Executive Producer
Road to Perdition (2002)
Directed by: Sam Mendes
Cinematography by: Conrad L. Hall
Edited by: Jill Bilcock
Cameras: Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Editing System: Lightworks Editing System
Executive Producer
What Lies Beneath (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Cameras: Panavision Panaflex Platinum Camera
Executive Producer
Cast Away (2000)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Executive Producer
Deep Impact (1998)
Directed by: Mimi Leder
Cinematography by: Dietrich Lohmann
Cameras: ARRIFLEX 535 Camera
Executive Producer, Unit Production Manager
Contact (1997)
Directed by: Robert Zemeckis
Cinematography by: Don Burgess
Edited by: Arthur Schmidt
Co-producer, Unit Production Manager
Terminal Velocity (1994)
Directed by: Deran Sarafian
Cinematography by: Oliver Wood
Co-producer, Unit Production Manager
Mrs. Doubtfire (1993)
Directed by: Chris Columbus
Cinematography by: Donald McAlpine
Edited by: Raja Gosnell
Cameras: Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Co-producer, Unit Production Manager
Death Becomes Her (1992)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Edited by: Arthur Schmidt
Associate Producer, Unit Production Manager
One Good Cop (1991)
Directed by: Heywood Gould
Cinematography by: Ralf D. Bode
Edited by: Richard Marks
Unit Production Manager
Back to the Future Part III (1990)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Production Manager: USA
Indiana Jones and the Last Crusade (1989)
Directed by: Steven Spielberg
Cinematography by: Douglas Slocombe
Cameras: Panavision Panaflex Camera
Lenses: Panavision Lenses
Unit Production Manager
Back to the Future Part II (1989)
Directed by: Robert Zemeckis
Cinematography by: Dean Cundey
Unit Production Manager
Alien Nation (1988)
Directed by: Graham Baker
Cinematography by: Adam Greenberg
Edited by: Kent Beyda
Cameras: ARRIFLEX Camera
Lenses: ARRI / Zeiss Lenses
Unit Production Manager: New York
Wrong Is Right (1982)
Directed by: Richard Brooks
Cinematography by: Fred J. Koenekamp
Edited by: George Grenville
Production Manager
The Fan (1981)
Directed by: Ed Bianchi
Cinematography by: Dick Bush
Edited by: Alan Heim
Unit Production Manager
Going in Style (1979)
Directed by: Martin Brest
Cinematography by: Billy Williams
Minor Role
The Big Fisherman (1959)
Directed by: Frank Borzage
Cinematography by: Lee Garmes
Edited by: Paul Weatherwax
Cameras: Super Panavision-70 Camera