Film Labs & Post Facilities » Light Iron

Light Iron, Los Angeles : 23Light Iron, New York : 2

Light Iron | 41 Titles

Rate It

LessUpdatedTitleYear

John Wick (2014)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 101 Minutes

Directed by | Chad Stahelski, David Leitch | Cinematography by | Jonathan Sela | Editing by | Elísabet Ronaldsdóttir

Starring | Keanu Reeves, Michael Nyqvist, Alfie Allen, Willem Dafoe

Cameras | ARRI ALEXA M Camera, ARRI ALEXA XT Camera

Lenses | Cooke S4 Lenses, Hawk V-Lite Vintage´74 Lens

You Were Never Really Here (2017)

Motion Picture | 2D | 2K Project | Black & White, Color | 2.39:1 | 89 Minutes

Directed by | Lynne Ramsay | Cinematography by | Thomas Townend | Editing by | Joe Bini

Starring | Joaquin Phoenix, Judith Roberts, Ekaterina Samsonov

Cameras | ARRI ALEXA XT Series Cameras

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision C Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses, Panavision Macro Anamorphic Panatar Prime Lenses, Panavision Primo Anamorphic Lenses, Panavision T Series Anamorphic Lenses

Life Itself (2018)

Motion Picture | 2D | Color | 2.39:1 | 117 Minutes

Directed by | Dan Fogelman | Cinematography by | Brett Pawlak | Editing by | Julie Monroe

Starring | Oscar Isaac, Olivia Wilde, Annette Bening

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera

Lenses | Cooke Panchro/i Classic Lenses

Blindspotting (2018)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 95 Minutes

Directed by | Carlos López Estrada | Cinematography by | Robby Baumgartner | Editing by | Gabriel Fleming

Starring | Daveed Diggs, Rafael Casal, Janina Gavankar

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA SXT Series Cameras

Lenses | Panavision Primo Primes Spherical Lenses

Destroyer (2018)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 121 Minutes

Directed by | Karyn Kusama | Cinematography by | Julie Kirkwood | Editing by | Plummy Tucker

Starring | Nicole Kidman, Toby Kebbell, Tatiana Maslany

Cameras | ARRI ALEXA Mini Camera

Lenses | Panavision Lenses

Brad’s Status (2017)

Motion Picture | 3D | Color | 2.0:1 | 102 Minutes

Directed by | Mike White | Cinematography by | Xavier Grobet | Editing by | Heather Persons

Starring | Ben Stiller, Austin Abrams, Jenna Fischer

Cameras | ARRI ALEXA Series Cameras

Marcel the Shell with Shoes On (2021)

Motion Picture | 2D | 4K Project | Color | 1.66:1, 1.85:1 | 90 Minutes

Directed by | Dean Fleischer Camp | Cinematography by | Eric Adkins, Bianca Cline | Editing by | Dean Fleischer Camp, Nick Paley

Starring | Jenny Slate, Dean Fleischer Camp, Isabella Rossellini

Cameras | ARRI ALEXA Mini Camera, Sony PMW-F5 Camera

Lenses | Fujinon XK Cabrio Series, Nikon - Nikkor Lenses, Panavision Primo Primes Spherical Lenses

The Queen’s Gambit (2020)

Miniseries | 2D | 8K Project | Color | 1.78:1 (16x9) | 397 Minutes

| Cinematography by | Steven Meizler | Editing by | Michelle Tesoro

Starring | Anya Taylor-Joy, Chloe Pirrie, Bill Camp

Cameras | Red Monstro 8K Camera

Lenses | Zeiss Supreme Prime Series Lenses

13 Reasons Why (2017)

Television Series | 2D | 4K Project | Color | 1.78:1 (16x9), 2.0:1 | 60 Minutes

| Cinematography by | Ivan Strasburg, Kevin Thompson, Cameron Duncan, Tommy Lohmann, Andrij Parekh, Marshall Adams | Editing by | Matthew Ramsey, Leo Trombetta, Philip Harrison, Jacques Gravett, Daniel Gabbe, Sue Blainey, Rich Fox

Starring | Dylan Minnette, Katherine Langford, Christian Navarro, Alisha Boe

Cameras | Panasonic VariCam 35

Lenses | Hawk V-Lite Vintage´74 Lens, Leitz Summilux-C Series Lenses

Can You Ever Forgive Me? (2018)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 106 Minutes

Directed by | Marielle Heller | Cinematography by | Brandon Trost | Editing by | Anne McCabe

Starring | Melissa McCarthy, Richard E. Grant, Dolly Wells, Ben Falcone

Cameras | Panavision Millennium DXL Camera

Lenses | Panavision Primo 70 Lenses

Hell or High Water (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | David Mackenzie | Cinematography by | Giles Nuttgens | Editing by | Jake Roberts

Starring | Chris Pine, Ben Foster, Jeff Bridges, Gil Birmingham

Cameras | ARRI ALEXA XT Studio Camera

Lenses | Angenieux Optimo Anamorphic Lenses, Angenieux Optimo Zoom Lenses, Hawk V-Lite Lenses

Bad Santa 2 (2016)

Motion Picture | 2D | Color | 1.85:1 | 92 Minutes

Directed by | Mark Waters | Cinematography by | Theo van de Sande | Editing by | Travis Sittard

Starring | Billy Bob Thornton, Kathy Bates, Tony Cox, Christina Hendricks

Cameras | Panasonic VariCam 35

Lenses | Cooke Lenses

Ride Along 2 (2016)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 102 Minutes

Directed by | Tim Story | Cinematography by | Mitchell Amundsen | Editing by | Peter S. Elliot

Starring | Ice Cube, Kevin Hart, Tika Sumpter, Benjamin Bratt

Cameras | Red Epic Dragon Camera

Lenses | Panavision Primo 70 Lenses

The American Side (2016)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Jenna Ricker | Cinematography by | Frank Barrera | Editing by | Robert Grigsby Wilson

Starring | Greg Stuhr, Don Stuhr, Kelsey Siepser, Grant Shaud

Cameras | ARRI ALEXA Camera

Exposed (2016)

Motion Picture | 2D | Color | 2.39:1 | 102 Minutes

Directed by | Gee Malik Linton | Cinematography by | Trevor Forrest | Editing by | Melody London

Starring | Ana de Armas, Keanu Reeves, Christopher McDonald, Mira Sorvino

Cameras | ARRI ALEXA Camera

Pride and Prejudice and Zombies (2016)

Motion Picture | 2D | Color | 2.39:1 | 108 Minutes

Directed by | Burr Steers | Cinematography by | Remi Adefarasin | Editing by | Padraic McKinley

Starring | Lily James, Sam Riley, Jack Huston, Bella Heathcote

Lenses | Cooke S4/i Lenses

The Bronze (2015)

Motion Picture | 2D | Color | 100 Minutes

Directed by | Bryan Buckley | Cinematography by | Scott Henriksen | Editing by | Jay Nelson

Starring | Melissa Rauch, Gary Cole, Haley Lu Richardson, Thomas Middleditch

Cameras | Red Epic Camera

Fathers and Daughters (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Gabriele Muccino | Cinematography by | Shane Hurlbut | Editing by | Alex Rodríguez

Starring | Russell Crowe, Amanda Seyfried, Aaron Paul, Diane Kruger

Cameras | Canon EOS-C500 Camera, Red Epic Camera

Lenses | Cooke 5/i Lenses, Cooke S4 Lenses, Leitz Summilux-C Series Lenses

Anomalisa (2015)

Motion Picture | 2D | Color | 2.39:1 | 90 Minutes

Directed by | Duke Johnson, Charlie Kaufman | Cinematography by | Joe Passarelli | Editing by | Garret Elkins

Starring | David Thewlis, Jennifer Jason Leigh, Tom Noonan

Cameras | Canon EOS-7D Camera

The Walk (2015)

Motion Picture | 2D | Color | 2.39:1 | 123 Minutes

Directed by | Robert Zemeckis | Cinematography by | Dariusz Wolski | Editing by | Jeremiah O'Driscoll

Starring | Joseph Gordon-Levitt, Charlotte Le Bon, Guillaume Baillargeon, Émilie Leclerc

Cameras | Red Epic Dragon Camera

©2012 - 2025 ShotOnWhat?

20254.20