Sound Effects Editor
Fred Claus (2007)
Directed by: David Dobkin
Cinematography by: Remi Adefarasin
Edited by: Mark Livolsi
Lenses: Zeiss Ultra Prime Lenses
Co-supervising Sound Editor
Shanghai Knights (2003)
Directed by: David Dobkin
Cinematography by: Adrian Biddle
Edited by: Malcolm Campbell
Co-supervising Sound Editor
Spirit: Stallion of the Cimarron (2002)
Supervising Sound Editor
The Tuxedo (2002)
Directed by: Kevin Donovan
Cinematography by: Stephen F. Windon
Edited by: Craig Herring
Supervising Sound Editor
Rock Star (2001)
Directed by: Stephen Herek
Cinematography by: Ueli Steiger
Edited by: Trudy Ship
Cameras: Panavision Cameras
Co-supervising Sound Editor
Rush Hour 2 (2001)
Directed by: Brett Ratner
Cinematography by: Matthew F. Leonetti
Supervising Sound Editor
Crocodile Dundee in Los Angeles (2001)
Directed by: Simon Wincer
Cinematography by: David Burr
Edited by: Terry Blythe
Co-supervising Sound Editor
Shanghai Noon (2000)
Directed by: Tom Dey
Cinematography by: Dan Mindel
Edited by: Richard Chew
First Assistant Sound Editor
The Emperor's New Groove (2000)
Directed by: Mark Dindal
Cinematography by: Thomas Baker
Supervising Sound Editor
Stir of Echoes (1999)
Directed by: David Koepp
Cinematography by: Fred Murphy
Edited by: Jill Savitt
Assistant Sound Editor
Holy Man (1998)
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Assistant Sound Editor
Hope Floats (1998)
Directed by: Forest Whitaker
Cinematography by: Caleb Deschanel
Edited by: Richard Chew
Cameras: Panavision Cameras
First Assistant Sound Editor
Rush Hour (1998)
Directed by: Brett Ratner
Cinematography by: Adam Greenberg
Edited by: Mark Helfrich
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Co-supervising Sound Editor
Telling Lies in America (1997)
Directed by: Guy Ferland
Cinematography by: Reynaldo Villalobos
Edited by: Jill Savitt
First Assistant Sound Editor
101 Dalmatians (1996)
Directed by: Stephen Herek
Cinematography by: Adrian Biddle
Edited by: Trudy Ship
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Sound Editor
Operation Dumbo Drop (1995)
Directed by: Simon Wincer
Cinematography by: Russell Boyd
Edited by: O. Nicholas Brown
Assistant Sound Editor
Mr. Holland's Opus (1995)
Directed by: Stephen Herek
Cinematography by: Oliver Wood
Edited by: Trudy Ship
First Assistant Sound Editor
Waiting to Exhale (1995)
Directed by: Forest Whitaker
Cinematography by: Toyomichi Kurita
Edited by: Richard Chew
First Assistant Sound Editor
Sliver (1993)
Directed by: Phillip Noyce
Cinematography by: Vilmos Zsigmond
Assistant Sound Editor
The Joy Luck Club (1993)
Directed by: Wayne Wang
Cinematography by: Amir Mokri
Edited by: Maysie Hoy
Assistant Sound Editor
The Three Musketeers (1993)
Directed by: Stephen Herek
Cinematography by: Dean Semler
Edited by: John F. Link
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Sound Editor
The Mighty Ducks (1992)
Directed by: Stephen Herek
Cinematography by: Thomas Del Ruth
Assistant Sound Editor
A Few Good Men (1992)
Directed by: Rob Reiner
Cinematography by: Robert Richardson
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Assistant Adr Editor
Three Fugitives (1989)
Directed by: Francis Veber
Cinematography by: Haskell Wexler
Edited by: Bruce Green
Cameras: ARRIFLEX 35 BL4 Camera, ARRIFLEX 35 III Camera
Assistant Adr Editor
Lethal Weapon 2 (1989)
Directed by: Richard Donner
Cinematography by: Stephen Goldblatt
Edited by: Stuart Baird
Assistant Adr Editor
Scrooged (1988)
Directed by: Richard Donner
Cinematography by: Michael Chapman
Cameras: Panavision Panaflex Gold Camera
Adr Assistant
Action Jackson (1988)
Directed by: Craig R. Baxley
Cinematography by: Matthew F. Leonetti
Edited by: Mark Helfrich
Cameras: Ultracam 35 Camera
Assistant Film Editor
Fatal Beauty (1987)
Directed by: Tom Holland
Cinematography by: David M. Walsh
Edited by: Don Zimmerman
Assistant Editor
Cobra (1986)
Directed by: George P. Cosmatos
Cinematography by: Ric Waite
Cameras: Panavision Cameras
Assistant Sound Editor
Twice in a Lifetime (1985)
Directed by: Bud Yorkin
Cinematography by: Nick McLean
Edited by: Robert C. Jones