First Assistant Camera: "a" Camera
'Better Call Saul' Uno (2015)
Directed by: Vince Gilligan
Cinematography by: Arthur Albert
Edited by: Skip Macdonald
First Assistant Camera: "a" Camera - 1 Episode, 2015
Better Call Saul (2015)
Directed by: Vince Gilligan, Adam Bernstein, Thomas Schnauz, Peter Gould, Colin Bucksey, John Shiban, Michelle MacLaren, Larysa Kondracki, Terry McDonough, Daniel Sackheim, Minkie Spiro, Nicole Kassell, Michael Slovis, Scott Winant, Keith Gordon, Deborah Chow, Jim McKay, Michael Morris, Andrew Stanton, Bronwen Hughes, Norberto Barba
Edited by: Skip Macdonald, Kelley Dixon, Chris McCaleb, Curtis Thurber, Christopher M. Meagher, Joey Reinisch
Cameras: Panasonic Lumix DMC-GH4 Camera, Panasonic VariCam 35, Red Epic Dragon Camera, Red Helium (Weapon) 8K, Sony α7R II Camera
Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens
Editing System: Avid Editing System
A-camera Assistant
'The Mob Doctor' Resurrection (2013)
Directed by: Kate Woods
Cinematography by: Arthur Albert
Edited by: John Duffy
A-camera Assistant
'The Mob Doctor' Pilot (2012)
Directed by: Michael Dinner
Cinematography by: Arthur Albert
A-camera Assistant - 2 Episodes, 2012-2013
The Mob Doctor (2012)
Directed by: Michael Dinner, Ken Olin, Adam Arkin, Thomas Carter, David Grossman, Daniel Sackheim, Peter Weller, Randy Zisk, Michael W. Watkins, Kate Woods
Cinematography by: Arthur Albert
Cameras: Red Epic Camera
First Assistant Camera: "a" Camera
The Change-Up (2011)
Directed by: David Dobkin
Cinematography by: Eric Alan Edwards
Lenses: Cooke S4 Lenses
Assistant Camera: Second Unit
Transformers: Dark of the Moon (2011)
Directed by: Michael Bay
Cinematography by: Amir Mokri
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera, Red One MX Camera, Silicon Imaging SI-2K Camera, Sony CineAlta F35 Camera, VistaVision Cameras
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Zeiss Master Prime Lenses
Editing System: Avid Editing System
First Assistant Camera: "b" Camera
A Nightmare on Elm Street (2010)
Directed by: Samuel Bayer
Cinematography by: Jeff Cutter
Edited by: Glen Scantlebury
First Assistant Camera: "a" Camera
Push (2009)
Directed by: Paul McGuigan
Cinematography by: Peter Sova
Edited by: Nicolas Trembasiewicz
First Assistant Camera: "b" Camera, Additional Photography
Horsemen (2009)
Directed by: Jonas Åkerlund
Cinematography by: Eric Broms
First Assistant Camera
Nothing Like the Holidays (2008)
Directed by: Alfredo Rodriguez de Villa
Cinematography by: Scott Kevan
First Assistant Camera
The Strangers (2008)
Directed by: Bryan Bertino
Cinematography by: Peter Sova
Edited by: Kevin Greutert
Cameras: Panavision Cameras
Assistant Camera
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
First Assistant Camera: "b" Camera
Stranger Than Fiction (2006)
Directed by: Marc Forster
Cinematography by: Roberto Schaefer
Edited by: Matt Chesse
First Assistant Camera: "a" Camera, Chicago / First Assistant Camera: Chicago Second Unit
Proof (2005)
Directed by: John Madden
Cinematography by: Alwin H. Küchler
Edited by: Mick Audsley
Editing System: Lightworks Editing System
First Assistant Camera: Second Unit
Cursed (2005)
Directed by: Wes Craven
Cinematography by: Robert McLachlan
First Assistant Camera: Chicago
Batman Begins (2005)
Directed by: Christopher Nolan
Cinematography by: Wally Pfister
Edited by: Lee Smith
First Assistant Camera: Chicago
Mean Girls (2004)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Wendy Greene Bricmont
Cameras: Panavision Cameras
Assistant Camera
The Company (2003)
Directed by: Robert Altman
Cinematography by: Andrew Dunn
Edited by: Geraldine Peroni
First Assistant Camera
Unconditional Love (2002)
Directed by: P.J. Hogan
Cinematography by: Remi Adefarasin
Edited by: Robert C. Jones
Cameras: Panavision Cameras
First Assistant Photographer: Missouri/Nebraska
The Sum of All Fears (2002)
Directed by: Phil Alden Robinson
Cinematography by: John Lindley
First Assistant Camera: "b" Camera
Barbershop (2002)
Directed by: Tim Story
Cinematography by: Tom Priestley Jr.
Edited by: John Carter
First Assistant Camera
Hardball (2001)
Directed by: Brian Robbins
Cinematography by: Tom Richmond
Edited by: Ned Bastille
First Assistant Camera: Chicago
The Negotiator (1998)
Directed by: F. Gary Gray
Cinematography by: Russell Carpenter
Edited by: Christian Wagner
Cameras: Panavision Cameras
First Assistant Camera
The Naked Man (1998)
Directed by: J. Todd Anderson
Cinematography by: Jeff Barklage
First Assistant Camera
Home Alone 3 (1997)
Directed by: Raja Gosnell
Cinematography by: Julio Macat
Cameras: Panavision Panaflex Gold Camera
First Assistant Camera: Chicago
The Relic (1997)
Directed by: Peter Hyams
Cinematography by: Peter Hyams
Edited by: Steven Kemper
First Assistant Camera
Chain Reaction (1996)
Directed by: Andrew Davis
Cinematography by: Frank Tidy
Cameras: Panavision Cameras
First Assistant Camera: Second Unit
Twister (1996)
Directed by: Jan de Bont
Cinematography by: Jack N. Green
Edited by: Michael Kahn
First Assistant Camera: "a" Camera
Ri¢hie Ri¢h (1994)
Directed by: Donald Petrie
Cinematography by: Don Burgess
Edited by: Malcolm Campbell
First Assistant Camera: Second Unit
The Fugitive (1993)
Directed by: Andrew Davis
Cinematography by: Michael Chapman
First Assistant Camera
Rudy (1993)
Directed by: David Anspaugh
Cinematography by: Oliver Wood
Edited by: David Rosenbloom
Additional First Assistant Camera
Blink (1993)
Directed by: Michael Apted
Cinematography by: Dante Spinotti
Edited by: Rick Shaine
Additional First Assistant Camera / Assistant Steadicam
Backdraft (1991)
Directed by: Ron Howard
Cinematography by: Mikael Salomon
First Assistant Camera: Second Unit
Uncle Buck (1989)
Directed by: John Hughes
Cinematography by: Ralf D. Bode
First Assistant Camera
Next of Kin (1989)
Directed by: John Irvin
Cinematography by: Steven Poster
Edited by: Peter Honess
