Post Production Supervisor
Ambulance (2022)
Directed by: Michael Bay
Cinematography by: Roberto De Angelis
Cameras: Red Epic Helium Camera, Red Komodo Camera
Production Manager
Shutter Island (2010)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Post-production Supervisor
Indiana Jones and the Kingdom of the Crystal Skull (2008)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Production Manager
Stardust (2007)
Directed by: Matthew Vaughn
Cinematography by: Ben Davis
Edited by: Jon Harris
Post-production Supervisor
War of the Worlds (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Post-production Supervisor
Dreamer: Inspired by a True Story (2005)
Directed by: John Gatins
Cinematography by: Fred Murphy
Edited by: David Rosenbloom
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera
Editing System: Final Cut Pro Editing System
Post-production Supervisor
Munich (2005)
Directed by: Steven Spielberg
Cinematography by: Janusz Kaminski
Edited by: Michael Kahn
Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses: Cooke Cine Varotal Mark II 25-250mm T3.9 Lens, Cooke S4/i Prime 100mm T2.0 Lens, Cooke S4/i Prime 14mm T2.0 Lens, Cooke S4/i Prime 16mm T2.0 Lens, Cooke S4/i Prime 21mm T2.0 Lens, Cooke S4/i Prime 75mm T2.0
Editing System: Moviola Editing System
Post-production Supervisor
Just Like Heaven (2005)
Directed by: Mark Waters
Cinematography by: Daryn Okada
Edited by: Bruce Green
Editing System: Avid Editing System
Digital Intermediate Producer
Kill Bill: Vol. 2 (2004)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Digital Intermediate Producer: Technicolor Digital Intermediates
The Aviator (2004)
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Digital Intermediate Producer
Mr 3000 (2004)
Directed by: Charles Stone III
Cinematography by: Shane Hurlbut
Edited by: Bill Pankow
Digital Intermediate Producer
Seabiscuit (2003)
Directed by: Gary Ross
Cinematography by: John Schwartzman
Edited by: William Goldenberg
Editing System: Avid Editing System
Digital Intermediate Producer
Kill Bill: Vol. 1 (2003)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Sally Menke
Cameras: Panavision Panaflex Platinum Camera
Assistant Visual Effects Coordinator
The Cell (2000)
Directed by: Tarsem Singh
Cinematography by: Paul Laufer
