Effects Camera Operator
'11.22.63' The Eyes of Texas (2016)
Directed by: Frederick E.O. Toye
Cinematography by: Adam Suschitzky
Edited by: Michael R. Fox
Plate Photographer
'The Kennedys' The First Campaign (2011)
Directed by: Jon Cassar
Cinematography by: David Moxness
Edited by: David B. Thompson
Plate Photographer
'The Kennedys' Bobby's War (2011)
Directed by: Jon Cassar
Cinematography by: David Moxness
Edited by: Don Cassidy
Plate Photographer
'The Kennedys' My Brother's Keeper (2011)
Directed by: Jon Cassar
Cinematography by: David Moxness
Edited by: David B. Thompson
Plate Photographer - 3 Episodes, 2011
The Kennedys (2011)
Directed by: Jon Cassar
Cinematography by: David Moxness
Cameras: Sony CineAlta F35 Camera
Background Plate Photographer
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Process Cameraman
Little Children (2006)
Directed by: Todd Field
Cinematography by: Antonio Calvache
Edited by: Leo Trombetta
Motion Control Supervisor
The Prize Winner of Defiance, Ohio (2005)
Directed by: Jane Anderson
Cinematography by: Jonathan Freeman
Edited by: Robert Dalva
Front Projection
Miracle (2004)
Directed by: Gavin O'Connor
Cinematography by: Dan Stoloff
Cameras: Panavision Cameras
Motion Control Supervisor
The Day After Tomorrow (2004)
Directed by: Roland Emmerich
Cinematography by: Ueli Steiger
Edited by: David Brenner
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Motion Control Supervisor
Confessions of a Teenage Drama Queen (2004)
Directed by: Sara Sugarman
Cinematography by: Stephen H. Burum
Edited by: Anita Brandt Burgoyne
Front Projection
How to Lose a Guy in 10 Days (2003)
Directed by: Donald Petrie
Cinematography by: John Bailey
Edited by: Debra Neil-Fisher
Motion Control Supervisor
Bulletproof Monk (2003)
Directed by: Paul Hunter
Cinematography by: Stefan Czapsky
Edited by: Robert K. Lambert
Visual Effects Motion Control Supervisor
Undercover Brother (2002)
Directed by: Malcolm D. Lee
Cinematography by: Tom Priestley Jr.
Edited by: William Kerr
Projectionist: Front Projection
K-19: The Widowmaker (2002)
Directed by: Kathryn Bigelow
Cinematography by: Jeff Cronenweth
Edited by: Walter Murch
Driver
The Majestic (2001)
Directed by: Frank Darabont
Cinematography by: David Tattersall
Edited by: Jim Page
Visual Effects Blue Screen Consultant
Driven (2001)
Directed by: Renny Harlin
Cinematography by: Mauro Fiore
Rear Projection Supervisor
X-Men (2000)
Directed by: Bryan Singer
Cinematography by: Newton Thomas Sigel
Miniature Supervisor
Thomas and the Magic Railroad (2000)
Directed by: Britt Allcroft
Cinematography by: Paul Ryan
Edited by: Ron Wisman
Background Plate Supervisor / Rear Projection Supervisor
Bait (2000)
Directed by: Antoine Fuqua
Cinematography by: Tobias A. Schliessler
Edited by: Alan Edward Bell
Cameras: Panavision Cameras
Motion Control/capture Supervisor
Bless the Child (2000)
Directed by: Chuck Russell
Cinematography by: Peter Menzies Jr.
Edited by: Alan Heim
Motion Control/capture Supervsior: Toronto
The 6th Day (2000)
Directed by: Roger Spottiswoode
Cinematography by: Pierre Mignot
Rear Projection Supervisor
eXistenZ (1999)
Directed by: David Cronenberg
Cinematography by: Peter Suschitzky
Edited by: Ronald Sanders
Visual Effects Designer / Visual Effects Supervisor
Dick (1999)
Directed by: Andrew Fleming
Cinematography by: Alexander Gruszynski
Edited by: Mia Goldman
Front Projectionist
Urban Legend (1998)
Directed by: Jamie Blanks
Cinematography by: James Chressanthis
Edited by: Jay Cassidy
Motion Control
The Big Hit (1998)
Directed by: Kirk Wong
Cinematography by: Danny Nowak
Cameras: Panavision Panaflex Platinum Camera
Motion Control Supervisor
A Simple Wish (1997)
Directed by: Michael Ritchie
Cinematography by: Ralf D. Bode
Edited by: William S. Scharf
Rear Screen Projection Supervisor
The Edge (1997)
Directed by: Lee Tamahori
Cinematography by: Donald McAlpine
Edited by: Neil Travis
Driver
Trial and Error (1997)
Directed by: Jonathan Lynn
Cinematography by: Gabriel Beristain
Edited by: Tony Lombardo
Cameras: ARRIFLEX 535 Camera
Rear Projection Supervisor
Mimic (1997)
Directed by: Guillermo del Toro
Cinematography by: Dan Laustsen
Rear Projection Supervisor
That Old Feeling (1997)
Directed by: Carl Reiner
Cinematography by: Steve Mason
Edited by: Richard Halsey
Visual Effects Producer
Fly Away Home (1996)
Directed by: Carroll Ballard
Cinematography by: Caleb Deschanel
Edited by: Nicholas C. Smith
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Background Plate Photographer, Rear Projection Supervisor
The Abduction (1996)
Directed by: Larry Peerce
Cinematography by: Tony Imi
Edited by: Susan B. Browdy
Visual Effects
Harriet the Spy (1996)
Directed by: Bronwen Hughes
Cinematography by: Francis Kenny
Edited by: Debra Chiate
