Stevie Lazo

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Get on Up | ShotOnWhat?

Production Accountant

Get on Up (2014)

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera, Canon EOS Rebel T3i camera, Canon EOS-C500 Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses

Stand Up Guys | ShotOnWhat?

Production Accountant

Stand Up Guys (2012)

Directed by: Fisher Stevens

Cinematography by: Michael Grady

Edited by: Mark Livolsi

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Gone | ShotOnWhat?

Production Accountant

Gone (2012)

Directed by: Heitor Dhalia

Cinematography by: Michael Grady

Edited by: John Axelrad

Cameras: Red Epic Camera

Lenses: Angenieux Optimo Zoom Lenses

The Help | ShotOnWhat?

Production Accountant

The Help (2011)

Directed by: Tate Taylor

Cinematography by: Stephen Goldblatt

Edited by: Hughes Winborne

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Gamer | ShotOnWhat?

Production Accountant

Gamer (2009)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Ekkehart Pollack

Edited by: Peter Amundson, Fernando Villena, Doobie White

Cameras: ARRIFLEX 435 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Untraceable | ShotOnWhat?

Production Accountant

Untraceable (2008)

Directed by: Gregory Hoblit

Cinematography by: Anastas N. Michos

Edited by: Gregory Plotkin, David Rosenbloom

Rent | ShotOnWhat?

Production Accountant

Rent (2005)

Directed by: Chris Columbus

Cinematography by: Stephen Goldblatt

Edited by: Richard Pearson

Almost Famous | ShotOnWhat?

Production Accountant

Almost Famous (2000)

Directed by: Cameron Crowe

Cinematography by: John Toll

Edited by: Joe Hutshing, Saar Klein

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Pay It Forward | ShotOnWhat?

Production Accountant

Pay It Forward (2000)

Directed by: Mimi Leder

Cinematography by: Oliver Stapleton

Edited by: David Rosenbloom

Cameras: Panavision Cameras

Edtv | ShotOnWhat?

Production Accountant

Edtv (1999)

Directed by: Ron Howard

Cinematography by: John Schwartzman

Edited by: Daniel P. Hanley, Mike Hill

The X Files | ShotOnWhat?

Production Accountant

The X Files (1998)

Directed by: Rob Bowman

Cinematography by: Ward Russell

Edited by: Stephen Mark

The Lost World: Jurassic Park | ShotOnWhat?

Production Accountant

The Lost World: Jurassic Park (1997)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera, Panavision Panastar II Camera

Lenses: Panavision Primo Primes Spherical Lenses

Broken Arrow | ShotOnWhat?

Production Accountant

Broken Arrow (1996)

Directed by: John Woo

Cinematography by: Peter Levy

Edited by: Joe Hutshing, Steve Mirkovich, John Wright

Cameras: Panavision Cameras

Strange Days | ShotOnWhat?

Production Accountant

Strange Days (1995)

Directed by: Kathryn Bigelow

Cinematography by: Matthew F. Leonetti

Edited by: Howard E. Smith, James Cameron

Wyatt Earp | ShotOnWhat?

Production Accountant

Wyatt Earp (1994)

Directed by: Lawrence Kasdan

Cinematography by: Owen Roizman

Edited by: Carol Littleton

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses: Cooke Lenses, Panavision Primo Anamorphic Lenses

For Richer, for Poorer | ShotOnWhat?

Production Accountant

For Richer, for Poorer (1992)

Television Movie

Directed by: Jay Sandrich

Cinematography by: Arthur Albert

Edited by: Skip Schoolnik

Solar Crisis | ShotOnWhat?

Production Accountant: Additional Production

Solar Crisis (1990)

Directed by: Richard C. Sarafian, Alan Smithee

Cinematography by: Russell Carpenter

Edited by: Richard Trevor

Cameras: Panavision Panaflex Platinum Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses

Back to the Future Part III | ShotOnWhat?

Production Accountant

Back to the Future Part III (1990)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Troop Beverly Hills | ShotOnWhat?

Assistant Production Accountant

Troop Beverly Hills (1989)

Directed by: Jeff Kanew

Cinematography by: Donald E. Thorin

Edited by: Mark Melnick

Back to the Future Part II | ShotOnWhat?

Production Accountant

Back to the Future Part II (1989)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Midnight Run | ShotOnWhat?

Assistant Production Accountant

Midnight Run (1988)

Directed by: Martin Brest

Cinematography by: Donald E. Thorin

Edited by: Chris Lebenzon, Michael Tronick, Billy Weber

Baby Boom | ShotOnWhat?

Assistant Production Accountant

Baby Boom (1987)

Directed by: Charles Shyer

Cinematography by: William A. Fraker

Edited by: Lynzee Klingman

Cameras: Panavision Cameras

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