Post-production Supervisor
Annabelle (2014)
Directed by: John R. Leonetti
Cinematography by: James Kniest
Edited by: Tom Elkins
Post-production Supervisor
Enough Said (2013)
Directed by: Nicole Holofcener
Cinematography by: Xavier Grobet
Edited by: Robert Frazen
Cameras: ARRI ALEXA Studio Camera
Lenses: Leitz Summilux-C Series Lenses
Post-production Supervisor
The Way Way Back (2013)
Cinematography by: John Bailey
Edited by: Tatiana S. Riegel
Cameras: ARRI ALEXA Camera
Post-production Supervisor
Stoker (2013)
Directed by: Chan-wook Park
Cinematography by: Chung-hoon Chung
Edited by: Nicolas De Toth
Post-production Supervisor
Ruby Sparks (2012)
Cinematography by: Matthew Libatique
Edited by: Pamela Martin
Lenses: Cooke Speed Panchro Lenses
Post-production Supervisor
Sound of My Voice (2011)
Directed by: Zal Batmanglij
Cinematography by: Rachel Morrison
Edited by: Tamara Meem
Cameras: Canon EOS-7D Camera
Post-production Supervisor
Cedar Rapids (2011)
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Edited by: Eric Kissack
Post-production Supervisor
Jeff, Who Lives at Home (2011)
Cinematography by: Jas Shelton
Edited by: Jay Deuby
Cameras: Red One MX Camera
Post-production Supervisor
Angel Camouflaged (2010)
Directed by: R. Michael Givens
Cinematography by: R. Michael Givens
Post-production Supervisor
Next Day Air (2009)
Directed by: Benny Boom
Cinematography by: David A. Armstrong
Edited by: David Checel
Post-production Consultant
Archie's Final Project (2009)
Directed by: David Lee Miller
Cameras: Panasonic AJ-SDX900 Camera
Post-production Supervisor
The Perfect Game (2009)
Directed by: William Dear
Cinematography by: Bryan Greenberg
Edited by: Chris Conlee
Post-production Supervisor
Spread (2009)
Directed by: David Mackenzie
Cinematography by: Steven Poster
Edited by: Nicholas Erasmus
Post-production Supervisor
Paraiso Travel (2008)
Directed by: Simon Brand
Cinematography by: Rafa Lluch
Edited by: Alberto de Toro
Cameras: ARRI Cameras
Post-production Consultant
Yesterday Was a Lie (2008)
Directed by: James Kerwin
Cinematography by: Jason Cochard
Edited by: James Kerwin
Post-production Consultant
Sinner (2007)
Directed by: Marc Benardout
Cinematography by: David Kerr
Edited by: Nicholas Wayman-Harris
Makeup Effects Producer, Visual Effects Producer
I Know Who Killed Me (2007)
Directed by: Chris Sivertson
Cinematography by: John R. Leonetti
Edited by: Lawrence Jordan
Visual Effects
Apocalypto (2006)
Directed by: Mel Gibson
Cinematography by: Dean Semler
Edited by: John Wright
Visual Effects Producer: Captive Audience Productions
The Exorcism of Emily Rose (2005)
Directed by: Scott Derrickson
Cinematography by: Tom Stern
Edited by: Jeff Betancourt
Special Makeup Effects Artist , Visual Effects Line Producer
The Passion of the Christ (2004)
Directed by: Mel Gibson
Cinematography by: Caleb Deschanel
Cameras: ARRIFLEX 435 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Platinum Camera
Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Editing System: Avid Editing System
Key Special Makeup Effects
Halloweentown II: Kalabar's Revenge (2001)
Directed by: Mary Lambert
Cinematography by: Tony Westman
Edited by: Sharyn L. Ross
Puppeteer , Special Makeup Effects Artist: Goliath/7-Footer
Virus (1999)
Directed by: John Bruno
Cinematography by: David Eggby
Edited by: M. Scott Smith
Key Technician, Special Makeup Effects Artist: Reshoots
Progeny (1998)
Directed by: Brian Yuzna
Cinematography by: James Hawkinson
Key Special Makeup Effects
The Dentist 2 (1998)
Directed by: Brian Yuzna
Cinematography by: Jürgen Baum
Edited by: Christopher Roth
Special Makeup Effects Artist
Steel (1997)
Directed by: Kenneth Johnson
Cinematography by: Mark Irwin
Edited by: John F. Link
Effects Technician: Cannom Creations
8 Heads in a Duffel Bag (1997)
Directed by: Tom Schulman
Cinematography by: Adam Holender
Edited by: David Holden
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Key Special Makeup Effects
The Dentist (1996)
Directed by: Brian Yuzna
Cinematography by: Levie Isaacks
Edited by: Christopher Roth
Key Special Makeup Effects
The War at Home (1996)
Directed by: Emilio Estevez
Cinematography by: Peter Levy
Edited by: Craig Bassett
Key Special Makeup Effects, Special Effects, Special Props Maker
Texas Chainsaw Massacre: The Next Generation (1994)
Directed by: Kim Henkel
Cinematography by: Levie Isaacks
Edited by: Sandra Adair
Cameras: Panavision Cameras
Special Makeup Effects Artist
Flesh and Bone (1993)
Directed by: Steve Kloves
Cinematography by: Philippe Rousselot
Edited by: Mia Goldman
