Colorist: Dailies
Glass Onion (2022)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA Mini LF Camera
Colorist: Dailies
'Westworld' The Mother of Exiles (2020)
Directed by: Paul Cameron
Cinematography by: John Grillo
Edited by: Anna Hauger
Colorist: Dailies
'Westworld' Crisis Theory (2020)
Directed by: Jennifer Getzinger
Cinematography by: John Grillo
Edited by: Andrew Seklir
Colorist: Dailies
'Westworld' Passed Pawn (2020)
Directed by: Helen Shaver
Cinematography by: Matt Flannery
Edited by: Anna Hauger
Colorist: Dailies
'Westworld' The Absence of Field (2020)
Directed by: Amanda Marsalis
Cinematography by: Zoë White
Edited by: Ali Comperchio
Colorist: Dailies
'Westworld' Decoherence (2020)
Directed by: Jennifer Getzinger
Cinematography by: John Grillo
Edited by: Ali Comperchio
Colorist: Dailies
'Westworld' The Winter Line (2020)
Directed by: Richard J. Lewis
Cinematography by: John Grillo
Edited by: Andrew Seklir
Colorist: Dailies
'Westworld' Parce Domine (2020)
Directed by: Jonathan Nolan
Cinematography by: Paul Cameron
Edited by: Stephen Semel
Colorist: Dailies
'Westworld' Genre (2020)
Directed by: Anna Foerster
Cinematography by: Zoë White
Edited by: Andrew Seklir
Colorist: Dailies
Knives Out (2019)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Colorist: Dailies
Shazam! (2019)
Directed by: David F. Sandberg
Cinematography by: Maxime Alexandre
Edited by: Michel Aller
Lenses: Zeiss Master Prime Lenses
Colorist: Dailies
Vice (2018)
Directed by: Adam McKay
Cinematography by: Greig Fraser
Edited by: Hank Corwin
Colorist: Dailies
Star Wars: Episode VIII - The Last Jedi (2017)
Directed by: Rian Johnson
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Cameras: ARRI ALEXA 65 Camera, ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera, ARRIFLEX 435 Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera
Lenses: ARRI Rental Prime 65 Lenses, Hasselblad Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Colorist: Dailies - 8 Episodes, 2020
Westworld (2016)
Directed by: Richard J. Lewis, Jonathan Nolan, Frederick E.O. Toye, Vincenzo Natali, Stephen Williams, Paul Cameron, Jennifer Getzinger, Craig William Macneill, Jonny Campbell, Michelle MacLaren, Neil Marshall, Uta Briesewitz, Lisa Joy, Nicole Kassell, Tarik Saleh, Craig Zobel, Anna Foerster, Amanda Marsalis, Helen Shaver, Hanelle M. Culpepper, Meera Menon, Andrew Seklir
Cinematography by: John Grillo, Darran Tiernan, Brendan Galvin, Robert McLachlan, John Conroy, Peter Flinckenberg, Paul Cameron, Jeffrey Jur, Zoë White, David Franco, M. David Mullen, Matt Flannery
Dailies: Colorist
San Andreas (2015)
Directed by: Brad Peyton
Cinematography by: Steve Yedlin
Edited by: Bob Ducsay
Colorist Dailies
The Hateful Eight (2015)
Directed by: Quentin Tarantino
Cinematography by: Robert Richardson
Edited by: Fred Raskin
Cameras: ARRIFLEX 765 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Lenses: Panavision APO Panatar 100mm T2.8 Lens, Panavision APO Panatar 135mm T3.0 Lens, Panavision APO Panatar 35mm T2.8 Lens, Panavision APO Panatar 50mm T2.8 Lens, Panavision APO Panatar 75mm T2.8 Lens, Panavision APO Panatar Prism 150mm T3.6 Lens, Panavision APO Panatar Prism 57mm T4.0 Lens, Panavision APO Panatar Prism 75mm T3.5 Lens, Panavision Variable APO Panatar 135mm T3.2 Lens
Editing System: Avid Editing System
Colorist: Dailies
Into the Storm (2014)
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Additional Colorist: Dailies
Dawn of the Planet of the Apes (2014)
Directed by: Matt Reeves
Cinematography by: Michael Seresin
Cameras: ARRI ALEXA M Camera
Editing System: Avid Editing System
Colorist: Dailies
Horrible Bosses 2 (2014)
Directed by: Sean Anders
Cinematography by: Julio Macat
Edited by: Eric Kissack
Cameras: ARRI ALEXA XT Camera
Lenses: Leitz Summilux-C Series Lenses
Colorist: Dailies
Dumb and Dumber To (2014)
Cinematography by: Matthew F. Leonetti
Edited by: Steven Rasch
Cameras: ARRI ALEXA Camera
Colorist: Dailies
Parker (2013)
Directed by: Taylor Hackford
Cinematography by: James M. Muro
Edited by: Mark Warner
Cameras: Red Epic Camera
Lenses: Hawk V-Lite Lenses, Hawk V-Plus Lenses
Dailies: Colorist
The Conjuring (2013)
Directed by: James Wan
Cinematography by: John R. Leonetti
Edited by: Kirk M. Morri
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses
Colorist: Dailies
'Breakout Kings' Freakshow (2012)
Directed by: Michael Waxman
Cinematography by: Fernando Argüelles
Edited by: Etienne Des Lauriers
Colorist: Dailies
'Breakout Kings' An Unjust Death (2012)
Directed by: Billy Gierhart
Cinematography by: Fernando Argüelles
Edited by: Eric Seaburn
Colorist: Dailies
'Breakout Kings' Served Cold (2012)
Directed by: Guy Ferland
Cinematography by: Fernando Argüelles
Edited by: Eric Seaburn
Colorist: Dailies
'Breakout Kings' SEALd Fate (2012)
Directed by: Mel Damski
Cinematography by: Fernando Argüelles
Edited by: Etienne Des Lauriers
Colorist: Dailies
'Breakout Kings' Ain't Love (50) Grand? (2012)
Directed by: Guy Ferland
Cinematography by: Fernando Argüelles
Edited by: Eric Seaburn
Colorist: Dailies
'Breakout Kings' I Smell Emmy (2012)
Directed by: Clark Johnson
Cinematography by: Fernando Argüelles
Edited by: Etienne Des Lauriers
Colorist: Dailies
'Breakout Kings' Self Help (2012)
Directed by: Bryan Spicer
Cinematography by: Fernando Argüelles
Edited by: Scott Eilers
Colorist: Dailies
'Breakout Kings' Cruz Control (2012)
Directed by: Bobby Roth
Cinematography by: Fernando Argüelles
Edited by: Eric Seaburn
Colorist: Dailies
'Breakout Kings' Double Down (2012)
Directed by: Clark Johnson
Cinematography by: Fernando Argüelles
Edited by: Etienne Des Lauriers
Colorist: Dailies
'Breakout Kings' Round Two (2012)
Directed by: Tim Hunter
Cinematography by: Fernando Argüelles
Edited by: Scott Eilers
Colorist: Dailies - 10 Episodes, 2012
Breakout Kings (2011)
Directed by: Guy Ferland, Billy Gierhart, Mel Damski, Michael Waxman, Gavin Hood, Clark Johnson, Phil Abraham, Adam Arkin, Sanford Bookstaver, Jean de Segonzac, Jonathan Glassner, Gloria Muzio, Tim Hunter, Bobby Roth, Bryan Spicer
Cameras: Panavision Genesis Camera
Colorist: Dailies
'Californication' ...And Justice for All (2011)
Directed by: Adam Bernstein
Edited by: Shannon Mitchell
Colorist: Dailies
'Californication' The Last Supper (2011)
Directed by: John Dahl
Edited by: Kevin D. Ross
Colorist: Dailies
'Californication' The Trial (2011)
Directed by: Seith Mann
Edited by: Todd Desrosiers
Colorist: Dailies
'Californication' Another Perfect Day (2011)
Directed by: Michael Lehmann
Edited by: Shannon Mitchell
Colorist: Dailies
'Californication' Lights, Camera, Asshole (2011)
Directed by: Adam Bernstein
Edited by: Kevin D. Ross
Colorist: Dailies
'Californication' The Recused (2011)
Directed by: Michael Weaver
Edited by: Todd Desrosiers
Colorist: Dailies
'Californication' Lawyers, Guns and Money (2011)
Directed by: John Dahl
Edited by: Shannon Mitchell
Colorist: Dailies
'Californication' Freeze-Frame (2011)
Directed by: Beth McCarthy-Miller
Edited by: Kevin D. Ross
Colorist: Dailies
'Californication' Monkey Business (2011)
Directed by: Bart Freundlich
Edited by: Todd Desrosiers
Colorist: Dailies
'Californication' Home Sweet Home (2011)
Directed by: Adam Bernstein
Edited by: Shannon Mitchell
Colorist: Dailies
'Californication' Exile on Main St. (2011)
Directed by: David Von Ancken
Edited by: Todd Desrosiers
Colorist: Dailies
'Californication' Suicide Solution (2011)
Directed by: David Duchovny
Cinematography by: Michael Weaver
Edited by: Kevin D. Ross
Colorist: Dailies
Love Ranch (2010)
Directed by: Taylor Hackford
Cinematography by: Kieran McGuigan
Edited by: Paul Hirsch
Colorist: Dailies
'Californication' Glass Houses (2009)
Directed by: Michael Lehmann
Cinematography by: Michael Weaver
Edited by: Todd Desrosiers
Colorist: Dailies
'Californication' Mia Culpa (2009)
Directed by: Stephen Hopkins
Cinematography by: Michael Weaver
Edited by: Todd Desrosiers
Colorist: Dailies
'Californication' Comings and Goings (2009)
Directed by: David Von Ancken
Cinematography by: Michael Weaver
Edited by: Kevin D. Ross
Colorist: Dailies
'Californication' Dogtown (2009)
Directed by: Seith Mann
Cinematography by: Michael Weaver
Edited by: Shannon Mitchell
Colorist: Dailies
'Californication' Mr. Bad Example (2009)
Directed by: John Dahl
Cinematography by: Michael Weaver
Edited by: Todd Desrosiers
Colorist: Dailies
'Californication' The Apartment (2009)
Directed by: Adam Bernstein
Cinematography by: Michael Weaver
Edited by: Kevin D. Ross
Colorist: Dailies
'Californication' Wish You Were Here (2009)
Directed by: David Duchovny
Cinematography by: Michael Weaver
Edited by: Shannon Mitchell
Colorist: Dailies
'Californication' The Land of Rape and Honey (2009)
Cinematography by: Michael Weaver
Edited by: Kevin D. Ross
Colorist: Dailies
'Californication' Verities & Balderdash (2009)
Directed by: David Von Ancken
Cinematography by: Michael Weaver
Edited by: Todd Desrosiers
Colorist: Dailies
'Californication' Zoso (2009)
Directed by: Bart Freundlich
Cinematography by: Michael Weaver
Edited by: Shannon Mitchell
Colorist: Dailies
'Californication' Slow Happy Boys (2009)
Directed by: David Von Ancken
Cinematography by: Michael Weaver
Edited by: Kevin D. Ross
Colorist: Dailies
'Californication' So Here's the Thing... (2009)
Directed by: John Dahl
Cinematography by: Michael Weaver
Edited by: Shannon Mitchell
Colorist: Dailies
'Californication' In Utero (2008)
Directed by: David Von Ancken
Cinematography by: Michael Weaver
Edited by: Shannon Mitchell
Colorist: Dailies
'Californication' La Petite Mort (2008)
Directed by: Bart Freundlich
Cinematography by: Andy Graham
Edited by: Todd Desrosiers
Colorist: Dailies
'Californication' Blues from Laurel Canyon (2008)
Directed by: Michael Lehmann
Cinematography by: Andy Graham
Edited by: Kevin D. Ross
Colorist: Dailies
'Californication' La Ronde (2008)
Directed by: Adam Bernstein
Cinematography by: Michael Weaver
Edited by: Todd Desrosiers
Colorist: Dailies
'Californication' Going Down and Out in Beverly Hills (2008)
Directed by: Daniel Ducovny
Cinematography by: Michael Weaver
Edited by: Kevin D. Ross
Colorist: Dailies
'Californication' In a Lonely Place (2008)
Directed by: Jake Kasdan
Cinematography by: Michael Weaver
Edited by: Shannon Mitchell
Colorist: Dailies
'Californication' Coke Dick & First Kick (2008)
Directed by: Michael Lehmann
Cinematography by: Michael Weaver
Edited by: Todd Desrosiers
Colorist: Dailies
'Californication' Vaginatown (2008)
Directed by: Ken Whittingham
Cinematography by: Michael Weaver
Edited by: Kevin D. Ross
Colorist: Dailies
'Californication' The Whore of Babylon (2007)
Directed by: Scott Winant
Cinematography by: Michael Weaver
Edited by: Shannon Mitchell
Colorist: Dailies - 43 Episodes, 2007-2011
Californication (2007)
Directed by: David Von Ancken, Adam Bernstein, John Dahl, Bart Freundlich, Michael Lehmann, David Duchovny, Seith Mann, Scott Winant, Michael Weaver, Stephen Hopkins, Ken Whittingham, Scott Z. Burns, Tucker Gates, Michael Lembeck, Daniel Ducovny, Jake Kasdan, Beth McCarthy-Miller, Helen Hunt, Millicent Shelton, Eric Stoltz
Edited by: Shannon Mitchell, Kevin D. Ross, Todd Desrosiers, Michael D. Ornstein, Tony Solomons, Mark Manos, David Brixton, James A. Brewer, Ralph Yuan Wong
Colorist: Dailies
'Californication' The Last Waltz (2007)
Directed by: Scott Winant
Cinematography by: Michael Weaver
Edited by: Tony Solomons
Colorist: Dailies
'Californication' Turn the Page (2007)
Directed by: David Von Ancken
Cinematography by: Michael Weaver
Edited by: Kevin D. Ross
Colorist: Dailies
'Californication' The Devil's Threesome (2007)
Directed by: John Dahl
Cinematography by: Michael Weaver
Edited by: Shannon Mitchell
Colorist: Dailies
'Californication' Filthy Lucre (2007)
Directed by: Scott Z. Burns
Cinematography by: Michael Weaver
Edited by: Tony Solomons
Colorist: Dailies
'Californication' California Son (2007)
Directed by: Scott Winant
Cinematography by: Michael Weaver
Colorist: Dailies
'Californication' Girls, Interrupted (2007)
Directed by: Tucker Gates
Cinematography by: Michael Weaver
Edited by: Shannon Mitchell
Colorist: Dailies
'Californication' Absinthe Makes the Heart Grow Fonder (2007)
Directed by: Ken Whittingham
Cinematography by: Michael Weaver
Edited by: Tony Solomons
Colorist: Dailies
'Californication' LOL (2007)
Directed by: Bart Freundlich
Cinematography by: Michael Weaver
Edited by: Kevin D. Ross
Colorist: Dailies
'Californication' Fear and Loathing at the Fundraiser (2007)
Directed by: Michael Lembeck
Cinematography by: Michael Weaver
Edited by: Tony Solomons
Colorist: Dailies
'Californication' Hell-A Woman (2007)
Directed by: Scott Winant
Cinematography by: Michael Weaver
Edited by: Shannon Mitchell
Colorist: Dailies
The Skeleton Key (2005)
Directed by: Iain Softley
Cinematography by: Dan Mindel
Edited by: Joe Hutshing
Colorist: Dailies
Spartan (2004)
Directed by: David Mamet
Cinematography by: Juan Ruiz Anchía
Edited by: Barbara Tulliver
Colorist: Dailies
Elvis Has Left the Building (2004)
Directed by: Joel Zwick
Cinematography by: Paul Elliott
Edited by: Heather Persons
Colorist: Dailies
The Big Bounce (2004)
Directed by: George Armitage
Cinematography by: Jeffrey L. Kimball
Colorist: Dailies
Suspect Zero (2004)
Directed by: E. Elias Merhige
Cinematography by: Michael Chapman
Colorist: Dailies
The Dangerous Lives of Altar Boys (2002)
Directed by: Peter Care
Cinematography by: Lance Acord
Edited by: Chris Peppe
