Fujifilm Eterna-CP Type 3514DI | 95 Titles
The Lincoln Lawyer (2011)
Directed by | Brad Furman | Cinematography by | Lukas Ettlin | Editing by | Jeff McEvoy
Cameras | Red One MX Camera
The Darkest Hour (2011)
Directed by | Chris Gorak | Cinematography by | Scott Kevan | Editing by | Priscilla Nedd-Friendly, Fernando Villena, Doobie White
Cameras | Sony CineAlta F35 Camera, Sony HDC-P1 Camera
Drive (2011)
Directed by | Nicolas Winding Refn | Cinematography by | Newton Thomas Sigel | Editing by | Matthew Newman
Cameras | ARRI ALEXA Camera, Canon EOS-5D Mark II Camera, Iconix HD-RH1 Camera, Weisscam HS-2 Camera
The Fighter (2010)
The Girl with the Dragon Tattoo (2011)
Directed by | David Fincher | Cinematography by | Jeff Cronenweth | Editing by | Kirk Baxter, Angus Wall
Cameras | Red Epic Camera, Red One MX Camera
Lenses | Zeiss Master Prime Lenses
Dredd (2012)
Directed by | Pete Travis | Cinematography by | Anthony Dod Mantle | Editing by | Mark Eckersley
Lenses | Zeiss Ultra Prime Lenses
Limitless (2011)
Directed by | Neil Burger | Cinematography by | Jo Willems | Editing by | Tracy Adams, Naomi Geraghty
Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera, Canon EOS-1D Mark IV Camera, Canon EOS-5D Mark II Camera, Red One Camera
Lenses | Cooke S4 Lenses
X: First Class (2011)
Directed by | Matthew Vaughn | Cinematography by | John Mathieson | Editing by | Eddie Hamilton, Lee Smith
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
A Better Life (2011)
Directed by | Chris Weitz | Cinematography by | Javier Aguirresarobe | Editing by | Peter Lambert
Cameras | ARRICAM Lite (LT) Camera
Madea’s Witness Protection (2012)
Directed by | Tyler Perry | Cinematography by | Alexander Gruszynski | Editing by | Maysie Hoy
Cameras | ARRI ALEXA Camera
Lenses | Panavision Primo Anamorphic Lenses
Salmon Fishing in the Yemen (2011)
Directed by | Lasse Hallström | Cinematography by | Terry Stacey | Editing by | Lisa Gunning
Lenses | Hawk V-Lite Lenses, Hawk V-Plus Lenses
In Time (2011)
Directed by | Andrew Niccol | Cinematography by | Roger Deakins | Editing by | Zach Staenberg
Cameras | ARRI ALEXA Camera
Lenses | Zeiss Master Prime Lenses
Scream 4 (2011)
Directed by | Wes Craven | Cinematography by | Peter Deming | Editing by | Peter McNulty
Cameras | Panavision Cameras
This Means War (2012)
Directed by | McG | Cinematography by | Russell Carpenter | Editing by | Nicolas De Toth
Cameras | Panavision Panaflex Millennium XL Camera
Source Code (2011)
Directed by | Duncan Jones | Cinematography by | Don Burgess | Editing by | Paul Hirsch
Cameras | Iconix HD-RH1 Camera, Panavision Panaflex Millennium XL2 Camera, Phantom HD Camera, Red One MX Camera
Lenses | Panavision Primo Anamorphic Lenses
