First Assistant Director
2 Days in New York (2012)
Directed by: Julie Delpy
Cinematography by: Lubomir Bakchev
Edited by: Isabelle Devinck
Cameras: ARRI ALEXA Camera, Sony HDW-750 Camera
First Assistant Director
The Green Hornet (2011)
Directed by: Michel Gondry
Cinematography by: John Schwartzman
Edited by: Michael Tronick
Cameras: Pan-Arri 435 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex Platinum Camera, Phantom HD Camera, Red One MX Camera
Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Executive Producer, First Assistant Director
Taking Woodstock (2009)
Directed by: Ang Lee
Cinematography by: Eric Gautier
Edited by: Tim Squyres
First Assistant Director
Be Kind Rewind (2008)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Jeff Buchanan
First Assistant Director, Producer
Recount (2008)
Directed by: Jay Roach
Cinematography by: Jim Denault
Edited by: Alan Baumgarten
Friend Of Production, Unit Production Manager: Second Unit
Goya's Ghosts (2006)
Directed by: Milos Forman
Cinematography by: Javier Aguirresarobe
Edited by: Adam Boome
Executive Producer
All the King's Men (2006)
Directed by: Steven Zaillian
Cinematography by: Pawel Edelman
Edited by: Wayne Wahrman
Executive Producer, First Assistant Director
Brokeback Mountain (2005)
Directed by: Ang Lee
Cinematography by: Rodrigo Prieto
Lenses: Cooke S4 Lenses
First Assistant Director
Eternal Sunshine of the Spotless Mind (2004)
Directed by: Michel Gondry
Cinematography by: Ellen Kuras
Edited by: Valdís Óskarsdóttir
Cameras: ARRICAM Lite (LT) Camera
Executive Producer, Gunboat Captain, Unit Production Manager
Gangs of New York (2002)
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Executive Producer, Unit Production Manager
Man on the Moon (1999)
Directed by: Milos Forman
Cinematography by: Anastas N. Michos
Executive Producer, Unit Production Manager
Twilight (1998)
Directed by: Robert Benton
Cinematography by: Piotr Sobocinski
Edited by: Carol Littleton
Cameras: Panavision Cameras
Executive Producer, Unit Production Manager
A Family Thing (1996)
Directed by: Richard Pearce
Cinematography by: Fred Murphy
Edited by: Mark Warner
Producer, Unit Production Manager
The People vs. Larry Flynt (1996)
Directed by: Milos Forman
Cinematography by: Philippe Rousselot
Edited by: Christopher Tellefsen
Cameras: Panavision Cameras
Lenses: Panavision Lenses
Editing System: Lightworks Editing System
Executive Producer, Unit Production Manager
Nobody's Fool (1994)
Directed by: Robert Benton
Cinematography by: John Bailey
Edited by: John Bloom
Cameras: ARRI Cameras
Executive Producer, Unit Production Manager
The Firm (1993)
Directed by: Sydney Pollack
Cinematography by: John Seale
Cameras: Panavision Cameras
Production Manager
State of Grace (1990)
Cinematography by: Jordan Cronenweth
Edited by: Claire Simpson
Producer, Second Assistant Director
House of Games (1987)
Directed by: David Mamet
Cinematography by: Juan Ruiz Anchía
Edited by: Trudy Ship
Executive Producer
Places in the Heart (1984)
Directed by: Robert Benton
Cinematography by: Néstor Almendros
Edited by: Carol Littleton
Executive Producer, First Assistant Director
Amadeus (1984)
Directed by: Milos Forman
Cinematography by: Miroslav Ondrícek
Cameras: Panavision Cameras
Lenses: Panavision Lenses
First Assistant Director, Producer
Silkwood (1983)
Directed by: Mike Nichols
Cinematography by: Miroslav Ondrícek
Edited by: Sam O'Steen
Executive Producer, First Assistant Director
Ragtime (1981)
Directed by: Milos Forman
Cinematography by: Miroslav Ondrícek
First Assistant Director, Producer
Rich Kids (1979)
Directed by: Robert M. Young
Cinematography by: Ralf D. Bode
Edited by: Edward Beyer
Cameras: Panavision Cameras
First Assistant Director, Producer
Heartland (1979)
Directed by: Richard Pearce
Cinematography by: Fred Murphy
Edited by: Bill Yahraus
