Producer
Joker (2019)
| USA, Canada
Directed by: Todd Phillips
Cinematography by: Lawrence Sher
Edited by: Jeff Groth
Lenses: ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens
Editing System: Avid Editing System
Producer - Produced By - P.g.a.
The Irishman (2019)
| USA
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Executive Producer
Uncut Gems (2019)
Cinematography by: Darius Khondji
Executive Producer
'Vinyl' The Racket (2016)
| USA
Directed by: S.J. Clarkson
Cinematography by: Reed Morano
Edited by: Tim Streeto
Executive Producer
'Vinyl' The King and I (2016)
| USA
Directed by: Allen Coulter
Cinematography by: David Franco
Edited by: Kate Sanford
Executive Producer
'Vinyl' Whispered Secrets (2016)
| USA
Directed by: Mark Romanek
Cinematography by: David Franco
Edited by: Kate Sanford
Executive Producer
'Vinyl' Alibi (2016)
| USA
Directed by: Allen Coulter
Cinematography by: Reed Morano
Edited by: Tim Streeto
Executive Producer
'Vinyl' Cyclone (2016)
| USA
Directed by: Nicole Kassell
Cinematography by: Reed Morano
Executive Producer
'Vinyl' Yesterday Once More (2016)
| USA
Directed by: Allen Coulter
Cinematography by: Reed Morano
Edited by: Tim Streeto
Executive Producer
'Vinyl' Rock and Roll Queen (2016)
| USA
Directed by: Carl Franklin
Cinematography by: David Franco
Executive Producer
'Vinyl' He in Racist Fire (2016)
| USA
Directed by: Peter Sollett
Cinematography by: David Franco
Edited by: Kate Sanford
Executive Producer - 10 Episodes, 2016
Vinyl (2016)
| USA
Directed by: Allen Coulter, Jon S. Baird, S.J. Clarkson, Carl Franklin, Nicole Kassell, Mark Romanek, Martin Scorsese, Peter Sollett
Cameras: Sony PMW-F55 Camera
Executive Producer
'Vinyl' Pilot (2016)
| USA
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: David Tedeschi
Executive Producer
'Vinyl' E.A.B. (2016)
| USA
Directed by: Jon S. Baird
Cinematography by: Reed Morano
Producer
The Wolf of Wall Street (2013)
| USA
Directed by: Martin Scorsese
Cinematography by: Rodrigo Prieto
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Plus Camera, ARRI ALEXA Studio Camera, ARRICAM Lite (LT) Camera, Canon EOS-C500 Camera
Lenses: Angenieux Optimo 24-290mm T2.8 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 140 mm T3.5 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Plus 135 mm T3.0 Lens, Hawk V-Plus 45-90 mm T2.8 Lens, Hawk V-Plus 80-180 mm T2.8 Lens, Hawk V-Series 180 mm T3.0 Lens, Zeiss Master Prime Lenses
Editing System: Lightworks Editing System
Executive Producer
Hugo (2011)
| USA, UK, France
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRI ALEXA Camera
Lenses: Cooke 5/i Lenses, Cooke S4 Lenses
Associate Producer
'Boardwalk Empire' Boardwalk Empire (2010)
| USA
Directed by: Martin Scorsese
Cinematography by: Stuart Dryburgh
Edited by: Sidney Wolinsky
Co-producer
Shutter Island (2010)
| USA
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Cameras: ARRIFLEX 765 Camera, ARRIFLEX D-21 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera
Editing System: Lightworks Editing System
Associate Producer - 1 Episode, 2010
Boardwalk Empire (2010)
| USA
Directed by: Timothy Van Patten, Allen Coulter, Jeremy Podeswa, Ed Bianchi, Brad Anderson, Alik Sakharov, Jake Paltrow, Simon Cellan Jones, Brian Kirk, Martin Scorsese, Alan Taylor, David Petrarca, Susanna White, Kari Skogland
Cinematography by: William Coleman, David Franco, Jonathan Freeman, Kramer Morgenthau, Stuart Dryburgh, Eric Moynier
Associate Producer
The Betrayal - Nerakhoon (2008)
| USA
Cinematography by: Ellen Kuras
Edited by: Thavisouk Phrasavath
Co-producer
Shine a Light (2008)
| USA
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: David Tedeschi
Associate Producer, Woman With Dog
The Departed (2006)
| USA
Directed by: Martin Scorsese
Cinematography by: Michael Ballhaus
Edited by: Thelma Schoonmaker
Lenses: Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses, Zeiss Ultra Prime Lenses, Zeiss Variable Prime Lenses
Editing System: Lightworks Editing System
Assistant: Martin Scorsese
The Aviator (2004)
| Germany, USA
Directed by: Martin Scorsese
Cinematography by: Robert Richardson
Edited by: Thelma Schoonmaker
Editing System: Lightworks Editing System
Assistant: Ted Demme
A Decade Under the Influence (2003)
| USA
Edited by: Meg Reticker
Cameras: Sony HDW-F900 Camera
Assistant: Ted Demme
Blow (2001)
| USA
Directed by: Ted Demme
Cinematography by: Ellen Kuras
Edited by: Kevin Tent
Assistant: Ms. Thurman
The Avengers (1998)
| USA
Directed by: Jeremiah S. Chechik
Cinematography by: Roger Pratt
Edited by: Mick Audsley
Assistant: Ms. Thurman
Les Misérables (1998)
| UK, Germany, USA
Directed by: Bille August
Cinematography by: Jörgen Persson
Edited by: Janus Billeskov Jansen
Assistant: Ms. Thurman
Batman & Robin (1997)
| USA, UK
Directed by: Joel Schumacher
Cinematography by: Stephen Goldblatt
Assistant: Ms. Thurman
Gattaca (1997)
| USA
Directed by: Andrew Niccol
Cinematography by: Slawomir Idziak
Edited by: Lisa Zeno Churgin
Cameras: ARRIFLEX Camera, Moviecam Cameras
Assistant: Ms. Thurman
The Truth About Cats & Dogs (1996)
| USA
Directed by: Michael Lehmann
Cinematography by: Robert Brinkmann
Edited by: Stephen Semel
Cameras: ARRIFLEX 535 Camera
Assistant: Mr. Joanou
Heaven's Prisoners (1996)
| USA, UK
Directed by: Phil Joanou
Cinematography by: Harris Savides
Edited by: William Steinkamp
