Special Effects Crew
Inception (2010)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
Cameras: ARRIFLEX 235 Camera, ARRIFLEX 435 ES Camera, Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision System 65 Camera, Phantom HD Gold Camera, Photo-Sonics 35mm-4B/4C Camera, Photo-Sonics 35mm-4ER Camera, Super Panavision-70 Camera
Lenses: Panavision 65mm Prime Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Panavision System 65 Lenses
Editing System: Avid Editing System
Special Effects Foreman
Flightplan (2005)
Directed by: Robert Schwentke
Cinematography by: Florian Ballhaus
Edited by: Thom Noble
Motion Base Operator: NAC
Along Came Polly (2004)
Directed by: John Hamburg
Cinematography by: Seamus McGarvey
Special Effects Motion Control Engineer
Spider-Man (2002)
Directed by: Sam Raimi
Cinematography by: Don Burgess
Cameras: Beaumont Vista Vision Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Avid Editing System
Special Effects Foreman
Mission to Mars (2000)
Directed by: Brian De Palma
Cinematography by: Stephen H. Burum
Edited by: Paul Hirsch
Special Effects Foreman
The Insider (1999)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Special Effects Lead: High-speed Miniatures Unit: DQI
Armageddon (1998)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Special Effects Technician , Special Effects Technician: Digital Domain
Titanic (1997)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Special Effects
Trojan War (1997)
Directed by: George Huang
Cinematography by: Dean Semler
Edited by: Ed Marx
Assistant Special Effects Supervisor
The Relic (1997)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
Special Effects Supervisor
Barb Wire (1996)
Directed by: David Hogan
Cinematography by: Rick Bota
Edited by: Peter Schink
Special Effects
The Brady Bunch Movie (1995)
Directed by: Betty Thomas
Cinematography by: Mac Ahlberg
Edited by: Peter Teschner
Special Effects Assistant
True Lies (1994)
Directed by: James Cameron
Cinematography by: Russell Carpenter
Special Effects Coordinator
Color of Night (1994)
Directed by: Richard Rush
Cinematography by: Dietrich Lohmann
Special Effects
Jurassic Park (1993)
Directed by: Steven Spielberg
Cinematography by: Dean Cundey
Edited by: Michael Kahn
Editing System: Steenbeck Editing System
Special Effects Assistant
Last Action Hero (1993)
Directed by: John McTiernan
Cinematography by: Dean Semler
Cameras: Panavision Panaflex Gold II Camera
Special Effects Technician
Patriot Games (1992)
Directed by: Phillip Noyce
Cinematography by: Donald McAlpine
Special Effects
The Last of the Mohicans (1992)
Directed by: Michael Mann
Cinematography by: Dante Spinotti
Cameras: Panavision Cameras
Special Effects Assistant
Under Siege (1992)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
Special Effects Assistant
Terminator 2: Judgment Day (1991)
Directed by: James Cameron
Cinematography by: Adam Greenberg
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 IIC Camera
Special Effects Supervisor
Heat Wave (1990)
Directed by: Kevin Hooks
Cinematography by: Mark Irwin
Edited by: Debra Neil-Fisher
Lead Miniture Special Effects: Stetson Visual Services, Inc.
Edward Scissorhands (1990)
Directed by: Tim Burton
Cinematography by: Stefan Czapsky
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Special Effects Assistant
The Hitcher (1986)
Directed by: Robert Harmon
Cinematography by: John Seale
Edited by: Frank J. Urioste
Special Effects Assistant
Fandango (1985)
Directed by: Kevin Reynolds
Cinematography by: Thomas Del Ruth
Special Effects Assistant
Romancing the Stone (1984)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Special Effects
I, the Jury (1982)
Directed by: Richard T. Heffron
Cinematography by: Andrew Laszlo
Edited by: Garth Craven
Cameras: Panavision Cameras
Special Effects Foreman
Whose Life Is It Anyway? (1981)
Directed by: John Badham
Cinematography by: Mario Tosi
Edited by: Frank Morriss
Special Effects Technician
Modern Problems (1981)
Directed by: Ken Shapiro
Cinematography by: Edmond L. Koons
Edited by: Michael Jablow
Special Effects Crew
Hooper (1978)
Directed by: Hal Needham
Cinematography by: Bobby Byrne
Edited by: Donn Cambern
Special Effects Technician
Logan's Run (1976)
Directed by: Michael Anderson
Cinematography by: Ernest Laszlo
Edited by: Bob Wyman
Cameras: ARRIFLEX Camera, Mitchell Cameras
