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Panavision Lenses | 1288 Titles

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Final Analysis (1992)

Motion Picture | 2D | Color | 1.85:1 | 124 Minutes

Final Analysis | ShotOnWhat?

Directed by | Phil Joanou | Cinematography by | Jordan Cronenweth | Editing by | Thom Noble

Starring | Richard Gere, Kim Basinger, Uma Thurman, Eric Roberts

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

All the Boys Love Mandy Lane (2006)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Jonathan Levine | Cinematography by | Darren Genet | Editing by | Josh Noyes

Starring | Amber Heard, Anson Mount, Whitney Able, Michael Welch

Cameras | ARRIFLEX 35 IIC Camera, Panavision Panaflex Millennium Camera

Lenses | Cooke Lenses, Panavision C Series Anamorphic Lenses, Panavision Super Speed Lenses

Seven Years in Tibet (1997)

Motion Picture | 2D | Color | 2.35:1 | 136 Minutes

Seven Years in Tibet | ShotOnWhat?

Directed by | Jean-Jacques Annaud | Cinematography by | Robert Fraisse | Editing by | Noëlle Boisson

Starring | Brad Pitt, David Thewlis, BD Wong, Mako

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

Cruising (1980)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 102 Minutes

Directed by | William Friedkin | Cinematography by | James A. Contner | Editing by | Bud S. Smith, M. Scott Smith

Starring | Al Pacino, Paul Sorvino, Karen Allen, Richard Cox

Cameras | Panavision Panaflex Camera

Lenses | Panavision Lenses

The Mummy Returns (2001)

Motion Picture | 2D | Color | 2.35:1 | 130 Minutes

The Mummy Returns | ShotOnWhat?

Directed by | Stephen Sommers | Cinematography by | Adrian Biddle | Editing by | Bob Ducsay, Kelly Matsumoto

Starring | Brendan Fraser, Rachel Weisz, John Hannah, Arnold Vosloo

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision C Series Anamorphic Lenses

Federal Hill (1994)

Motion Picture | 2D | Black and White | 1.85:1 | 97 Minutes

Federal Hill | ShotOnWhat?

Directed by | Michael Corrente | Cinematography by | Richard Crudo | Editing by | Kate Sanford

Starring | Nicholas Turturro, Anthony DeSando, Libby Langdon, Michael Raynor

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision Primo Anamorphic Lenses

The Words (2012)

Motion Picture | 2D | Color | 1.85:1 | 102 Minutes

The Words | ShotOnWhat?

Directed by | Brian Klugman, Lee Sternthal | Cinematography by | Antonio Calvache | Editing by | Leslie Jones

Starring | Bradley Cooper, Dennis Quaid, Olivia Wilde, Zoe Saldana

Cameras | Panavision Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Himalaya (1999)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Eric Valli, Michel Debats | Cinematography by | Éric Guichard, Jean-Paul Meurisse | Editing by | Marie-Josèphe Yoyotte

Starring | Thilen Lhondup, Gurgon Kyap, Lhakpa Tsamchoe, Karma Wangel

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

In America (2002)

Motion Picture | 2D | Color | 1.85:1 | 105 Minutes

Directed by | Jim Sheridan | Cinematography by | Declan Quinn | Editing by | Naomi Geraghty

Starring | Paddy Considine, Samantha Morton, Djimon Hounsou, Sarah Bolger

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Anamorphic Lenses

High Risk (1981)

Motion Picture | 2D | Color | 94 Minutes

Directed by | Stewart Raffill | Cinematography by | Álex Phillips Jr. | Editing by | Tom Walls

Starring | James Brolin, Anthony Quinn, Lindsay Wagner, James Coburn

Cameras | Panavision Cameras

Lenses | Panavision Lenses

Men in Black (1997)

Motion Picture | 2D | Color | 1.85:1 | 98 Minutes

Directed by | Barry Sonnenfeld | Cinematography by | Donald Peterman | Editing by | Jim Miller

Starring | Tommy Lee Jones, Will Smith, Linda Fiorentino, Vincent D'Onofrio

Cameras | Beaumont Vista Vision Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses, Panavision Ultra Speed MKII Lenses

Splice (2009)

Motion Picture | 2D | Color | 1.85:1 | 104 Minutes

Splice | ShotOnWhat?

Directed by | Vincenzo Natali | Cinematography by | Tetsuo Nagata | Editing by | Michele Conroy

Starring | Adrien Brody, Sarah Polley, Delphine Chanéac, Brandon McGibbon

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Anamorphic Lenses

Sherlock Holmes: A Game of Shadows (2011)

Motion Picture | 2D | Color | 2.35:1 | 129 Minutes

Sherlock Holmes: A Game of Shadows | ShotOnWhat?

Directed by | Guy Ritchie | Cinematography by | Philippe Rousselot | Editing by | James Herbert

Starring | Robert Downey Jr., Jude Law, Jared Harris, Rachel McAdams

Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom Flex Camera, Phantom HD Camera, Phantom HD Gold Camera

Lenses | Panavision Primo Anamorphic Lenses

A Simple Plan (1998)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Sam Raimi | Cinematography by | Alar Kivilo | Editing by | Eric L. Beason, Arthur Coburn

Starring | Bill Paxton, Billy Bob Thornton, Bridget Fonda, Brent Briscoe

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Tuck Everlasting (2002)

Motion Picture | 2D | Color | 2.35:1 | 90 Minutes

Tuck Everlasting | ShotOnWhat?

Directed by | Jay Russell | Cinematography by | James L. Carter | Editing by | Jay Cassidy

Starring | Alexis Bledel, Jonathan Jackson, Sissy Spacek, William Hurt

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

Holy Smoke (1999)

Motion Picture | 2D | Color | 1.85:1 | 115 Minutes

Holy Smoke | ShotOnWhat?

Directed by | Jane Campion | Cinematography by | Dion Beebe | Editing by | Veronika Jenet

Starring | Kate Winslet, Harvey Keitel, Julie Hamilton, Sophie Lee

Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Millennium Camera

Lenses | Panavision Primo Anamorphic Lenses

The English Patient (1996)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 162 Minutes

Directed by | Anthony Minghella | Cinematography by | John Seale | Editing by | Walter Murch

Starring | Ralph Fiennes, Juliette Binoche, Willem Dafoe, Kristin Scott Thomas

Cameras | Panavision Panaflex Gold Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Batman Forever (1995)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Batman Forever | ShotOnWhat?

Directed by | Joel Schumacher | Cinematography by | Stephen Goldblatt | Editing by | Mark Stevens, Dennis Virkler

Starring | Val Kilmer, Tommy Lee Jones, Jim Carrey, Nicole Kidman

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Anamorphic Lenses

The Straight Story (1999)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | David Lynch | Cinematography by | Freddie Francis | Editing by | Mary Sweeney

Starring | Richard Farnsworth, Sissy Spacek, Jane Galloway Heitz, Joseph A. Carpenter

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision C Series Anamorphic Lenses

The Man Who Wasn’t There (1983)

Motion Picture | 3D | Film Project | Color | 111 Minutes

Directed by | Bruce Malmuth | Cinematography by | Frederick Moore | Editing by | Harry Keller

Starring | Steve Guttenberg, Jeffrey Tambor, Art Hindle, Morgan Most

Lenses | Panavision Lenses

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