Boom Operator: B Unit, Video Assist Utility
Batman v Superman: Dawn of Justice (2016)
Directed by: Zack Snyder
Cinematography by: Larry Fong
Edited by: David Brenner
Boom Operator: Detroit Crew
Don't Breathe (2016)
Directed by: Fede Alvarez
Cinematography by: Pedro Luque
Cameras: ARRI ALEXA XT Camera, Blackmagic Pocket Cinema Camera, Phantom Flex4K Camera, Red Epic Dragon Camera
Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Leitz Summilux-C 100 mm T1.4 Lens, Leitz Summilux-C 16 mm T1.4 Lens, Leitz Summilux-C 18 mm T1.4 Lens, Leitz Summilux-C 21 mm T1.4 Lens, Leitz Summilux-C 25 mm T1.4 Lens, Leitz Summilux-C 29 mm T1.4 Lens, Leitz Summilux-C 35 mm T1.4 Lens, Leitz Summilux-C 40 mm T1.4 Lens, Leitz Summilux-C 50 mm T1.4 Lens, Leitz Summilux-C 65 mm T1.4 Lens, Leitz Summilux-C 75 mm T1.4 Lens, Zeiss Super Speed Lenses, Zeiss Super Speeds Mk II 18 mm T1.3 Lens, Zeiss Super Speeds Mk II 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 12 mm T1.3 Lens, Zeiss Ultra 16 Distagon 14 mm T1.3 Lens, Zeiss Ultra 16 Distagon 18 mm T1.3 Lens, Zeiss Ultra 16 Distagon 25 mm T1.3 Lens, Zeiss Ultra 16 Distagon 6 mm T1.3 Lens, Zeiss Ultra 16 Distagon 8 mm T1.3 Lens, Zeiss Ultra 16 Distagon 9.5 mm T1.3 Lens, Zeiss Ultra 16 Planar 35 mm T1.3 Lens
Boom Operator: Second Unit
Into the Storm (2014)
Directed by: Steven Quale
Cinematography by: Brian Pearson
Edited by: Eric A. Sears
Cameras: ARRI ALEXA M Camera, ARRI ALEXA Plus Camera, Canon EOS-5D Mark II Camera, GoPro HD Hero2 Camera, Nikon D800 Camera, Red Epic Camera
Lenses: Fujinon Alura Zoom 15.5-45 mm T2.8 Lens, Fujinon Alura Zoom 18-80 mm T2.6 Lens, Fujinon Alura Zoom 30-80 mm T2.8 Lens, Fujinon Alura Zoom 45-250 mm T2.8 Lens, Zeiss Master Prime Lenses
Editing System: Avid Editing System
Additional Sound Utility
Oz the Great and Powerful (2013)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Bob Murawski
Cameras: Red Epic Camera
Editing System: Avid Editing System
Boom Operator
Jimmy P. (2013)
Directed by: Arnaud Desplechin
Cinematography by: Stéphane Fontaine
Edited by: Laurence Briaud
Sound Utility: Detroit Crew
Alex Cross (2012)
Directed by: Rob Cohen
Cinematography by: Ricardo Della Rosa
Boom Operator: Second Unit
The Five-Year Engagement (2012)
Directed by: Nicholas Stoller
Cinematography by: Javier Aguirresarobe
Cameras: ARRI ALEXA Camera
Lenses: Zeiss Master Prime Lenses
Sound Utility
Kill the Irishman (2011)
Directed by: Jonathan Hensleigh
Cinematography by: Karl Walter Lindenlaub
Edited by: Douglas Crise
Sound Utility
A Very Harold & Kumar 3D Christmas (2011)
Directed by: Todd Strauss-Schulson
Cinematography by: Michael Barrett
Edited by: Eric Kissack
Cameras: Panavision Genesis Camera
Sound Utility: Michigan
This Must Be the Place (2011)
Directed by: Paolo Sorrentino
Cinematography by: Luca Bigazzi
Edited by: Cristiano Travaglioli
Video Assist Utility
S.W.A.T.: Firefight (2011)
Directed by: Benny Boom
Cinematography by: Don Davis
Cameras: Sony CineAlta F35 Camera
Boom Operator: Second Unit
Youth in Revolt (2009)
Directed by: Miguel Arteta
Cinematography by: Chuy Chávez
Cameras: Phantom HD Camera, Sony CineAlta F35 Camera
Boom Operator Ann Arbor
Jumper (2008)
Directed by: Doug Liman
Cinematography by: Barry Peterson
Cameras: Panavision Cameras, Red One Camera
Post Production Sound
Collision Course (1989)
Directed by: Lewis Teague
Cinematography by: Donald E. Thorin
Cameras: Panavision Cameras
Post Production Sound
Evil Dead II (1987)
Directed by: Sam Raimi
Cinematography by: Peter Deming
Edited by: Kaye Davis
