Ron Ayers

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Batman v Superman: Dawn of Justice | ShotOnWhat?

Boom Operator: B Unit, Video Assist Utility

Batman v Superman: Dawn of Justice (2016)

Directed by: Zack Snyder

Cinematography by: Larry Fong

Edited by: David Brenner

Cameras: ARRI ALEXA Camera, ARRIFLEX 416 Camera, ARRIFLEX 435 Camera, GoPro (Woodman Labs) Cameras, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Millennium XL2 Camera

Lenses: Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Don't Breathe | ShotOnWhat?

Boom Operator: Detroit Crew

Don't Breathe (2016)

Directed by: Fede Alvarez

Cinematography by: Pedro Luque

Edited by: Eric L. Beason, Louise Ford, Gardner Gould

Cameras: ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera

Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens

Into the Storm | ShotOnWhat?

Boom Operator: Second Unit

Into the Storm (2014)

Directed by: Steven Quale

Cinematography by: Brian Pearson

Edited by: Eric A. Sears

Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera

Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses

Editing System: Avid Editing System

Oz the Great and Powerful | ShotOnWhat?

Additional Sound Utility

Oz the Great and Powerful (2013)

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Bob Murawski

Cameras: Red Epic Camera

Lenses: Panavision Primo Primes Spherical Lenses

Editing System: Avid Editing System

Jimmy P. | ShotOnWhat?

Boom Operator

Jimmy P. (2013)

Directed by: Arnaud Desplechin

Cinematography by: Stéphane Fontaine

Edited by: Laurence Briaud

Cameras: ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses: Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Alex Cross | ShotOnWhat?

Sound Utility: Detroit Crew

Alex Cross (2012)

Directed by: Rob Cohen

Cinematography by: Ricardo Della Rosa

Edited by: Matthew Diezel, Thom Noble

Cameras: ARRICAM Lite (LT) Camera, ARRIFLEX 35 BL3 Camera, Silicon Imaging SI-2K Mini Camera, Silicon Imaging SI-2K Nano Camera

Lenses: Angenieux Optimo Zoom Lenses, Cooke 5/i Lenses

The Five-Year Engagement | ShotOnWhat?

Boom Operator: Second Unit

The Five-Year Engagement (2012)

Directed by: Nicholas Stoller

Cinematography by: Javier Aguirresarobe

Edited by: William Kerr, Peck Prior

Cameras: ARRI ALEXA Camera

Lenses: Zeiss Master Prime Lenses

Kill the Irishman | ShotOnWhat?

Sound Utility

Kill the Irishman (2011)

Directed by: Jonathan Hensleigh

Cinematography by: Karl Walter Lindenlaub

Edited by: Douglas Crise

A Very Harold & Kumar 3D Christmas | ShotOnWhat?

Sound Utility

A Very Harold & Kumar 3D Christmas (2011)

Directed by: Todd Strauss-Schulson

Cinematography by: Michael Barrett

Edited by: Eric Kissack

Cameras: Panavision Genesis Camera

Lenses: Panavision Compact Zoom Lenses, Panavision Primo Anamorphic Lenses

This Must Be the Place | ShotOnWhat?

Sound Utility: Michigan

This Must Be the Place (2011)

Directed by: Paolo Sorrentino

Cinematography by: Luca Bigazzi

Edited by: Cristiano Travaglioli

S.W.A.T.: Firefight | ShotOnWhat?

Video Assist Utility

S.W.A.T.: Firefight (2011)

Direct to Video

Directed by: Benny Boom

Cinematography by: Don Davis

Cameras: Sony CineAlta F35 Camera

Youth in Revolt | ShotOnWhat?

Boom Operator: Second Unit

Youth in Revolt (2009)

Directed by: Miguel Arteta

Cinematography by: Chuy Chávez

Edited by: Andy Keir, Pamela Martin

Cameras: Phantom HD Camera, Sony CineAlta F35 Camera

Jumper | ShotOnWhat?

Boom Operator Ann Arbor

Jumper (2008)

Directed by: Doug Liman

Cinematography by: Barry Peterson

Edited by: Saar Klein, Dean Zimmerman, Don Zimmerman

Cameras: Panavision Cameras, Red One Camera

Polish Wedding | ShotOnWhat?

Sound Mixer

Polish Wedding (1998)

Directed by: Theresa Connelly

Cinematography by: Guy Dufaux

Edited by: Curtiss Clayton, Suzanne Fenn

Collision Course | ShotOnWhat?

Post Production Sound

Collision Course (1989)

Directed by: Lewis Teague

Cinematography by: Donald E. Thorin

Edited by: Gerald B. Greenberg, Sonya Polonsky

Cameras: Panavision Cameras

Evil Dead II | ShotOnWhat?

Post Production Sound

Evil Dead II (1987)

Directed by: Sam Raimi

Cinematography by: Peter Deming

Edited by: Kaye Davis

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