Composer
Follow (2015)
Directed by: Owen Egerton
Cinematography by: Ellie Ann Fenton
Edited by: Sean McQueeney
Cameras: Sony PMW-F55 Camera
Score Programmer
The Great Gatsby (2013)
Directed by: Baz Luhrmann
Cinematography by: Simon Duggan
Cameras: Red Epic Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Scoring Assistant
People Like Us (2012)
Directed by: Alex Kurtzman
Cinematography by: Salvatore Totino
Edited by: Robert Leighton
Lenses: Cooke S4 Lenses
Editing System: Avid Editing System
Composer: Additional Music , Midi Preparation
Couples Retreat (2009)
Directed by: Peter Billingsley
Cinematography by: Eric Alan Edwards
Edited by: Dan Lebental
Editing System: Final Cut Pro Editing System
Composer: Additional Themes And Music
Jodhaa Akbar (2008)
Directed by: Ashutosh Gowariker
Cinematography by: Kiran Deohans
Edited by: Ballu Saluja
Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses
Music Arranger, Additional Orchestrations, Music Programming
The Incredible Hulk (2008)
Directed by: Louis Leterrier
Cinematography by: Peter Menzies Jr.
Editing System: Avid Editing System
Additional Orchestrator / Music Arranger / Music Programmer
Elizabeth: The Golden Age (2007)
Directed by: Shekhar Kapur
Cinematography by: Remi Adefarasin
Edited by: Jill Bilcock
Composer: Additional Music
In Search of a Midnight Kiss (2007)
Directed by: Alex Holdridge
Cinematography by: Robert Murphy
Composer
Choose Connor (2007)
Directed by: Lucas Elliot Eberl
Cinematography by: Jim Timperman
Edited by: Lucas Elliot Eberl
Additional Music Programmer / Additional Orchestrator / Music Arranger
World Trade Center (2006)
Directed by: Oliver Stone
Cinematography by: Seamus McGarvey
Composer: Additional Music
Chasing Ghosts (2005)
Cinematography by: Andrew Huebscher
Edited by: Kyle Dean Jackson
Music Arranger
Must Love Dogs (2005)
Directed by: Gary David Goldberg
Cinematography by: John Bailey
Cameras: Panavision Cameras
Music Arranger
Get Rich or Die Tryin' (2005)
Directed by: Jim Sheridan
Cinematography by: Declan Quinn
Cameras: Panavision Cameras
Additional Music Arranger
Spanglish (2004)
Directed by: James L. Brooks
Cinematography by: John Seale
Score Coordinator
Something's Gotta Give (2003)
Directed by: Nancy Meyers
Cinematography by: Michael Ballhaus
Edited by: Joe Hutshing
Cameras: ARRICAM Studio (ST) Camera
Lenses: Angenieux Lenses, Zeiss Lenses
Technical Assistant , Technical Music Advisor
Spirit: Stallion of the Cimarron (2002)
Assistant: Mr. Zimmer
Hannibal (2001)
Directed by: Ridley Scott
Cinematography by: John Mathieson
Edited by: Pietro Scalia
Assistant: Mr. Zimmer
Black Hawk Down (2001)
Directed by: Ridley Scott
Cinematography by: Slawomir Idziak
Edited by: Pietro Scalia
Cameras: ARRIFLEX 35 IIC Camera, ARRIFLEX 435 ES Camera, Moviecam Compact Camera, Moviecam Superlight Camera
Editing System: Avid Editing System
Assistant: Mr. Zimmer
Pearl Harbor (2001)
Directed by: Michael Bay
Cinematography by: John Schwartzman
Cameras: ARRIFLEX 35 III Camera, ARRIFLEX 435 Camera, Bell & Howell Eyemo Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera, Photo-Sonics 35mm-4ML Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision Compact Zoom Lenses, Panavision E Series Anamorphic Lenses
Editing System: Avid Editing System
Assistant: Mr. Zimmer
Riding in Cars with Boys (2001)
Directed by: Penny Marshall
Cinematography by: Miroslav Ondrícek
