Kodak Vision Color 2383/3383 | 582 Titles
August: Osage County (2013)
If I Stay (2014)
Directed by | R.J. Cutler | Cinematography by | John de Borman | Editing by | Keith Henderson
Cameras | ARRI ALEXA Plus 4:3 Camera, Canon EOS-C500 Camera
Dumb and Dumber To (2014)
Directed by | Bobby Farrelly, Peter Farrelly | Cinematography by | Matthew F. Leonetti | Editing by | Steven Rasch
Cameras | ARRI ALEXA Camera
A Walk Among the Tombstones (2014)
Directed by | Scott Frank | Cinematography by | Mihai Malaimare Jr. | Editing by | Jill Savitt
Cameras | ARRI ALEXA Plus 4:3 Camera, Red Epic Camera
Lenses | Panavision B Series Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision Ultra Speed MKII Lenses
Penguins of Madagascar (2014)
The Hobbit: The Battle of the Five Armies (2014)
Directed by | Peter Jackson | Cinematography by | Andrew Lesnie | Editing by | Jabez Olssen
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Zeiss Ultra Prime Lenses
The Boxtrolls (2014)
Directed by | Graham Annable, Anthony Stacchi | Cinematography by | John Ashlee Prat | Editing by | Edie Ichioka
Cameras | Canon EOS-5D Mark III Camera
Night at the Museum: Secret of the Tomb (2014)
Directed by | Shawn Levy | Cinematography by | Guillermo Navarro | Editing by | Dean Zimmerman
Cameras | Red Epic Dragon Camera
Mr. Peabody & Sherman (2014)
How to Train Your Dragon 2 (2014)
Puss in Boots (2011)
Get on Up (2014)
Directed by | Tate Taylor | Cinematography by | Stephen Goldblatt | Editing by | Michael McCusker
Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Style Lenses, Angenieux Optimo Zoom Lenses, Bausch & Lomb Lenses, Canon EF Series Lenses, Panavision Primo Primes Spherical Lenses
Big Hero 6 (2014)
A Most Wanted Man (2014)
Directed by | Anton Corbijn | Cinematography by | Benoît Delhomme | Editing by | Claire Simpson
Cameras | ARRI ALEXA M Camera
Lenses | Zeiss Super Speed Lenses
Agent Cody Banks (2003)
Directed by | Harald Zwart | Cinematography by | Denis Crossan | Editing by | Jim Miller
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Hunger Games: Mockingjay – Part 2 (2015)
Directed by | Francis Lawrence | Cinematography by | Jo Willems | Editing by | Alan Edward Bell, Mark Yoshikawa
Cameras | ARRI ALEXA XT Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
This Is Where I Leave You (2014)
Directed by | Shawn Levy | Cinematography by | Terry Stacey | Editing by | Dean Zimmerman
Cameras | ARRI ALEXA XT Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
Non-Stop (2014)
Directed by | Jaume Collet-Serra | Cinematography by | Flavio Martínez Labiano | Editing by | Jim May
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera
Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses
The Judge (2014)
Dracula Untold (2014)
Directed by | Gary Shore | Cinematography by | John Schwartzman | Editing by | Richard Pearson
Lenses | Panavision ALZ11 48-550 mm T4.5 Lens, Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses
