Steve Danton

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Think Like a Man Too | ShotOnWhat?

First Assistant Director

Think Like a Man Too (2014)

Directed by: Tim Story

Cinematography by: Christopher Duskin

Edited by: Peter S. Elliot

Cameras: Sony CineAlta F65 Camera, Sony PMW-F55 Camera

Lenses: Panavision Super Speed Lenses

Seventh Son | ShotOnWhat?

First Assistant Director

Seventh Son (2014)

Directed by: Sergei Bodrov

Cinematography by: Newton Thomas Sigel

Edited by: Michael Kahn, Jim Page, Paul Rubell

Cameras: ARRI ALEXA Camera

Homefront | ShotOnWhat?

First Assistant Director

Homefront (2013)

Directed by: Gary Fleder

Cinematography by: Theo van de Sande

Edited by: Padraic McKinley

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Think Like a Man | ShotOnWhat?

First Assistant Director

Think Like a Man (2012)

Directed by: Tim Story

Cinematography by: Larry Blanford

Edited by: Peter S. Elliot

Cameras: Red Epic Camera

Drive Angry | ShotOnWhat?

First Assistant Director

Drive Angry (2011)

Directed by: Patrick Lussier

Cinematography by: Brian Pearson

Edited by: Devin C. Lussier, Patrick Lussier

Fright Night | ShotOnWhat?

First Assistant Director

Fright Night (2011)

Directed by: Craig Gillespie

Cinematography by: Javier Aguirresarobe

Edited by: Tatiana S. Riegel

Cameras: Red One MX Camera

Lenses: Zeiss Master Prime Lenses

Priest | ShotOnWhat?

First Assistant Director

Priest (2011)

Directed by: Scott Stewart

Cinematography by: Don Burgess

Edited by: Lisa Zeno Churgin, Rebecca Weigold

Cameras: Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Takers | ShotOnWhat?

First Assistant Director

Takers (2010)

Directed by: John Luessenhop

Cinematography by: Michael Barrett

Edited by: Armen Minasian

Cameras: ARRIFLEX 435 ES Camera, Panavision Genesis Camera

Lenses: Panavision Primo Anamorphic Lenses

Get Smart | ShotOnWhat?

First Assistant Director: Second Unit, Los Angeles

Get Smart (2008)

Directed by: Peter Segal

Cinematography by: Dean Semler

Edited by: Richard Pearson

Cameras: Panavision Genesis Camera, Panavision Panastar Camera

Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens

Editing System: Avid Editing System

Idlewild | ShotOnWhat?

First Assistant Director

Idlewild (2006)

Directed by: Bryan Barber

Cinematography by: Pascal Rabaud

Edited by: Anne Goursaud

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Zeiss Ultra Prime Lenses

Torque | ShotOnWhat?

First Assistant Director

Torque (2004)

Directed by: Joseph Kahn

Cinematography by: Peter Levy

Edited by: David Blackburn, Howard E. Smith

K-19: The Widowmaker | ShotOnWhat?

Associate Producer, First Assistant Director

K-19: The Widowmaker (2002)

Directed by: Kathryn Bigelow

Cinematography by: Jeff Cronenweth

Edited by: Walter Murch

Pay It Forward | ShotOnWhat?

First Assistant Director

Pay It Forward (2000)

Directed by: Mimi Leder

Cinematography by: Oliver Stapleton

Edited by: David Rosenbloom

Cameras: Panavision Cameras

Gone in Sixty Seconds | ShotOnWhat?

First Assistant Director, G.R.A.B. Officer #2

Gone in 60 Seconds (2000)

Directed by: Dominic Sena

Cinematography by: Paul Cameron

Edited by: Roger Barton, Chris Lebenzon, Tom Muldoon

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The General's Daughter | ShotOnWhat?

Bomb Van Soldier, First Assistant Director

The General's Daughter (1999)

Directed by: Simon West

Cinematography by: Peter Menzies Jr.

Edited by: Glen Scantlebury

Cameras: Pan-Arri III Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses

How Stella Got Her Groove Back | ShotOnWhat?

First Assistant Director, Man In Commercial

How Stella Got Her Groove Back (1998)

Directed by: Kevin Rodney Sullivan

Cinematography by: Jeffrey Jur

Edited by: George Bowers

The Evening Star | ShotOnWhat?

First Assistant Director, Minister B. Ramsey

The Evening Star (1996)

Directed by: Robert Harling

Cinematography by: Don Burgess

Edited by: David Moritz, Priscilla Nedd-Friendly

Strange Days | ShotOnWhat?

First Assistant Director

Strange Days (1995)

Directed by: Kathryn Bigelow

Cinematography by: Matthew F. Leonetti

Edited by: Howard E. Smith, James Cameron

Virtuosity | ShotOnWhat?

First Assistant Director

Virtuosity (1995)

Directed by: Brett Leonard

Cinematography by: Gale Tattersall

Edited by: Rob Kobrin, B.J. Sears

Cameras: ARRIFLEX 535 B Camera, Moviecam Compact Camera

Mother's Boys | ShotOnWhat?

First Assistant Director

Mother's Boys (1993)

Directed by: Yves Simoneau

Cinematography by: Elliot Davis

Edited by: Michael D. Ornstein

Cliffhanger | ShotOnWhat?

First Assistant Director: Second Unit

Cliffhanger (1993)

Directed by: Renny Harlin

Cinematography by: Alex Thomson

Edited by: Frank J. Urioste

Cameras: Panavision Cameras

Dead Again | ShotOnWhat?

First Assistant Director

Dead Again (1991)

Directed by: Kenneth Branagh

Cinematography by: Matthew F. Leonetti

Edited by: Peter E. Berger

Cameras: Ultracam 35 Camera

Lenses: Cooke Lenses

Thelma & Louise | ShotOnWhat?

First Assistant Director

Thelma & Louise (1991)

Directed by: Ridley Scott

Cinematography by: Adrian Biddle

Edited by: Thom Noble

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Everybody's All-American | ShotOnWhat?

Second Assistant Director

Everybody's All-American (1988)

Directed by: Taylor Hackford

Cinematography by: Stephen Goldblatt

Edited by: Don Zimmerman

Vice Versa | ShotOnWhat?

Second Assistant Director

Vice Versa (1988)

Directed by: Brian Gilbert

Cinematography by: King Baggot

Edited by: David Garfield

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