Annabelle Troukens

21 Titles

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The Transporter Refueled | ShotOnWhat?

Pre-production: BUF

The Transporter Refueled (2015)

Directed by: Camille Delamarre

Cinematography by: Christophe Collette, Vincent Richard

Edited by: Julien Rey

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-340 mm T2.9 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo 45-120 mm T2.8 Lens

The Hunger Games: Mockingjay - Part 2 | ShotOnWhat?

Visual Effects Coordinator: Europe

The Hunger Games: Mockingjay - Part 2 (2015)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Hunger Games: Mockingjay - Part 1 | ShotOnWhat?

Visual Effects Coordinator: Europe

The Hunger Games: Mockingjay - Part 1 (2014)

Directed by: Francis Lawrence

Cinematography by: Jo Willems

Edited by: Alan Edward Bell, Mark Yoshikawa

Cameras: ARRI ALEXA XT Camera

Lenses: Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Les infidèles | ShotOnWhat?

Visual Effects Producer

Les infidèles (2012)

Directed by: Emmanuelle Bercot, Fred Cavayé, Alexandre Courtès, Jean Dujardin, Michel Hazanavicius, Jan Kounen, Eric Lartigau, Gilles Lellouche

Cinematography by: Guillaume Schiffman

Edited by: Anny Danché, Julien Leloup

Cameras: ARRI ALEXA Camera, ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Thérèse | ShotOnWhat?

Visual Effects Producer

Thérèse (2012)

Directed by: Claude Miller

Cinematography by: Gérard de Battista

Edited by: Véronique Lange

Cameras: ARRI ALEXA Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Fujinon Alura Lenses

Case départ | ShotOnWhat?

Visual Effects Producer

Case départ (2011)

Directed by: Lionel Steketee, Fabrice Eboué, Thomas N'Gijol

Cinematography by: Jean-Claude Aumont

Edited by: Frédérique Olszak

La fille du puisatier | ShotOnWhat?

Visual Effects Producer

La fille du puisatier (2011)

Directed by: Daniel Auteuil

Cinematography by: Jean-François Robin

Edited by: Joëlle Hache

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens

La Rafle | ShotOnWhat?

Visual Effects Producer

La Rafle (2010)

Directed by: Rose Bosch

Cinematography by: David Ungaro

Edited by: Aurélien Dupont, Yann Malcor

Crank: High Voltage | ShotOnWhat?

Visual Effects Producer

Crank: High Voltage (2009)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Brandon Trost

Edited by: Marc Jakubowicz, Fernando Villena

Cameras: Canon VIXIA HF10 Camera, Canon XH A1 Camera, Sony PMW-EX1 Camera

Underworld: Rise of the Lycans | ShotOnWhat?

Vfx Producer: Duran Duboi Paris

Underworld: Rise of the Lycans (2009)

Directed by: Patrick Tatopoulos

Cinematography by: Ross Emery

Edited by: Peter Amundson, Eric Potter

Cameras: Panavision Genesis Camera, Red One Camera

Gamer | ShotOnWhat?

Visual Effects Producer

Gamer (2009)

Directed by: Mark Neveldine, Brian Taylor

Cinematography by: Ekkehart Pollack

Edited by: Peter Amundson, Fernando Villena, Doobie White

Cameras: ARRIFLEX 435 Camera, Red One Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

Editing System: Final Cut Pro Editing System

Transporter 3 | ShotOnWhat?

Visual Effects Producer

Transporter 3 (2008)

Directed by: Olivier Megaton

Cinematography by: Giovanni Fiore Coltellacci

Edited by: Camille Delamarre, Carlo Rizzo

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Cooke S4 Lenses

Secret défense | ShotOnWhat?

Visual Effects Producer

Secret défense (2008)

Directed by: Philippe Haïm

Cinematography by: Jérôme Alméras

Edited by: Sylvie Landra

Cameras: ARRICAM Lite (LT) Camera

Lenses: Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Master Prime Lenses

Seuls Two | ShotOnWhat?

Visual Effects Producer

Seuls Two (2008)

Directed by: Ramzy Bedia, Eric Judor

Cinematography by: Philippe Piffeteau

Edited by: Sébastien de Sainte Croix, Jean-Christophe Hym

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Around the World in 80 Days | ShotOnWhat?

Assistant Visual Effects Coordinator

Around the World in 80 Days (2004)

Directed by: Frank Coraci

Cinematography by: Phil Meheux

Edited by: Tom Lewis

Cameras: Panavision Panaflex Gold II Camera

Lenses: Panavision Primo Classic Spherical Lenses

Terminator 3: Rise of the Machines | ShotOnWhat?

Assistant To Stan Winston

Terminator 3: Rise of the Machines (2003)

Directed by: Jonathan Mostow

Cinematography by: Don Burgess

Edited by: Nicolas De Toth, Neil Travis

Cameras: Panavision Panaflex Platinum Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Hollywood's Magical Island: Catalina | ShotOnWhat?

Production Coordinator

Hollywood's Magical Island: Catalina (2003)

Directed by: Greg Reitman

Cinematography by: Bill Totolo

Edited by: J.M. Finholt, Josh Jordon, Skylar Smith

Second to Die | ShotOnWhat?

Key Set Production Assistant

Second to Die (2002)

Directed by: Brad Marlowe

Cinematography by: Moshe Levin

Edited by: Gena Bleier, Pam Wise

Jurassic Park III | ShotOnWhat?

Assistant To Stan Winston

Jurassic Park III (2001)

Directed by: Joe Johnston

Cinematography by: Shelly Johnson

Edited by: Robert Dalva

A.I. Artificial Intelligence | ShotOnWhat?

Assistant: Stan Winston, Stan Winston Studio

A.I. Artificial Intelligence (2001)

Directed by: Steven Spielberg

Cinematography by: Janusz Kaminski

Edited by: Michael Kahn

Cameras: Panavision Cameras

Lenses: ARRI / Zeiss Lenses

Mad Dog Time | ShotOnWhat?

Script Apprentice

Mad Dog Time (1996)

Directed by: Larry Bishop

Cinematography by: Frank Byers

Edited by: Norman Hollyn

Editing System: Lightworks Editing System

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