Jason McFarling

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Trap | ShotOnWhat?

Boom Operator: Second Unit And Additional Photographer

Trap (2024)

Directed by: M. Night Shyamalan

Cinematography by: Sayombhu Mukdeeprom

Edited by: Noemi Katharina Preiswerk

Cameras: ARRICAM Lite (LT) Camera

Lenses: Cooke Panchro/i Classic Lenses, Zeiss Super Speed Lenses

It | ShotOnWhat?

Cable

It (2017)

Directed by: Andy Muschietti

Cinematography by: Chung-hoon Chung

Edited by: Jason Ballantine

Cameras: ARRI ALEXA Mini Camera

Lenses: Angenieux Optimo Anamorphic Lenses, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Molly's Game | ShotOnWhat?

Second Boom Operator

Molly's Game (2017)

Directed by: Aaron Sorkin

Cinematography by: Charlotte Bruus Christensen

Edited by: Alan Baumgarten, Elliot Graham, Josh Schaeffer

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Series Cameras

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

The Shape of Water | ShotOnWhat?

Cable Person

The Shape of Water (2017)

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Sidney Wolinsky

Cameras: ARRI ALEXA Mini Camera, ARRI ALEXA XT Plus Camera

Lenses: Zeiss Master Prime Lenses

My Big Fat Greek Wedding 2 | ShotOnWhat?

Sound Utility

My Big Fat Greek Wedding 2 (2016)

Directed by: Kirk Jones

Cinematography by: Jim Denault

Edited by: Mark Czyzewski

Cameras: Red Epic Dragon Camera

Crimson Peak | ShotOnWhat?

Cableman

Crimson Peak (2015)

Directed by: Guillermo del Toro

Cinematography by: Dan Laustsen

Edited by: Bernat Vilaplana

Cameras: ARRI ALEXA XT Camera

Spotlight | ShotOnWhat?

Second Boom

Spotlight (2015)

Directed by: Tom McCarthy

Cinematography by: Masanobu Takayanagi

Edited by: Tom McArdle

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision Lightweight Zoom Lenses, Panavision Super Speed Lenses, Panavision Ultra Speed MKII Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses

RoboCop | ShotOnWhat?

Second Boom Operator

RoboCop (2014)

Directed by: José Padilha

Cinematography by: Lula Carvalho

Edited by: Peter McNulty, Daniel Rezende

Cameras: ARRI ALEXA Camera, Red Epic Camera

Pacific Rim | ShotOnWhat?

Cableperson

Pacific Rim (2013)

Directed by: Guillermo del Toro

Cinematography by: Guillermo Navarro

Edited by: Peter Amundson, John Gilroy

Cameras: Red Epic Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Carrie | ShotOnWhat?

Second Boom Operator

Carrie (2013)

Directed by: Kimberly Peirce

Cinematography by: Steve Yedlin

Edited by: Lee Percy, Nancy Richardson

Cameras: ARRI ALEXA Camera

The Best Man Holiday | ShotOnWhat?

Second Boom Operator

The Best Man Holiday (2013)

Directed by: Malcolm D. Lee

Cinematography by: Greg Gardiner

Edited by: Paul Millspaugh

Cameras: ARRI ALEXA Plus 4:3 Camera

Lenses: Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Vow | ShotOnWhat?

Second Boom Operator

The Vow (2012)

Directed by: Michael Sucsy

Cinematography by: Rogier Stoffers

Edited by: Melissa Kent, Nancy Richardson

Cameras: ARRIFLEX 435 Camera, ARRIFLEX 535 B Camera

Lenses: Zeiss Master Prime Lenses

Total Recall | ShotOnWhat?

Sound Utility

Total Recall (2012)

Directed by: Len Wiseman

Cinematography by: Paul Cameron

Edited by: Christian Wagner

Cameras: ARRIFLEX 35 III Camera, Red Epic Camera, Weisscam HS-2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Devil | ShotOnWhat?

Second Boom Operator

Devil (2010)

Directed by: John Erick Dowdle

Cinematography by: Tak Fujimoto

Edited by: Elliot Greenberg

Cameras: Panavision Cameras

RED | ShotOnWhat?

Cable Puller

RED (2010)

Directed by: Robert Schwentke

Cinematography by: Florian Ballhaus

Edited by: Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera

Lenses: Angenieux Optimo Zoom Lenses, Zeiss Lenses

Amelia | ShotOnWhat?

Boom Operator

Amelia (2009)

Directed by: Mira Nair

Cinematography by: Stuart Dryburgh

Edited by: Allyson C. Johnson, Lee Percy

Survival of the Dead | ShotOnWhat?

Boom Operator

Survival of the Dead (2009)

Directed by: George A. Romero

Cinematography by: Adam Swica

Edited by: Michael Doherty

Splice | ShotOnWhat?

Second Boom Operator

Splice (2009)

Directed by: Vincenzo Natali

Cinematography by: Tetsuo Nagata

Edited by: Michele Conroy

Cameras: Panavision Panaflex Millennium XL Camera

Lenses: Panavision Primo Anamorphic Lenses

Skinwalkers | ShotOnWhat?

Cable Puller

Skinwalkers (2006)

Directed by: James Isaac

Cinematography by: David A. Armstrong, Adam Kane

Edited by: Allan Lee

Cameras: Panavision Cameras

Silent Hill | ShotOnWhat?

Boom Operator

Silent Hill (2006)

Directed by: Christophe Gans

Cinematography by: Dan Laustsen

Edited by: Sébastien Prangère

Assault on Precinct 13 | ShotOnWhat?

Boom Operator

Assault on Precinct 13 (2005)

Directed by: Jean-François Richet

Cinematography by: Robert Gantz

Edited by: Bill Pankow

Resident Evil: Apocalypse | ShotOnWhat?

Cable Man

Resident Evil: Apocalypse (2004)

Directed by: Alexander Witt

Cinematography by: Derek Rogers, Christian Sebaldt

Edited by: Eddie Hamilton

Welcome to Mooseport | ShotOnWhat?

Boom Operator

Welcome to Mooseport (2004)

Directed by: Donald Petrie

Cinematography by: Victor Hammer

Edited by: Debra Neil-Fisher

The Music Man | ShotOnWhat?

Second Boom Operator

The Music Man (2003)

Television Movie

Directed by: Jeff Bleckner

Cinematography by: James Chressanthis

Edited by: Bryan M. Horne, Geoffrey Rowland

Dick | ShotOnWhat?

Cable Person

Dick (1999)

Directed by: Andrew Fleming

Cinematography by: Alexander Gruszynski

Edited by: Mia Goldman

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