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3-Perf Pulldown | 244 Titles

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The Descendants (2011)

Motion Picture | 2D | Color | 2.39:1 | 115 Minutes

Directed by | Alexander Payne | Cinematography by | Phedon Papamichael | Editing by | Kevin Tent

Starring | George Clooney, Shailene Woodley, Amara Miller, Nick Krause

Cameras | Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

The Reader (2008)

Motion Picture | 2D | 2K Project | Color | 124 Minutes

Directed by | Stephen Daldry | Cinematography by | Roger Deakins, Chris Menges | Editing by | Claire Simpson

Starring | Kate Winslet, Ralph Fiennes, Bruno Ganz, Jeanette Hain

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

The Intouchables (2011)

Motion Picture | 2D | Color | 1.85:1 | 112 Minutes

The Intouchables | ShotOnWhat?

Directed by | Olivier Nakache, Éric Toledano | Cinematography by | Mathieu Vadepied | Editing by | Dorian Rigal-Ansous

Starring | François Cluzet, Omar Sy, Anne Le Ny, Audrey Fleurot

Cameras | Aaton Penelope Camera, ARRI ALEXA Camera, ARRIFLEX 435 Camera

Lenses | Panavision Primo Anamorphic Lenses

Stranger Than Fiction (2006)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse

Starring | Will Ferrell, Emma Thompson, Dustin Hoffman, Queen Latifah

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Cemetery Junction (2010)

Motion Picture | 2D | Color | 2.39:1 | 95 Minutes

Directed by | Ricky Gervais, Stephen Merchant | Cinematography by | Remi Adefarasin | Editing by | Valerio Bonelli

Starring | Christian Cooke, Felicity Jones, Tom Hughes, Jack Doolan

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Ultra Prime Lenses

London Boulevard (2010)

Motion Picture | 2D | Color | 1.85:1 | 103 Minutes

Directed by | William Monahan | Cinematography by | Chris Menges | Editing by | Dody Dorn, Robb Sullivan

Starring | Colin Farrell, Keira Knightley, Ray Winstone, David Thewlis

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The King’s Speech (2010)

Motion Picture | 2D | Color | 1.85:1 | 118 Minutes

The King’s Speech | ShotOnWhat?

Directed by | Tom Hooper | Cinematography by | Danny Cohen | Editing by | Tariq Anwar

Starring | Colin Firth, Geoffrey Rush, Helena Bonham Carter, Derek Jacobi

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Zeiss Master Prime Lenses

A Dangerous Method (2011)

Motion Picture | 2D | Color | 1.85:1 | 99 Minutes

Directed by | David Cronenberg | Cinematography by | Peter Suschitzky | Editing by | Ronald Sanders

Starring | Michael Fassbender, Keira Knightley, Viggo Mortensen, Vincent Cassel

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Cooke S4 Lenses

Downfall (2004)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 156 Minutes

Directed by | Oliver Hirschbiegel | Cinematography by | Rainer Klausmann | Editing by | Hans Funck

Starring | Bruno Ganz, Alexandra Maria Lara, Ulrich Matthes, Juliane Köhler

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Zeiss Ultra Prime Lenses

The Innkeepers (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 101 Minutes

Directed by | Ti West | Cinematography by | Eliot Rockett | Editing by | Ti West

Starring | Sara Paxton, Pat Healy, Kelly McGillis, Alison Bartlett

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

The Hangover (2009)

Motion Picture | 2D | Color | 2.35:1 | 100 Minutes

The Hangover | ShotOnWhat?

Directed by | Todd Phillips | Cinematography by | Lawrence Sher | Editing by | Debra Neil-Fisher

Starring | Zach Galifianakis, Bradley Cooper, Justin Bartha, Ed Helms

Cameras | Panavision Panaflex Millennium XL Camera

Lenses | Panavision Primo Anamorphic Lenses

Beneath Hill 60 (2010)

Motion Picture | 2D | 2K Project | Color | 122 Minutes

Directed by | Jeremy Sims | Cinematography by | Toby Oliver | Editing by | Dany Cooper

Starring | Brendan Cowell, Harrison Gilbertson, Steve Le Marquand, Gyton Grantley

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux HR 25-250 mm T3.5 Lens, Cooke S4 Lenses

La délicatesse (2011)

Motion Picture | 2D | Color | 1.85:1 | 108 Minutes

Directed by | David Foenkinos, Stéphane Foenkinos | Cinematography by | Rémy Chevrin | Editing by | Virginie Bruant

Starring | Audrey Tautou, François Damiens, Bruno Todeschini, Mélanie Bernier

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

The Clink of Ice (2010)

Motion Picture | 2D | Color | 1.85:1 | 87 Minutes

Directed by | Bertrand Blier | Cinematography by | François Catonné | Editing by | Marion Monestier

Starring | Jean Dujardin, Albert Dupontel, Anne Alvaro, Myriam Boyer

Cameras | Aaton Penelope Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Ultra Prime Lenses

Martha Marcy May Marlene (2011)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | Sean Durkin | Cinematography by | Jody Lee Lipes | Editing by | Zachary Stuart-Pontier

Starring | Elizabeth Olsen, Sarah Paulson, John Hawkes, Christopher Abbott

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Krabat (2008)

Motion Picture | 2D | Color | 2.39:1 | 120 Minutes

Directed by | Marco Kreuzpaintner | Cinematography by | Daniel Gottschalk | Editing by | Hansjörg Weißbrich

Starring | David Kross, Christian Redl, Daniel Brühl, Robert Stadlober

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux HR 17-102 mm T2.9 Lens, Angenieux HR 25-250 mm T3.5 Lens, Angenieux Optimo Zoom Lenses

Tamara Drewe (2010)

Motion Picture | 2D | Color | 2.39:1 | 107 Minutes

Directed by | Stephen Frears | Cinematography by | Ben Davis | Editing by | Mick Audsley

Starring | Gemma Arterton, Luke Evans, Dominic Cooper, Roger Allam

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses

The Heir Apparent: Largo Winch (2008)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Jérôme Salle | Cinematography by | Denis Rouden | Editing by | Richard Marizy

Starring | Tomer Sisley, Kristin Scott Thomas, Predrag 'Miki' Manojlovic, Mélanie Thierry

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Cooke S4 Lenses

Æon Flux (2005)

Motion Picture | 2D | Color | 2.39:1 | 93 Minutes

Directed by | Karyn Kusama | Cinematography by | Stuart Dryburgh | Editing by | Jeff Gullo, Peter Honess, Plummy Tucker

Starring | Charlize Theron, Frances McDormand, Sophie Okonedo, Marton Csokas

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 435 ES Camera

Lenses | Angenieux Optimo Zoom Lenses, Cooke S4 Lenses, Cooke Varotal Lenses

Un amour de jeunesse (2011)

Motion Picture | 2D | Color | 1.85:1 | 110 Minutes

Directed by | Mia Hansen-Løve | Cinematography by | Stéphane Fontaine | Editing by | Marion Monnier

Starring | Lola Créton, Sebastian Urzendowsky, Magne-Håvard Brekke, Valérie Bonneton

Cameras | Aaton Penelope Camera, ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo 28-76 mm T2.6 Lens, Angenieux Optimo Zoom Lenses

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