William Paul Clark

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Once Upon a Time... in Hollywood | ShotOnWhat?

Assistant Director, Associate Producer, First Assistant Director

Once Upon a Time in Hollywood (2019)

Motion Picture

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Editing System: Avid Editing System

Co-producer

The Hitman's Bodyguard (2017)

Motion Picture

Directed by: Patrick Hughes

Cinematography by: Jules O'Loughlin

Edited by: Jake Roberts

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses: Angenieux Lenses, Hawk V-Lite Vintage´74 Lens

Associate Producer, First Assistant Director

The Hateful Eight (2015)

Motion Picture

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens

Editing System: Avid Editing System

Associate Producer, First Assistant Director

Django Unchained (2012)

Motion Picture

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Fred Raskin

Cameras: Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Editing System: Avid Editing System

Associate Producer, Barbara's Boyfriend, First Assistant Director

Rampart (2011)

Motion Picture

Directed by: Oren Moverman

Cinematography by: Bobby Bukowski

Edited by: Jay Rabinowitz

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke Speed Panchro Lenses, Zeiss Super Speed Lenses

Assistant Director

The Mechanic (2011)

Motion Picture

Directed by: Simon West

Cinematography by: Eric Schmidt

Edited by: T.G. Herrington, Todd E. Miller

Big Mommas: Like Father, Like Son | ShotOnWhat?

Assistant Director, Associate Producer

Big Mommas: Like Father, Like Son (2011)

Motion Picture

Directed by: John Whitesell

Cinematography by: Anthony B. Richmond

Edited by: Priscilla Nedd-Friendly

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Associate Producer

Inglourious Basterds (2009)

Motion Picture

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera

Lenses: Cooke Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Assistant Director

Crank: High Voltage (2009)

Motion Picture

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Brandon Trost

Edited by: Marc Jakubowicz, Fernando Villena

Cameras: Canon VIXIA HF10 Camera, Canon XH A1 Camera, Sony PMW-EX1 Camera

First Assistant Director

Rambo (2008)

Motion Picture

Directed by: Sylvester Stallone

Cinematography by: Glen MacPherson

Edited by: Sean Albertson

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Xtreme Camera

Lenses: Zeiss Ultra Prime Lenses

First Assistant Director

Henry Poole Is Here (2008)

Motion Picture

Directed by: Mark Pellington

Cinematography by: Eric Schmidt

Edited by: Lisa Zeno Churgin

First Assistant Director

War (2007)

Motion Picture

Directed by: Philip G. Atwell

Cinematography by: Pierre Morel

Edited by: Scott Richter

First Assistant Director

Crank (2006)

Motion Picture

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Adam Biddle

Edited by: Brian Berdan

Cameras: ARRIFLEX 435 Advanced Camera, Sony HDC-F950 Camera

Assistant Director

Big Momma's House 2 (2006)

Motion Picture

Directed by: John Whitesell

Cinematography by: Mark Irwin

Edited by: Priscilla Nedd-Friendly

First Assistant Director

Beauty Shop (2005)

Motion Picture

Directed by: Bille Woodruff

Cinematography by: Theo van de Sande

Edited by: Michael Jablow

Assistant Director, Soda Jerk

Kill Bill: Vol. 2 (2004)

Motion Picture

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Assistant Director

Kill Bill: Vol. 1 (2003)

Motion Picture

Directed by: Quentin Tarantino

Cinematography by: Robert Richardson

Edited by: Sally Menke

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Anamorphic Lenses

First Assistant Director

City of Ghosts (2002)

Motion Picture

Directed by: Matt Dillon

Cinematography by: Jim Denault

Edited by: Howard E. Smith

First Assistant Director

The Rules of Attraction (2002)

Motion Picture

Directed by: Roger Avary

Cinematography by: Robert Brinkmann

Edited by: Sharon Rutter

Cameras: ARRIFLEX 535 Camera

Editing System: Final Cut Pro Editing System

First Assistant Director

Ghost World (2001)

Motion Picture

Directed by: Terry Zwigoff

Cinematography by: Affonso Beato

Edited by: Carole Kravetz Aykanian, Michael R. Miller

Cameras: Panavision Cameras

Lenses: Panavision Lenses

Editing System: Avid Editing System

First Assistant Director

The Anniversary Party (2001)

Motion Picture

Directed by: Alan Cumming, Jennifer Jason Leigh

Cinematography by: John Bailey

Edited by: Carol Littleton, Suzanne Spangler

First Assistant Director

The Way of the Gun (2000)

Motion Picture

Directed by: Christopher McQuarrie

Cinematography by: Dick Pope

Edited by: Stephen Semel

Assistant Director, Production Supervisor

Sand (2000)

Motion Picture

Directed by: Matt Palmieri

Cinematography by: Dan Mindel, John Skotchdopole

First Assistant Director

The Minus Man (1999)

Motion Picture

Directed by: Hampton Fancher

Cinematography by: Bobby Bukowski

Edited by: Todd C. Ramsay

First Assistant Director

Arlington Road (1999)

Motion Picture

Directed by: Mark Pellington

Cinematography by: Bobby Bukowski

Edited by: Conrad Buff IV

Cameras: Panavision Cameras

Lenses: Panavision Lenses

The Last Time I Committed Suicide | ShotOnWhat?

First Assistant Director

The Last Time I Committed Suicide (1997)

Motion Picture

Directed by: Stephen Kay

Cinematography by: Bobby Bukowski

Edited by: Dorian Harris

First Assistant Director

Nowhere (1997)

Motion Picture

Directed by: Gregg Araki

Cinematography by: Arturo Smith

Edited by: Gregg Araki

First Assistant Director

Jackie Brown (1997)

Motion Picture

Directed by: Quentin Tarantino

Cinematography by: Guillermo Navarro

Edited by: Sally Menke

Cameras: Moviecam Compact Camera

Lenses: Zeiss Super Speed Lenses

First Assistant Director

Female Perversions (1996)

Motion Picture

Directed by: Susan Streitfeld

Cinematography by: Teresa Medina

Edited by: Curtiss Clayton, Leo Trombetta

Assistant Director: Los Angeles

The Prophecy (1995)

Motion Picture

Directed by: Gregory Widen

Cinematography by: Richard Clabaugh, Bruce Douglas Johnson

Edited by: Sonny Baskin

Second Assistant Director

Payback (1995)

Motion Picture

Directed by: Anthony Hickox

Cinematography by: David Bridges

Edited by: Anita Brandt Burgoyne

Additional Second Second Assistant Director

Pulp Fiction (1994)

Motion Picture

Directed by: Quentin Tarantino

Cinematography by: Andrzej Sekula

Edited by: Sally Menke

Cameras: Panavision Cameras, Panavision Panaflex Platinum Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses

Editing System: Lightworks Editing System

Production Intern

Frozen Assets (1992)

Motion Picture

Directed by: George Miller

Cinematography by: Ronald M. Lautore, Geza Sinkovics

Edited by: Larry Bock

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William Paul Clark

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Assistant Director, Associate Producer, First Assistant Director

Co-producer

Associate Producer, First Assistant Director

Associate Producer, First Assistant Director

Associate Producer, Barbara's Boyfriend, First Assistant Director

Assistant Director

Assistant Director, Associate Producer

Associate Producer

Assistant Director

First Assistant Director

First Assistant Director

First Assistant Director

First Assistant Director

Assistant Director

First Assistant Director

Assistant Director, Soda Jerk

Assistant Director

First Assistant Director

First Assistant Director

First Assistant Director

First Assistant Director

First Assistant Director

Assistant Director, Production Supervisor

First Assistant Director

First Assistant Director

First Assistant Director

First Assistant Director

First Assistant Director

First Assistant Director

Assistant Director: Los Angeles

Second Assistant Director

Additional Second Second Assistant Director

Production Intern