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65mm Film Negative Width | 85 Titles

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Blade Runner (1982)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 117 Minutes

Directed by | Ridley Scott | Cinematography by | Jordan Cronenweth | Editing by | Marsha Nakashima, Terry Rawlings

Starring | Harrison Ford, Rutger Hauer, Sean Young, Edward James Olmos

Cameras | Mitchell FC 65mm Camera, Panavision Panaflex Gold Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision Super Panavision 70 Series Lenses, Panavision Super Speed Lenses

Close Encounters of the Third Kind (1977)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.39:1 | 138 Minutes

Directed by | Steven Spielberg | Cinematography by | Vilmos Zsigmond | Editing by | Michael Kahn

Starring | Richard Dreyfuss, François Truffaut, Teri Garr, Melinda Dillon

Cameras | Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex Camera, Panavision Super PSR R-200

Lenses | Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision Lenses

Interstellar (2014)

Motion Picture | 2D | Film Project | Color | 1.44:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 169 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Matthew McConaughey, Anne Hathaway, Jessica Chastain

Cameras | Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Hasselblad Lenses, Leitz Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision D Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Forrest Gump (1994)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 142 Minutes

Directed by | Robert Zemeckis | Cinematography by | Don Burgess | Editing by | Arthur Schmidt

Starring | Tom Hanks, Robin Wright, Gary Sinise, Sally Field

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Tenet (2020)

Motion Picture | 2D | Film Project | Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 150 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame

Starring | John David Washington, Robert Pattinson, Elizabeth Debicki

Cameras | ARRIFLEX 765 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision System 65 Camera

Lenses | Hasselblad Lenses, Panavision Sphero 65 Series Lenses

Dunkirk (2017)

Motion Picture | 2D | 4K Project | Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 106 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Fionn Whitehead, Barry Keoghan, Mark Rylance, Tom Hardy

Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Oppenheimer (2023)

Motion Picture | 2D | Film Project | Black & White, Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.35:1, 2.76:1 | 180 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Jennifer Lame

Starring | Cillian Murphy, Emily Blunt, Matt Damon

Cameras | ARRIFLEX 435 Camera, IMAX MKIII Reflex Camera, IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision Lenses, Panavision Sphero 65 Series Lenses, Panavision System 65 Lenses

Inception (2010)

Motion Picture | 2D | Color | 2.39:1 | 148 Minutes

The Dark Knight (2008)

Motion Picture | 2D | Color | 1.44:1, 2.39:1 | 152 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Heath Ledger, Aaron Eckhart, Michael Caine

Cameras | Beaumont Vista Vision Camera, IMAX MKIII Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera

Lenses | Hasselblad Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Super Speed Lenses

The Dark Knight Rises (2012)

Motion Picture | 2D | Film Project | Color | 1.44:1, 1.78:1 (16x9), 2.39:1 | 164 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Lee Smith

Starring | Christian Bale, Tom Hardy, Anne Hathaway, Gary Oldman

Cameras | ARRIFLEX 235 Camera, Beaumont Vista Vision Camera, IMAX MSM 9802 Camera, Panavision Panaflex Gold II Camera, Panavision Panaflex Millennium XL2 Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera, Panavision System 65 Camera

Lenses | Hasselblad Lenses, Panavision Anamorphic Super High Speed Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses

The Abyss (1989)

Motion Picture | 2D | Film Project | Color | 2.39:1 | 145 Minutes

Directed by | James Cameron | Cinematography by | Mikael Salomon | Editing by | Conrad Buff IV, Joel Goodman, Steven Quale, Howard E. Smith

Starring | Ed Harris, Mary Elizabeth Mastrantonio, Michael Biehn, Leo Burmester

Cameras | ARRIFLEX 35 BL3 Camera, Panavision System 65 Camera

No Time to Die (2021)

Motion Picture | 2D | 4K Project | Color | 1.43:1, 1.90:1, 2.39:1 | 163 Minutes

Star Wars: The Force Awakens (2015)

Motion Picture | 2D, 3D | 4K Project | Color | 1.43:1, 1.90:1, 2.39:1 | 136 Minutes

Star Wars: Episode VIII – The Last Jedi (2017)

Motion Picture | 2D, 3D | 4K Project | Color | 2.39:1 | 152 Minutes

Ryan’s Daughter (1970)

Motion Picture | 2D | Film Project | Color | 2.20:1, 2.35:1 | 206 Minutes

Directed by | David Lean | Cinematography by | Freddie Young | Editing by | Norman Savage

Starring | Robert Mitchum, Trevor Howard, John Mills, Christopher Jones

Cameras | Super Panavision-70 Camera

Lenses | Panavision Lenses

Cleopatra (1963)

Motion Picture | 2D | Film Project | Color | 2.35:1 | 192 Minutes

Directed by | Joseph L. Mankiewicz | Cinematography by | Leon Shamroy, Jack Hildyard | Editing by | Dorothy Spencer, Elmo Williams

Starring | Elizabeth Taylor, Richard Burton, Rex Harrison, Pamela Brown

Cameras | Todd-AO 65mm Camera

Lenses | Todd-AO Lenses

Around the World in Eighty Days (1956)

Motion Picture | 2D | Film Project | Color | 1.37:1, 2.20:1 | 175 Minutes

Directed by | Michael Anderson, John Farrow | Cinematography by | Lionel Lindon | Editing by | Howard Epstein, Gene Ruggiero, Paul Weatherwax

Starring | David Niven, Cantinflas, Finlay Currie

Cameras | Todd-AO 65mm Camera

Lenses | Todd-AO Lenses

Die Hard (1988)

Motion Picture | 2D | Film Project | Color | 132 Minutes

Directed by | John McTiernan | Cinematography by | Jan de Bont | Editing by | John F. Link, Frank J. Urioste

Starring | Bruce Willis, Alan Rickman, Bonnie Bedelia, Reginald VelJohnson

Cameras | Panavision Panaflex Gold Camera

Lenses | Carl Zeiss Planar 50 mm f0.7 Lens (Modified by Ed DiGiulio), Carl Zeiss Planar 50mm with Kollmorgen Adaptor 36.5 mm f0.7 (Modified by Ed DiGiulio), Cooke Anamorphic Lenses, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Lenses, Panavision Ultra Speed MKII Lenses

Spider-Man 2 (2004)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 127 Minutes

Directed by | Sam Raimi | Cinematography by | Bill Pope | Editing by | Bob Murawski

Starring | Tobey Maguire, Kirsten Dunst, Alfred Molina, James Franco

Cameras | ARRIFLEX 435 Camera, Beaumont Vista Vision Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL Camera, Panavision Panaflex Platinum Camera, Panavision System 65 Camera

Lenses | Panavision Hylén System Lens, Panavision Primo Anamorphic Lenses

Mission: Impossible – Ghost Protocol (2011)

Motion Picture | 2D | Color | 1.44:1, 2.35:1 | 132 Minutes

Mission: Impossible – Ghost Protocol | ShotOnWhat?

Directed by | Brad Bird | Cinematography by | Robert Elswit | Editing by | Paul Hirsch

Starring | Tom Cruise, Jeremy Renner, Simon Pegg, Paula Patton

Cameras | ARRIFLEX 435 Xtreme Camera, IMAX MSM 9802 Camera, Iwerks MSM 8870 Camera, Panavision Panaflex Millennium XL2 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

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