Digital Intermediate Finishing Process | 1761 Titles
Killers Within (2018)
Directed by | Paul Bushe, Brian O'Neill | Cinematography by | Philip Graham
Cameras | Sony PXW-FS7 Camera
Cotton Wool (2017)
Directed by | Nicholas Connor | Cinematography by | Alan C. McLaughlin | Editing by | Nicholas Connor, Amy Pfeil
Cameras | ARRIFLEX 435 ES Camera, Red Epic Dragon Camera
Lenses | Cooke Speed Panchro (S1) 108mm f2.0 Lens, Cooke Speed Panchro (S2) 18mm f2.0 Lens, Cooke Speed Panchro (S2) 25mm f2.2 Lens, Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens
The Book of Henry (2017)
Directed by | Colin Trevorrow | Cinematography by | John Schwartzman | Editing by | Kevin Stitt
Lenses | Panavision Lenses
The Last Dance (2020)
| Cinematography by | Thomas McCallum | Editing by | Chad Beck, Devin Concannon, Abhay Sofsky, Ben Sozanski
Cameras | Aaton XTR Camera
The Enchantress of Number (2018)
Directed by | Rebecca Murga | Cinematography by | David Auner
Cameras | Aaton Penelope Camera, ARRI AMIRA Premium Camera
Lenses | Cooke Speed Panchro (S2) 32mm f2.3 Lens, Cooke Speed Panchro (S2) 40mm f2.3 Lens, Cooke Speed Panchro (S2) 50mm f2.3 Lens, Cooke Speed Panchro (S2) 75mm f2.3 Lens, Cooke Speed Panchro (S3) 18mm T2.2 Lens, Cooke Speed Panchro (S3) 25mm T2.2 Lens
Hart of Dixie (2011)
| Cinematography by | Buzz Feitshans IV, Robert Gantz, Jeffrey Jur, Bradford Lipson, Larry Reibman | Editing by | Jeff Granzow, Brandi Bradburn, Les Butler, Barbara Gerard, Benjamin J. Bumgarner, Luke Pebler
Cameras | Sony CineAlta F35 Camera
Parasite (2019) 
Directed by | Bong Joon Ho | Cinematography by | Kyung-pyo Hong | Editing by | Jinmo Yang
Cameras | ARRI ALEXA 65 Camera
Adjuration (2019)
Johnny (2021)
Directed by | John Charles Gerald | Cinematography by | John Charles Gerald
Cameras | ARRI ALEXA Camera, Blackmagic URSA Camera
Lenses | Zeiss Compact Prime CP.2 Distagon 35 mm T2.1 Lens, Zeiss Compact Prime CP.2 Lenses, Zeiss Compact Prime Lenses
Ophelia (2018)
Directed by | Claire McCarthy | Cinematography by | Denson Baker | Editing by | Luke Dunkley
Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Plus Camera
Lenses | Angenieux Optimo Anamorphic 44-440 mm A2S T4.5 Lens, Hawk C-Series 100 mm T3.0 Lens, Hawk C-Series 40 mm T2.2 Lens, Hawk C-Series 50 mm T2.2 Lens, Hawk C-Series 75 mm T2.2 Lens, Hawk Super Wide Angle Zoom 10-24 mm T2.5 Lens, Hawk V-Lite 110 mm T3.0 Lens, Hawk V-Lite 28 mm T2.2 Lens, Hawk V-Lite 35 mm T2.2 Lens, Hawk V-Lite 45 mm T2.2 Lens, Hawk V-Lite 55 mm T2.2 Lens, Hawk V-Lite 65 mm T2.2 Lens, Hawk V-Lite 80 mm T2.2 Lens, Hawk V-Series 180 mm T3.0 Lens, Hawk V-Series 250 mm T3.0 Lens
A Spark in Nothing (2021)
Incredibles 2 (2018)
Directed by | Brad Bird | Cinematography by | Mahyar Abousaeedi, Erik Smitt | Editing by | Stephen Schaffer
The Aeronauts (2019)
Directed by | Tom Harper | Cinematography by | George Steel | Editing by | Mark Eckersley
Cameras | Red Monstro 8K Camera
Seberg (2019)
Orange Is the New Black (2013)
| Cinematography by | Ludovic Littee, Vanja Cernjul, Yaron Orbach, Manuel Billeter, Michael Trim, David M. Dunlap, Wylda Bayron, Andrew Voegeli, William Newell | Editing by | Bill Turro, Shannon Mitchell, Michael Stern, Amy M. Fleming, Tim Boettcher, W. Kale Whorton, Jennifer Hatton, James A. Brewer, Liza Cardinale, Rockie Stephens
Cameras | ARRI ALEXA Camera, Panasonic VariCam 35
Lenses | Cooke 5/i Lenses
Joker (2019)
Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Jeff Groth
Lenses | ARRI Rental Prime 65 Lenses, ARRI Rental Prime 65 S Lenses, ARRI Rental Prime DNA Lenses, Zeiss Compact Zoom CZ.2 28-80mm T2.9 Lens, Zeiss Compact Zoom CZ.2 70-200mm T2.9 Lens
Beauty and the Beast (2012)
| Cinematography by | David A. Makin, D. Gregor Hagey, Bruce Chun, David Greene, Michael Storey, Theo van de Sande, Manfred Guthe, David Herrington | Editing by | Aaron Rottinghaus, John Peter Bernardo, Jim Towne, Juan Carlos Garza, Sunny Hodge, Padraic McKinley, Monty DeGraff, Fred Peterson, Stan Salfas, Terrell Clegg, John Heath, Robert Ivison, James R. Symons, David Ekstrom, Michelle Choug
Cameras | ARRI ALEXA Camera
Arrow (2012)
| Cinematography by | Gordon Verheul, Corey Robson, Glen Winter, Neil Cervin, Bruce Worrall, C. Kim Miles, Chris Banting, Gregory Middleton, Todd Elyzen, Shamus Whiting-Hewlett | Editing by | Kristin Windell, Andi Armaganian, Patrick Brian, Jessie Murray, Thomas Wallerstein, Paul Karasick, David Holland, Carol Stutz, Dexter N. Adriano, Iris Hershner, Jennifer Hoks
Cameras | ARRI ALEXA Camera
Lenses | Angenieux HP Zoom Lenses
Flytrap (2015)
Directed by | Stephen David Brooks | Cinematography by | David R. Hardberger
Cameras | Blackmagic Pocket Cinema Camera
Lenses | Angenieux 24-240 mm f2.6 Zoom Lens
Bruce Almighty (2003)
Directed by | Tom Shadyac | Cinematography by | Dean Semler | Editing by | Scott Hill
Lenses | Panavision Primo Close Focus Spherical Lenses, Panavision Primo Primes Spherical Lenses, Panavision Primo Zooms Spherical Lenses
