Louis Rivera

23 Titles

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One Man Band | ShotOnWhat?

Color Grader

One Man Band (2005)

Directed by: Mark Andrews, Andrew Jimenez

Edited by: Steve Bloom

Finding Nemo | ShotOnWhat?

Camera Supervisor

Finding Nemo (2003)

Directed by: Andrew Stanton, Lee Unkrich

Cinematography by: Sharon Calahan, Jeremy Lasky, Jericca Cleland

Edited by: David Ian Salter

Monsters, Inc. | ShotOnWhat?

Camera Supervisor

Monsters, Inc. (2001)

Directed by: Pete Docter, David Silverman, Lee Unkrich

Edited by: Robert Grahamjones, Jim Stewart

For the Birds | ShotOnWhat?

Film Output

For the Birds (2000)

Directed by: Ralph Eggleston

Edited by: Tom Freeman, Jennifer Leo Russ

A Bug's Life | ShotOnWhat?

Camera Supervisor

A Bug's Life (1998)

Directed by: John Lasseter, Andrew Stanton

Cinematography by: Sharon Calahan

Edited by: Lee Unkrich

Geri's Game | ShotOnWhat?

Film Output

Geri's Game (1997)

Directed by: Jan Pinkava

Edited by: Jim Kallett

Forrest Gump | ShotOnWhat?

Negative Cutter: ILM

Forrest Gump (1994)

Directed by: Robert Zemeckis

Cinematography by: Don Burgess

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Editing System: Avid Editing System

The Mask | ShotOnWhat?

Negative Cutter

The Mask (1994)

Directed by: Chuck Russell

Cinematography by: John R. Leonetti

Edited by: Arthur Coburn

Cameras: Panavision Panaflex Series Cameras

Lenses: Zeiss Lenses

Jurassic Park | ShotOnWhat?

Negative Cutter: ILM

Jurassic Park (1993)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Cameras: Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Panavision Primo Primes Spherical Lenses, Panavision Slant Focus Lenses

Editing System: Steenbeck Editing System

The Meteor Man | ShotOnWhat?

Negative Cutter

The Meteor Man (1993)

Directed by: Robert Townsend

Cinematography by: John A. Alonzo

Edited by: Adam Bernardi, Richard Candib, Robaire W. Estel, Andrew London, Pam Wise

Cameras: Panavision Panaflex Gold Camera

Schindler's List | ShotOnWhat?

Negative Cutter: ILM

Schindler's List (1993)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 535 B Camera, ARRIFLEX 535 Camera

Editing System: Moviola Editing System

Death Becomes Her | ShotOnWhat?

Negative Cutter

Death Becomes Her (1992)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Arthur Schmidt

Backdraft | ShotOnWhat?

Negative Cutter: ILM

Backdraft (1991)

Directed by: Ron Howard

Cinematography by: Mikael Salomon

Edited by: Daniel P. Hanley, Mike Hill

Hook | ShotOnWhat?

Visual Effects Editorial

Hook (1991)

Directed by: Steven Spielberg

Cinematography by: Dean Cundey

Edited by: Michael Kahn

Back to the Future Part III | ShotOnWhat?

Negative Cutter

Back to the Future Part III (1990)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

The Abyss | ShotOnWhat?

Editorial Staff: ILM - Special Version

The Abyss (1989)

Directed by: James Cameron

Cinematography by: Mikael Salomon

Edited by: Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith

Cameras: ARRIFLEX 35 BL3 Camera, Panavision System 65 Camera

Back to the Future Part II | ShotOnWhat?

Negative Cutter: ILM

Back to the Future Part II (1989)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: ARRIFLEX 35 III Camera, Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Willow | ShotOnWhat?

Assistant Visual Effects Editor

Willow (1988)

Directed by: Ron Howard

Cinematography by: Adrian Biddle

Edited by: Daniel P. Hanley, Mike Hill, Richard Hiscott

Cameras: Panavision Panaflex Gold Camera

Lenses: Cooke Lenses, Panavision C Series Anamorphic Lenses

Who Framed Roger Rabbit | ShotOnWhat?

Assistant Visual Effects Editor

Who Framed Roger Rabbit (1988)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Arthur Schmidt

Cameras: Panavision Panaflex Camera, VistaVision Cameras

Lenses: Panavision Lenses

*batteries not included | ShotOnWhat?

Assistant Sound Effects Editor

*batteries not included (1987)

Directed by: Matthew Robbins

Cinematography by: John McPherson

Edited by: Cynthia Scheider

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Golden Child | ShotOnWhat?

Processing: ILM

The Golden Child (1986)

Directed by: Michael Ritchie

Cinematography by: Donald E. Thorin

Edited by: Richard A. Harris

Back to the Future | ShotOnWhat?

Optical Technician: ILM

Back to the Future (1985)

Directed by: Robert Zemeckis

Cinematography by: Dean Cundey

Edited by: Harry Keramidas, Arthur Schmidt

Cameras: Panavision Panaflex Gold Camera, Panavision Panastar Camera, VistaVision Cameras

Lenses: Nikon - Nikkor Lenses, Panavision Ultra Speed MKII Lenses

Indiana Jones and the Temple of Doom | ShotOnWhat?

Laboratory Technician: ILM

Indiana Jones and the Temple of Doom (1984)

Directed by: Steven Spielberg

Cinematography by: Douglas Slocombe

Edited by: Michael Kahn, George Lucas

Cameras: Panavision Panaflex Gold Camera

Lenses: Panavision C Series Anamorphic Lenses

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