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Technicolor | 36 Titles

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The Wonderful World of the Brothers Grimm (1962)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 135 Minutes

Directed by | Henry Levin, George Pal | Cinematography by | Paul Vogel | Editing by | Walter Thompson

Starring | Laurence Harvey, Claire Bloom, Karlheinz Böhm, Walter Slezak

Cameras | Cinerama Camera

This Is Cinerama (1952)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 115 Minutes

Directed by | Merian C. Cooper, Gunther von Fritsch, Ernest B. Schoedsack, Michael Todd Jr. | Cinematography by | Harry Squire | Editing by | William Henry, Milton Shifman

Starring | Lowell Thomas, Kathy Darlyn, Toni Valk

Cameras | Cinerama Camera

The Trouble with Harry (1955)

Motion Picture | 2D | Film Project | Color | 1.85:1 | 99 Minutes

Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | Alma Macrorie

Starring | John Forsythe, Shirley MacLaine, Edmund Gwenn, Mildred Natwick

Cameras | VistaVision Cameras

The Greatest Story Ever Told (1965)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 260 Minutes

Directed by | George Stevens, David Lean, Jean Negulesco | Cinematography by | Loyal Griggs, William C. Mellor | Editing by | Harold F. Kress, Argyle Nelson Jr., J. Frank O'Neill

Starring | Max von Sydow, Dorothy McGuire, Charlton Heston, Michael Anderson Jr.

Cameras | Ultra Panavision 70 Camera

It’s a Mad, Mad, Mad, Mad World (1963)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 205 Minutes

Directed by | Stanley Kramer | Cinematography by | Ernest Laszlo | Editing by | Gene Fowler Jr., Robert C. Jones, Frederic Knudtson

Starring | Spencer Tracy, Milton Berle, Ethel Merman, Mickey Rooney

Cameras | Ultra Panavision 70 Camera

Khartoum (1966)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 128 Minutes

Directed by | Basil Dearden, Eliot Elisofon | Cinematography by | Edward Scaife | Editing by | Fergus McDonell

Starring | Charlton Heston, Laurence Olivier, Richard Johnson, Ralph Richardson

Cameras | Ultra Panavision 70 Camera

Battle of the Bulge (1965)

Motion Picture | 2D | Film Project | Color | 2.59:1, 2.76:1 | 167 Minutes

Directed by | Ken Annakin | Cinematography by | Jack Hildyard

Starring | Henry Fonda, Robert Shaw, Robert Ryan, Dana Andrews

Cameras | Ultra Panavision 70 Camera

Airport (1970)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 137 Minutes

Directed by | George Seaton, Henry Hathaway | Cinematography by | Ernest Laszlo | Editing by | Stuart Gilmore

Starring | Burt Lancaster, Dean Martin, George Kennedy, Jean Seberg

Cameras | Todd-AO 65mm Camera

The Last Valley (1971)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 128 Minutes

Directed by | James Clavell | Cinematography by | Norman Warwick, John Wilcox | Editing by | John Bloom

Starring | Michael Caine, Omar Sharif, Florinda Bolkan, Nigel Davenport

Cameras | Todd-AO 65mm Camera

The Toll of the Sea (1922)

Motion Picture | 2D | Color | 54 Minutes

Directed by | Chester M. Franklin | Cinematography by | J.A. Ball | Editing by | Hal C. Kern

Starring | Anna May Wong, Kenneth Harlan, Beatrice Bentley, Priscilla Moran

Cameras | Technicolor System 2 Camera

For Your Consideration (2006)

Motion Picture | 2D | Color | 1.85:1 | 86 Minutes

For Your Consideration | ShotOnWhat?

Directed by | Christopher Guest | Cinematography by | Roberto Schaefer | Editing by | Robert Leighton

Starring | Catherine O'Hara, Harry Shearer, Parker Posey, Christopher Guest

Cameras | Aaton XTR Prod Camera, Ultracam 35 Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Angenieux HR Zoom Lenses, Canon Lenses, Zeiss Lenses

Stay (2005)

Motion Picture | 2D | Color | 2.35:1 | 15 Minutes

Stay | ShotOnWhat?

Directed by | David Brind | Cinematography by | Kenneth Wilson II

Starring | Tessa Auberjonois, Louis Cancelmi, John Boyd, Adriana DeMeo

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Zeiss Super Speed Lenses

Gone with the Wind (1939)

Motion Picture | 2D | Film Project | Color | 1.37:1, 2.20:1 | 238 Minutes

Directed by | Victor Fleming, George Cukor, Sam Wood | Cinematography by | Ernest Haller, Lee Garmes

Starring | Clark Gable, Vivien Leigh, Thomas Mitchell, Barbara O'Neil

Cameras | Technicolor 3-Strip Camera

Lenses | Bausch & Lomb Lenses

South Pacific (1958)

Motion Picture | 2D | Film Project | Color | 2.20:1 | 157 Minutes

Directed by | Joshua Logan | Cinematography by | Leon Shamroy | Editing by | Robert L. Simpson

Starring | Rossano Brazzi, Mitzi Gaynor, John Kerr, Ray Walston

Cameras | Todd-AO 65mm Camera

The King and I (1956)

Motion Picture | 2D | Film Project | Color | 2.55:1 | 133 Minutes

Directed by | Walter Lang | Cinematography by | Leon Shamroy | Editing by | Robert L. Simpson

Starring | Yul Brynner, Deborah Kerr, Rita Moreno, Martin Benson

Lenses | Bausch & Lomb Lenses

Hannibal (1959)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 103 Minutes

Directed by | Carlo Ludovico Bragaglia, Edgar G. Ulmer | Cinematography by | Raffaele Masciocchi | Editing by | Renato Cinquini

Starring | Victor Mature, Gabriele Ferzetti, Rita Gam, Milly Vitale

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