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DuArt Film Laboratories Inc., New York  |  50 Titles

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The People vs. Larry Flynt   (1996)

Country | USA

Running Time | 129 Minutes
Aspect Ratio |
Directed by | Milos Forman | Cinematography by | Philippe Rousselot | Editing by | Christopher Tellefsen
Cameras |

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Beloved   (1998)

Country | USA

Running Time | 172 Minutes
Aspect Ratio |
Directed by | Jonathan Demme | Cinematography by | Tak Fujimoto | Editing by | Andy Keir, Carol Littleton
Cameras |

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Marvin’s Room   (1996)

Country | USA

Running Time | 98 Minutes
Aspect Ratio |
Directed by | Jerry Zaks | Cinematography by | Piotr Sobocinski | Editing by | Jim Clark
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Ulee’s Gold   (1997)

Country | USA

Running Time | 113 Minutes
Aspect Ratio |
Directed by | Victor Nunez | Cinematography by | Virgil Mirano | Editing by | Victor Nunez
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In & Out   (1997)

Country | USA

Running Time | 90 Minutes
Aspect Ratio |
Directed by | Frank Oz | Cinematography by | Rob Hahn | Editing by | Daniel P. Hanley, John Jympson
Cameras |

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4 Little Girls   (1997)

Country | USA

Running Time | 102 Minutes
Aspect Ratio |
Directed by | Spike Lee | Cinematography by | Ellen Kuras | Editing by | Samuel D. Pollard
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Scottsboro: An American Tragedy   (2000)

Country | USA

Running Time | 84 Minutes
Directed by | Barak Goodman, Daniel Anker | Cinematography by | Buddy Squires | Editing by | Jean Tsien
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Transamerica   (2005)

Country | USA

Running Time | 103 Minutes
Aspect Ratio |
Directed by | Duncan Tucker | Cinematography by | Stephen Kazmierski | Editing by | Pam Wise
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Rehearsing a Dream   (2006)

Country | USA

Running Time | 40 Minutes
Aspect Ratio |
Directed by | Karen Goodman, Kirk Simon | Cinematography by | Greg Andracke, Stephen McCarthy, Kirk Simon, Buddy Squires | Editing by | Nancy Baker
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Man on Wire   (2008)

Country | UK, USA

Running Time | 94 Minutes
Aspect Ratio | ,
Directed by | James Marsh | Cinematography by | Igor Martinovic | Editing by | Jinx Godfrey
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Doubt   (2008)

Country | USA

Running Time | 104 Minutes
Aspect Ratio |
Directed by | John Patrick Shanley | Cinematography by | Roger Deakins | Editing by | Dylan Tichenor
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My Architect   (2003)

Country | USA

Running Time | 116 Minutes
Aspect Ratio |
Directed by | Nathaniel Kahn | Cinematography by | Robert Richman | Editing by | Sabine Krayenbühl
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Capturing the Friedmans   (2003)

Country | USA

Running Time | 107 Minutes
Aspect Ratio |
Directed by | Andrew Jarecki | Cinematography by | Adolfo Doring | Editing by | Richard Hankin
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Bowling for Columbine   (2002)

Country | USA, Canada, Germany

Running Time | 120 Minutes
Aspect Ratio |
Directed by | Michael Moore | Editing by | Kurt Engfehr
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Y Tu Mamá También   (2001)

Country | Mexico

Running Time | 106 Minutes
Aspect Ratio |
Directed by | Alfonso Cuarón | Cinematography by | Emmanuel Lubezki | Editing by | Alfonso Cuarón, Alex Rodríguez
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LaLee’s Kin: The Legacy of Cotton   (2001)

Country | USA

Running Time | 89 Minutes
Directed by | Deborah Dickson, Susan Froemke, Albert Maysles | Cinematography by | Albert Maysles | Editing by | Deborah Dickson
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Fargo   (1996)

Country | USA, UK

Running Time | 98 Minutes
Aspect Ratio |
Directed by | Joel Coen, Ethan Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen
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Léon: The Professional   (1994)

Country | France

Running Time | 110 Minutes
Aspect Ratio |
Directed by | Luc Besson | Cinematography by | Thierry Arbogast | Editing by | Sylvie Landra
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Molly’s Theory of Relativity   (2013)

Country | USA

Running Time | 102 Minutes
Aspect Ratio |
Directed by | Jeff Lipsky | Cinematography by | Jendra Jarnagin | Editing by | Patricfia Burgess, Patricia Burgess
Cameras |

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Sin City: A Dame to Kill For   (2014)

Country | USA

Running Time | 102 Minutes
Aspect Ratio |
Directed by | Frank Miller, Robert Rodriguez | Cinematography by | Robert Rodriguez | Editing by | Robert Rodriguez
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