Digital Artist: Union VFX
The Creator (2023)
Directed by: Gareth Edwards
Cameras: Sony ILME-FX3 Camera
Lead Compositor
The French Dispatch (2021)
Movie
Directed by: Wes Anderson
Cinematography by: Robert D. Yeoman
Edited by: Andrew Weisblum
Lenses: Cooke S4/i Lenses
Senior Compositor
'The Crown' Margaretology (2019)
Directed by: Benjamin Caron
Cinematography by: Adriano Goldman
Edited by: Tim Porter
Compositor
Guardians of the Galaxy Vol. 2 (2017)
Directed by: James Gunn
Cinematography by: Henry Braham
Cameras: Red Weapon Dragon Camera
Lenses: Panavision Primo 70 Lenses
Compositor
Beauty and the Beast (2017)
Directed by: Bill Condon
Cinematography by: Tobias A. Schliessler
Edited by: Virginia Katz
Cameras: ARRI ALEXA XT Plus Camera
Lenses: Leitz Summilux-C Series Lenses
Compositor
Paddington 2 (2017)
Directed by: Paul King
Cinematography by: Erik Wilson
Cameras: ARRI ALEXA Series Cameras
Compositor
The Legend of Tarzan (2016)
Directed by: David Yates
Cinematography by: Henry Braham
Edited by: Mark Day
Cameras: Red Epic Dragon Camera
Compositor
Doctor Strange (2016)
Directed by: Scott Derrickson
Cinematography by: Ben Davis
Compositor
Avengers: Age of Ultron (2015)
Directed by: Joss Whedon
Cinematography by: Ben Davis
Compositor
The Martian (2015)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Edited by: Pietro Scalia
Compositor
Guardians of the Galaxy (2014)
Directed by: James Gunn
Cinematography by: Ben Davis
Cameras: ARRI ALEXA XT Plus Camera, Phantom Flex Camera
Compositor
Exodus: Gods and Kings (2014)
Directed by: Ridley Scott
Cinematography by: Dariusz Wolski
Cameras: Red Epic Dragon Camera
Editing System: Avid Editing System
Digital Compositor: One Of Us
Under the Skin (2013)
Directed by: Jonathan Glazer
Cinematography by: Daniel Landin
Edited by: Paul Watts
Cameras: ARRI ALEXA Plus Camera, one-cam Camera
Compositor: One Of Us
Anna Karenina (2012)
Directed by: Joe Wright
Cinematography by: Seamus McGarvey
Edited by: Melanie Oliver
Compositor: One Of Us
Gambit (2012)
Directed by: Michael Hoffman
Cinematography by: Florian Ballhaus
Edited by: Paul Tothill
Cameras: ARRI ALEXA Camera
Lenses: Leitz Summilux-C Series Lenses