Re-recording Mixer / Supervising Sound Editor
Term Life (2016)
Directed by: Peter Billingsley
Cinematography by: Roberto Schaefer
Cameras: ARRI ALEXA Camera, Red Epic Dragon Camera
Re-recording Mixer
Bullet to the Head (2012)
Directed by: Walter Hill
Cinematography by: Lloyd Ahern II
Edited by: Timothy Alverson
Sound Supervisor
A Cinderella Story: Once Upon a Song (2011)
Directed by: Damon Santostefano
Cinematography by: John Peters
Edited by: Tony Lombardo
Cameras: Panavised Sony CineAlta F35 Camera
Lenses: Panavision Lenses
Re-recording Mixer / Sound Designer / Supervising Sound Editor
Hick (2011)
Directed by: Derick Martini
Cinematography by: Frank Godwin
Edited by: Mark Yoshikawa
Re-recording Mixer
The Perfect Host (2010)
Directed by: Nick Tomnay
Cinematography by: John Brawley
Edited by: Nick Tomnay
Cameras: Red One Camera
Lenses: Zeiss Ultra Prime Lenses
Editing System: Avid Editing System
Supervising Sound Editor
Just Wright (2010)
Directed by: Sanaa Hamri
Cinematography by: Terry Stacey
Edited by: Melissa Kent
Supervising Sound Editor
Couples Retreat (2009)
Directed by: Peter Billingsley
Cinematography by: Eric Alan Edwards
Edited by: Dan Lebental
Editing System: Final Cut Pro Editing System
Re-recording Mixer / Supervising Sound Editor
Observe and Report (2009)
Directed by: Jody Hill
Cinematography by: Tim Orr
Edited by: Zene Baker
Supervising Sound Editor
Get Smart (2008)
Directed by: Peter Segal
Cinematography by: Dean Semler
Edited by: Richard Pearson
Lenses: Panavision Primo Anamorphic Lenses, Panavision SLZ 17.5-75 mm T2.3 Lens, Panavision SLZ11 24-275 mm T2.8 Lens
Editing System: Avid Editing System
Re-recording Mixer
Little Miss Sunshine (2006)
Cinematography by: Tim Suhrstedt
Edited by: Pamela Martin
Supervising Sound Mixer
Running with Scissors (2006)
Directed by: Ryan Murphy
Cinematography by: Christopher Baffa
Edited by: Byron Smith
Re-recording Mixer
Believe in Me (2006)
Directed by: Robert Collector
Cinematography by: James L. Carter
Edited by: Anthony Redman
Re-recording Mixer
Dust to Glory (2005)
Directed by: Dana Brown
Cinematography by: Kevin Ward
Cameras: Panasonic AG-DVX100 Camera
Editing System: Adobe Premiere Editing System
Re-recording Mixer
Catch That Kid (2004)
Directed by: Bart Freundlich
Cinematography by: Julio Macat
Edited by: Stuart Levy
Re-recording Mixer
Soul Plane (2004)
Directed by: Jessy Terrero
Cinematography by: Jonathan Sela
Edited by: Michael R. Miller
Re-recording Mixer
Paparazzi (2004)
Directed by: Paul Abascal
Cinematography by: Daryn Okada
Edited by: Robin Russell
Re-recording Mixer
Bringing Down the House (2003)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Gerald B. Greenberg
Re-recording Mixer: Wilshire Stages
Sin (2003)
Directed by: Michael Stevens
Cinematography by: Zoran Popovic
Edited by: Suzanne Fenn
Re-recording Mixer
A Walk to Remember (2002)
Directed by: Adam Shankman
Cinematography by: Julio Macat
Edited by: Emma E. Hickox
Cameras: ARRI Cameras
Re-recording Mixer / Supervising Sound Editor
Queen of the Damned (2002)
Directed by: Michael Rymer
Cinematography by: Ian Baker
Edited by: Dany Cooper
Sound Re-recording Mixer: Director's Cut
Donnie Darko (2001)
Directed by: Richard Kelly
Cinematography by: Steven Poster
Re-recording Mixer / Supervising Sound Editor
The Next Best Thing (2000)
Directed by: John Schlesinger
Cinematography by: Elliot Davis
Edited by: Peter Honess
Adr Editor
The Adventures of Rocky & Bullwinkle (2000)
Directed by: Des McAnuff
Cinematography by: Thomas E. Ackerman
Edited by: Dennis Virkler
Sound Effects Editor
Three Kings (1999)
Directed by: David O. Russell
Cinematography by: Newton Thomas Sigel
Edited by: Robert K. Lambert
Cameras: Panavision Cameras
Re-recording Mixer / Supervising Sound Editor
Chill Factor (1999)
Directed by: Hugh Johnson
Cinematography by: David Gribble
Edited by: Pamela Power
Supervising Sound Editor
Mercury Rising (1998)
Directed by: Harold Becker
Cinematography by: Michael Seresin
Edited by: Peter Honess
Supervising Sound Editor
Fire Down Below (1997)
Directed by: Félix Enríquez Alcalá
Cinematography by: Tom Houghton
Edited by: Robert A. Ferretti
Sound Designer
L.A. Confidential (1997)
Directed by: Curtis Hanson
Cinematography by: Dante Spinotti
Edited by: Peter Honess
Cameras: Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Editing System: Lightworks Editing System
Supervising Sound Editor
Eye for an Eye (1996)
Directed by: John Schlesinger
Cinematography by: Amir Mokri
Edited by: Peter Honess
Supervising Sound Editor
My Fellow Americans (1996)
Directed by: Peter Segal
Cinematography by: Julio Macat
Edited by: William Kerr
Supervising Sound Editor
How to Make an American Quilt (1995)
Directed by: Jocelyn Moorhouse
Cinematography by: Janusz Kaminski
Edited by: Jill Bilcock
Cameras: Panavision Cameras
Supervising Sound Editor
Tommy Boy (1995)
Directed by: Peter Segal
Cinematography by: Victor J. Kemper
Edited by: William Kerr
Supervising Sound Editor
Naked Gun 33 1/3: The Final Insult (1994)
Directed by: Peter Segal
Cinematography by: Robert M. Stevens
Edited by: James R. Symons
Cameras: Panavision Cameras
Adr Supervisor
I.Q. (1994)
Directed by: Fred Schepisi
Cinematography by: Ian Baker
Edited by: Jill Bilcock
Supervising Adr Editor
Six Degrees of Separation (1993)
Directed by: Fred Schepisi
Cinematography by: Ian Baker
Edited by: Peter Honess
Sound Editor
Coneheads (1993)
Directed by: Steve Barron
Cinematography by: Francis Kenny
Edited by: Paul Trejo
Sound Effects Editor
A Perfect World (1993)
Directed by: Clint Eastwood
Cinematography by: Jack N. Green
Sound Editor
Harley Davidson and the Marlboro Man (1991)
Directed by: Simon Wincer
Cinematography by: David Eggby
Edited by: Corky Ehlers
Cameras: Panavision Cameras
Sound Editor - Special Version
The Abyss (1989)
Directed by: James Cameron
Cinematography by: Mikael Salomon
Re-recording Mixer / Supervising Sound Editor
Communion (1989)
Directed by: Philippe Mora
Cinematography by: Louis Irving
Edited by: Lee Smith
Sound Editor
The Pirate Movie (1982)
Directed by: Ken Annakin
Cinematography by: Robin Copping
Edited by: Ken Zemke
Cameras: Panavision Cameras
