Digital Intermediate Management: Light Iron
Pride and Prejudice and Zombies (2016)
Directed by: Burr Steers
Cinematography by: Remi Adefarasin
Edited by: Padraic McKinley
Lenses: Cooke S4/i Lenses
Digital Intermediate Executive Producer
Fathers & Daughters (2015)
Directed by: Gabriele Muccino
Cinematography by: Shane Hurlbut
Edited by: Alex Rodríguez
Cameras: Canon EOS-C500 Camera, Red Epic Camera
Digital Intermediate Producer
The Walk (2015)
Directed by: Robert Zemeckis
Cinematography by: Dariusz Wolski
Edited by: Jeremiah O'Driscoll
Cameras: Red Epic Dragon Camera
Digital Intermediate Executive Producer
Tusk (2014)
Directed by: Kevin Smith
Cinematography by: James Laxton
Edited by: Kevin Smith
Cameras: ARRI ALEXA Camera, Red Epic Camera
Digital Intermediate Supervisor
The Expendables 3 (2014)
Directed by: Patrick Hughes
Cinematography by: Peter Menzies Jr.
Digital Intermediate Management
That Awkward Moment (2014)
Directed by: Tom Gormican
Cinematography by: Brandon Trost
Cameras: ARRI ALEXA Plus Camera
Digital Intermediate Producer
Texas Chainsaw 3D (2013)
Directed by: John Luessenhop
Cinematography by: Anastas N. Michos
Edited by: Randy Bricker
Cameras: Red Epic Camera
Lenses: Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Distagon 16 mm T1.9 Lens, Zeiss Ultra Prime Distagon 24 mm T1.9 Lens, Zeiss Ultra Prime Distagon 32 mm T1.9 Lens, Zeiss Ultra Prime Distagon 40 mm T1.9 Lens, Zeiss Ultra Prime Planar 50 mm T1.9 Lens, Zeiss Ultra Prime Planar 65 mm T1.9 Lens, Zeiss Ultra Prime Planar 85 mm T1.9 Lens
Editing System: Avid Editing System
Digital Intermediate Producer
Big Sur (2013)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Cameras: Red Epic Camera, Red One Camera
Digital Intermediate Management
Enough Said (2013)
Directed by: Nicole Holofcener
Cinematography by: Xavier Grobet
Edited by: Robert Frazen
Cameras: ARRI ALEXA Studio Camera
Lenses: Leitz Summilux-C Series Lenses
Digital Intermediate Producer: Light Iron
In a World... (2013)
Directed by: Lake Bell
Cinematography by: Seamus Tierney
Edited by: Tom McArdle
Cameras: Red Epic Camera
Lenses: Hawk C-Series Lenses
Digital Intermediate Manager
42 (2013)
Directed by: Brian Helgeland
Cinematography by: Don Burgess
Cameras: Red Epic Camera
Editing System: Avid Editing System
Digital Intermediate Management
Odd Thomas (2013)
Directed by: Stephen Sommers
Cinematography by: Mitchell Amundsen
Edited by: David Checel
Cameras: Red Epic Camera
Digital Intermediate Manager
Dark Skies (2013)
Directed by: Scott Stewart
Cinematography by: David Boyd
Edited by: Peter Gvozdas
Cameras: ARRI ALEXA Camera
Lenses: Angenieux Optimo Zoom Lenses
Stereoscopic Producer
Abraham Lincoln: Vampire Hunter (2012)
Directed by: Timur Bekmambetov
Cinematography by: Caleb Deschanel
Edited by: William Hoy
Digital Intermediate Producer
TimeScapes (2012)
Directed by: Tom Lowe
Cinematography by: Tom Lowe
Edited by: Tom Lowe
Cameras: Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red Epic Camera, Red One MX Camera
Editing System: Adobe Premiere Editing System
Visual Effects Producer: Stereo D
Underworld Awakening (2012)
Cinematography by: Scott Kevan
Edited by: Jeff McEvoy
Cameras: Red Epic Camera
Associate Producer
Captain America: The First Avenger (2011)
Directed by: Joe Johnston
Cinematography by: Shelly Johnson
Cameras: ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Editing System: Avid Editing System
Post Consultant
Street Kings 2: Motor City (2011)
Directed by: Chris Fisher
Cinematography by: Marvin V. Rush
Edited by: Miklos Wright
Stereoscopic Producer: Stereo D
Thor (2011)
Directed by: Kenneth Branagh
Cinematography by: Haris Zambarloukos
Edited by: Paul Rubell
Production Supervisor: Stereo D, Stereoscopic Producer
The Green Hornet (2011)
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Post Producer
Stone (2010)
Directed by: John Curran
Cinematography by: Maryse Alberti
Edited by: Alexandre de Franceschi
Digital Intermediate Supervisor
A Marine Story (2010)
Directed by: Ned Farr
Cinematography by: Alexandre Naufel
Edited by: Ned Farr
Digital Intermediate Supervisor: LightIron Digital
The 41-Year-Old Virgin Who Knocked Up Sarah Marshall and Felt Superbad About It (2010)
Directed by: Craig Moss
Cinematography by: Andrew Strahorn
Edited by: Michel Aller
Post-production Producer: LightIRON Digital
Every Day (2010)
Directed by: Richard Levine
Cinematography by: Nancy Schreiber
Edited by: Pam Wise
Digital Intermediate Supervisor
S. Darko (2009)
Directed by: Chris Fisher
Cinematography by: Marvin V. Rush
Edited by: Kent Beyda
Cameras: Red One Camera
Digital Intermediate Supervisor
Stay Cool (2009)
Directed by: Michael Polish
Cinematography by: M. David Mullen
Edited by: Cary Gries
