Marc Purnell

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Guardians of the Galaxy Vol. 3 | ShotOnWhat?

Senior Visual Effects Camera Td

Guardians of the Galaxy Vol. 3 (2023)

Motion Picture

Directed by: James Gunn

Cinematography by: Henry Braham

Edited by: Greg D'Auria, Fred Raskin

Cameras: Red Digital Cinema Cameras, Red Komodo Camera, Red Monstro 8K Camera, Red V-Raptor Camera

Lenses: Angenieux Optimo Ultra 12x Lens, Angenieux Type EZ-1 VV 45-135 mm T3.0 Lens, Angenieux Type EZ-2 VV 22-60 mm T3.0 Lens, Leitz M 0.8 Series Lenses

Matchmove Lead

Elvis (2022)

Motion Picture

Directed by: Baz Luhrmann

Cinematography by: Mandy Walker

Edited by: Jonathan Redmond, Matt Villa

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA LF Camera

Lenses: Panavision Sphero 65 Series Lenses, Panavision T Series Anamorphic Lenses

Black Panther: Wakanda Forever | ShotOnWhat?

Senior Camera Technical Director

Black Panther: Wakanda Forever (2022)

Motion Picture

Directed by: Ryan Coogler

Cinematography by: Autumn Durald Arkapaw

Edited by: Kelley Dixon, Jennifer Lame, Michael P. Shawver

Cameras: Sony CineAlta VENICE Camera

Lenses: Panavision B Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Panatar Anamorphic Lenses

Matchmove Lead: Method Studios

Ad Astra (2019)

Motion Picture

Directed by: James Gray

Cinematography by: Hoyte Van Hoytema

Edited by: John Axelrad, Lee Haugen

Cameras: Aaton Penelope Camera, ARRI ALEXA XT Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Advanced Camera, ARRIFLEX Camera

Lenses: CamTec Astra Master Prime Series Lenses, Zeiss Master Prime Lenses

Matchmove

Outlaw King (2018)

Motion Picture

Directed by: David Mackenzie

Cinematography by: Barry Ackroyd

Edited by: Jake Roberts

Cameras: Panavision Millennium DXL Camera, Red Weapon Dragon Camera

Lenses: Angenieux Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo 70 Lenses

Visual Effects Techvis Artist

Creed II (2018)

Motion Picture

Directed by: Steven Caple Jr.

Cinematography by: Kramer Morgenthau

Edited by: Dana E. Glauberman, Saira Haider, Paul Harb

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses: Panavision Lenses, Zeiss Master Prime Lenses

Matchmove

Hotel Mumbai (2018)

Motion Picture

Directed by: Anthony Maras

Cinematography by: Nick Remy Matthews

Edited by: Anthony Maras, Peter McNulty

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Panavision G Series Anamorphic Lenses

Previs Artist

Thor: Ragnarok (2017)

Motion Picture

Directed by: Taika Waititi

Cinematography by: Javier Aguirresarobe

Edited by: Zene Baker, Joel Negron

Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, Phantom Flex4K Camera

Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Vintage 765 Lenses, Panavision Primo V Lenses

X-Men: Days of Future Past | ShotOnWhat?

Stereo Matchmover

X-Men: Days of Future Past (2014)

Motion Picture

Directed by: Bryan Singer

Cinematography by: Newton Thomas Sigel

Edited by: Michael Louis Hill, John Ottman

Cameras: ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses: ARRI / Fujinon Lenses, Fujinon Lenses, Leitz Summilux-C Series Lenses

Matchmove Artist

I, Frankenstein (2014)

Motion Picture

Directed by: Stuart Beattie

Cinematography by: Ross Emery

Edited by: Marcus D'Arcy

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Matchmove Artist: Rising Sun Pictures

The Wolverine (2013)

Motion Picture

Directed by: James Mangold

Cinematography by: Ross Emery

Edited by: Michael McCusker

Cameras: ARRI ALEXA Camera

Ghost Rider: Spirit of Vengeance | ShotOnWhat?

Matchmove: Iloura

Ghost Rider: Spirit of Vengeance (2011)

Motion Picture

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Brandon Trost

Edited by: Brian Berdan

Cameras: Red One MX Camera

Matchmover: Iloura

Killer Elite (2011)

Motion Picture

Directed by: Gary McKendry

Cinematography by: Simon Duggan

Edited by: John Gilbert

Modeller

The Warrior's Way (2010)

Motion Picture

Directed by: Sngmoo Lee

Cinematography by: Woo-hyung Kim

Edited by: Jonathan Woodford-Robinson

Modeller: Rising Sun Pictures

Terminator Salvation (2009)

Motion Picture

Directed by: McG

Cinematography by: Shane Hurlbut

Edited by: Conrad Buff IV

Cameras: ARRIFLEX 235 Camera, ARRIFLEX 35 III Camera, Pan-Arri 435 Xtreme Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

Harry Potter and the Half-Blood Prince | ShotOnWhat?

Modeller: Rising Sun Pictures

Harry Potter and the Half-Blood Prince (2009)

Motion Picture

Directed by: David Yates

Cinematography by: Bruno Delbonnel

Edited by: Mark Day

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Traveller

Scooby-Doo (2002)

Motion Picture

Directed by: Raja Gosnell

Cinematography by: David Eggby

Edited by: Kent Beyda

Cameras: Panavision Cameras

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Marc Purnell

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Senior Visual Effects Camera Td

Guardians of the Galaxy Vol. 3 (2023)

Matchmove Lead

Elvis (2022)

Senior Camera Technical Director

Black Panther: Wakanda Forever (2022)

Matchmove Lead: Method Studios

Ad Astra (2019)

Matchmove

Outlaw King (2018)

Visual Effects Techvis Artist

Creed II (2018)

Matchmove

Hotel Mumbai (2018)

Previs Artist

Thor: Ragnarok (2017)

Stereo Matchmover

X-Men: Days of Future Past (2014)

Matchmove Artist

I, Frankenstein (2014)

Matchmove Artist: Rising Sun Pictures

The Wolverine (2013)

Matchmove: Iloura

Ghost Rider: Spirit of Vengeance (2011)

Matchmover: Iloura

Killer Elite (2011)

Modeller

The Warrior's Way (2010)

Modeller: Rising Sun Pictures

Terminator Salvation (2009)

Modeller: Rising Sun Pictures

Harry Potter and the Half-Blood Prince (2009)

Traveller

Scooby-Doo (2002)

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