Special Effects Coordinator
Arrival (2016)
Directed by: Denis Villeneuve
Cinematography by: Bradford Young
Edited by: Joe Walker
Special Effects Coordinator
It's Only the End of the World (2016)
Directed by: Xavier Dolan
Cinematography by: André Turpin
Edited by: Xavier Dolan
Special Effects Coordinator
The Walk (2015)
Directed by: Robert Zemeckis
Cinematography by: Dariusz Wolski
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Dragon Camera
Special Effects Supervisor
Brick Mansions (2014)
Directed by: Camille Delamarre
Cinematography by: Christophe Collette
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses
Special Effects Supervisor: Canada
RED 2 (2013)
Directed by: Dean Parisot
Cinematography by: Enrique Chediak
Edited by: Don Zimmerman
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Hawk V-Lite Lenses
Special Effects Supervisor
The Smurfs 2 (2013)
Directed by: Raja Gosnell
Cinematography by: Phil Meheux
Edited by: Sabrina Plisco
Cameras: Sony CineAlta F65 Camera
Special Effects Supervisor
Riddick (2013)
Directed by: David Twohy
Cinematography by: David Eggby
Edited by: Tracy Adams
Cameras: ARRI ALEXA Camera
Editing System: Avid Editing System
Special Effects Coordinator: Canada Quebec
On the Road (2012)
Directed by: Walter Salles
Cinematography by: Eric Gautier
Edited by: François Gédigier
Cameras: Aaton Penelope Camera
Special Effects Supervisor
Source Code (2011)
Directed by: Duncan Jones
Cinematography by: Don Burgess
Edited by: Paul Hirsch
Special Effects Supervisor
Beastly (2011)
Directed by: Daniel Barnz
Cinematography by: Mandy Walker
Edited by: Thomas J. Nordberg
Special Effects Supervisor
Immortals (2011)
Directed by: Tarsem Singh
Cinematography by: Brendan Galvin
Special Effects Coordinator
Barney's Version (2010)
Directed by: Richard J. Lewis
Cinematography by: Guy Dufaux
Edited by: Susan Shipton
Cameras: ARRIFLEX Camera
Special Effects Supervisor
I Killed My Mother (2009)
Directed by: Xavier Dolan
Cinematography by: Stéphanie Anne Weber Biron
Edited by: Hélène Girard
Cameras: Red One Camera
Special Effects Supervisor
Orphan (2009)
Directed by: Jaume Collet-Serra
Cinematography by: Jeff Cutter
Edited by: Timothy Alverson
Special Effects Coordinator / Special Effects Director
Journey to the Center of the Earth (2008)
Directed by: Eric Brevig
Cinematography by: Chuck Shuman
Special Effects Coordinator
Punisher: War Zone (2008)
Directed by: Lexi Alexander
Cinematography by: Steve Gainer
Edited by: William Yeh
Special Effects Coordinator: Canada / Special Effects Floor Supervisor
The Mummy: Tomb of the Dragon Emperor (2008)
Directed by: Rob Cohen
Cinematography by: Simon Duggan
Editing System: Avid Editing System
Special Effects Coordinator: Montreal
The Curious Case of Benjamin Button (2008)
Directed by: David Fincher
Cinematography by: Claudio Miranda
Lenses: Zeiss DigiPrime Lenses
Editing System: Final Cut Pro Editing System
Special Effects Coordinator
The Woods (2006)
Directed by: Lucky McKee
Cinematography by: John R. Leonetti
Cameras: Panavision Cameras
Special Effects Coordinator
The Last Kiss (2006)
Directed by: Tony Goldwyn
Cinematography by: Tom Stern
Edited by: Lisa Zeno Churgin
Special Effects Coordinator
The Covenant (2006)
Directed by: Renny Harlin
Cinematography by: Pierre Gill
Edited by: Nicolas De Toth
Special Effects Coordinator: Canada
An American Haunting (2005)
Directed by: Courtney Solomon
Cinematography by: Adrian Biddle
Edited by: Richard Comeau
Special Effects Supervisor: Montreal
The Notebook (2004)
Directed by: Nick Cassavetes
Cinematography by: Robert Fraisse
Edited by: Alan Heim
Special Effects Coordinator: Canada
Feardotcom (2002)
Directed by: William Malone
Cinematography by: Christian Sebaldt
Edited by: Alan Strachan
Special Effects Coordinator
The Whole Nine Yards (2000)
Directed by: Jonathan Lynn
Cinematography by: David Franco
Edited by: Tom Lewis
Special Effects Coordinator
Rainbow (1995)
Directed by: Bob Hoskins
Cinematography by: Freddie Francis
Edited by: Ray Lovejoy
Set Props
Criminal Law (1988)
Directed by: Martin Campbell
Cinematography by: Phil Meheux
Edited by: Chris Wimble
