Zeiss Ultra Prime Lenses | 236 Titles
La grande bellezza (2013)
Directed by | Paolo Sorrentino | Cinematography by | Luca Bigazzi | Editing by | Cristiano Travaglioli
Lenses | Angenieux Optimo Zoom Lenses, Zeiss Lightweight Zoom LWZ.2 Vario-Sonnar 15.5–45mm T2.6 Lens, Zeiss Ultra Prime Lenses
Blood Ties (2013)
Directed by | Guillaume Canet | Cinematography by | Christophe Offenstein | Editing by | Hervé de Luze
Cameras | ARRI ALEXA Plus Camera
Un beau dimanche (2013)
Directed by | Nicole Garcia | Cinematography by | Pierre Milon | Editing by | Simon Jacquet
Cameras | ARRI ALEXA Camera
Trois mondes (2012)
Directed by | Catherine Corsini | Cinematography by | Claire Mathon | Editing by | Muriel Breton
Cameras | Aaton Penelope Camera
Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses
Bienvenue parmi nous (2012)
Directed by | Jean Becker | Cinematography by | Arthur Cloquet | Editing by | Franck Nakache, Jacques Witta
Cameras | ARRI ALEXA Camera
Boss (2011)
| Cinematography by | Richard Rutkowski, Kasper Tuxen | Editing by | Kevin Casey, Elba Sanchez-Short, Stephen Mark, Jo Francis, J. Kathleen Gibson, Elliot Graham, Dorian Harris
Cameras | ARRI ALEXA Camera
The Raid 2 (2014)
Directed by | Gareth Evans | Cinematography by | Matt Flannery, Dimas Imam Subhono | Editing by | Gareth Evans
Lenses | Zeiss Ultra Prime Lenses
Little Dorrit (2008)
| Cinematography by | Owen McPolin, Lukas Strebel, Alan Almond | Editing by | Philip Kloss, Nick Arthurs, David Head
Cameras | ARRIFLEX D-21 Camera
Stranger Within (2013)
Directed by | Adam Neutzsky-Wulff | Cinematography by | Michael Sauer Christensen | Editing by | Niels Ostenfeld
Cameras | Canon EOS-5D Mark II Camera, Red One Camera
Lenses | Zeiss Ultra Prime Lenses
On ne choisit pas sa famille (2011)
Directed by | Christian Clavier | Cinematography by | Pascal Ridao | Editing by | Christophe Pinel
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Margaret (2009)
Directed by | James Kent | Cinematography by | David Odd | Editing by | William Diver
Cameras | ARRICAM Lite (LT) Camera
Do Começo ao Fim (2009)
Directed by | Aluizio Abranches | Cinematography by | Ueli Steiger | Editing by | Fábio S. Limma
Cameras | Aaton Cameras
Lenses | Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens, Zeiss Variable Prime VP1 16-30 mm T2.2 Lens, Zeiss Variable Prime VP2 29-60 mm T2.2 Lens, Zeiss Variable Prime VP3 55-150 mm T2.2 Lens
Nosso Lar (2010)
Directed by | Wagner de Assis | Cinematography by | Ueli Steiger | Editing by | Marcelo Moraes
Lenses | Angenieux Lenses, Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Vatertage – Opa über Nacht (2012)
Directed by | Ingo Rasper | Cinematography by | Ueli Steiger | Editing by | Ueli Christen
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
Frau Ella (2013)
Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Simon Gstöttmayr
Cameras | ARRI ALEXA Plus Camera
Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Distagon 10 mm T2.1 Lens, Zeiss Ultra Prime Distagon 14 mm T1.9 Lens
Friendship! (2010)
Directed by | Markus Goller | Cinematography by | Ueli Steiger | Editing by | Markus Goller, Olivia Retzer
Lenses | Angenieux Lenses, Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Ultra Prime Lenses
Big Sur (2013)
Directed by | Michael Polish | Cinematography by | M. David Mullen | Editing by | Geraud Brisson, Robert Frazen
Cameras | Red Epic Camera, Red One Camera
Le capital (2012)
Directed by | Costa-Gavras | Cinematography by | Eric Gautier | Editing by | Yannick Kergoat, Yorgos Lamprinos
Cameras | Aaton Penelope Camera
Jobs (2013)
Directed by | Joshua Michael Stern | Cinematography by | Russell Carpenter | Editing by | Robert Komatsu
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Ultra Prime Lenses
Maniac (2012)
Directed by | Franck Khalfoun | Cinematography by | Maxime Alexandre | Editing by | Baxter, Franck Khalfoun
Cameras | Red Epic Camera
Lenses | Zeiss Ultra Prime Lenses
