOnWhat?

Head Production Accountant

The Transporter (2002)

Directed by: Louis Leterrier, Corey Yuen

Cinematography by: Pierre Morel

Edited by: Nicolas Trembasiewicz

Wasabi | ShotOnWhat?

Accountant Supervisor

Wasabi (2001)

Directed by: Gérard Krawczyk

Cinematography by: Gérard Sterin

Edited by: Yann Hervé

Kiss of the Dragon | ShotOnWhat?

Production Accountant Supervisor

Kiss of the Dragon (2001)

Directed by: Chris Nahon

Cinematography by: Thierry Arbogast

Edited by: Marco Cavé

Taxi 2 | ShotOnWhat?

Production Accountant

Taxi 2 (2000)

Directed by: Gérard Krawczyk

Cinematography by: Gérard Sterin

Edited by: Thierry Hoss

The Messenger: The Story of Joan of Arc | ShotOnWhat?

Production Accountant

The Messenger: The Story of Joan of Arc (1999)

Directed by: Luc Besson

Cinematography by: Thierry Arbogast

Edited by: Sylvie Landra

Les Misérables | ShotOnWhat?

Accountant: Paris

Les Misérables (1998)

Directed by: Bille August

Cinematography by: Jörgen Persson

Edited by: Janus Billeskov Jansen

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