Panavision Lenses | 1288 Titles
Casualties of War (1989)
Directed by | Brian De Palma | Cinematography by | Stephen H. Burum | Editing by | Bill Pankow
Cameras | Panavision Panaflex Lightweight Camera
The Sitter (2011)
Directed by | David Gordon Green | Cinematography by | Tim Orr | Editing by | Craig Alpert
Lenses | Panavision Primo Anamorphic Lenses
Atlantic City (1980)
Directed by | Louis Malle | Cinematography by | Richard Ciupka | Editing by | Suzanne Baron
Cameras | Panavision Panaflex Camera
Lenses | Panavision Lenses
Waitress (2007)
Directed by | Adrienne Shelly | Cinematography by | Matthew Irving | Editing by | Annette Davey
Cameras | Panavision Panaflex Gold II Camera
Lenses | Panavision Primo Anamorphic Lenses
Pirates of the Caribbean: Dead Man’s Chest (2006)
Directed by | Gore Verbinski | Cinematography by | Dariusz Wolski | Editing by | Stephen E. Rivkin, Craig Wood
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Road to Perdition (2002)
Directed by | Sam Mendes | Cinematography by | Conrad L. Hall | Editing by | Jill Bilcock
Cameras | Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision Panastar Camera
Captain America: The First Avenger (2011)
Directed by | Joe Johnston | Cinematography by | Shelly Johnson | Editing by | Robert Dalva, Jeffrey Ford
Cameras | ARRI ALEXA Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-5D Mark II Camera, Panavision Genesis Camera, Panavision Panaflex Millennium XL Camera
Goal! III (2009)
Directed by | Andrew Morahan | Cinematography by | George Tiffin | Editing by | Giles Bury
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Legend of Zorro (2005)
Directed by | Martin Campbell | Cinematography by | Phil Meheux | Editing by | Stuart Baird
Cameras | ARRIFLEX 435 Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Manda Bala (Send a Bullet) (2007)
Directed by | Jason Kohn | Cinematography by | Heloísa Passos | Editing by | Doug Abel, Jenny Golden, Andy Grieve
Cameras | ARRIFLEX 16SR3 Camera
Lenses | Panavision Cooke Xtal Xpress (Joe Dunton Camera Millenium Anamorphic) Lenses, Zeiss Ultra Prime Lenses
Something Borrowed (2011)
Directed by | Luke Greenfield | Cinematography by | Charles Minsky | Editing by | John Axelrad
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Help (2011)
Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Hughes Winborne
Lenses | Panavision Primo Anamorphic Lenses
From Paris with Love (2010)
Directed by | Pierre Morel | Cinematography by | Michel Abramowicz | Editing by | Frédéric Thoraval
Lenses | Panavision Primo Anamorphic Lenses
Little Birds (2011)
Directed by | Elgin James | Cinematography by | Reed Morano | Editing by | Suzanne Spangler
Lenses | Panavision Primo Anamorphic Lenses
The Black Balloon (2008)
Directed by | Elissa Down | Cinematography by | Denson Baker | Editing by | Veronika Jenet
Lenses | Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses, Panavision Ultra Speed Z Series (Zeiss) Lenses
Come September (1961)
Directed by | Robert Mulligan | Cinematography by | William H. Daniels | Editing by | Russell F. Schoengarth
Lenses | Panavision Lenses
Nancy Drew (2007)
Directed by | Andrew Fleming | Cinematography by | Alexander Gruszynski | Editing by | Jeff Freeman
Lenses | Panavision Primo Anamorphic Lenses
The Four Feathers (2002)
Life as We Know It (2010)
Directed by | Greg Berlanti | Cinematography by | Andrew Dunn | Editing by | Jim Page
Lenses | Panavision Primo Anamorphic Lenses
Take (2007)
Directed by | Charles Oliver | Cinematography by | Tristan Whitman | Editing by | Andrew McAllister
Lenses | Panavision Primo Anamorphic Lenses