Deluxe, Hollywood | 466 Titles
Rendition (2007)
Directed by | Gavin Hood | Cinematography by | Dion Beebe | Editing by | Megan Gill
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
The Rite (2011)
Eagle Eye (2008)
Directed by | D.J. Caruso | Cinematography by | Dariusz Wolski | Editing by | Jim Page
Cameras | ARRIFLEX 235 Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Armored (2009)
Super 8 (2011)
Directed by | J.J. Abrams | Cinematography by | Larry Fong | Editing by | Maryann Brandon, Mary Jo Markey
Cameras | ARRIFLEX 16SR3 Camera, ARRIFLEX 435 Camera, Beaulieu 4008 ZM 4 Camera, Bell & Howell Eyemo Camera, Canon 1014XL-S Camera, Panavision Panaflex Millennium XL2 Camera, Red One MX Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses, Zeiss Super Speed Lenses
Paul Blart: Mall Cop (2009)
Directed by | Steve Carr | Cinematography by | Russ T. Alsobrook | Editing by | Jeff Freeman
Cameras | Panavision Genesis Camera
Lenses | Panavision Primo Anamorphic Lenses
In the Valley of Elah (2007)
Directed by | Paul Haggis | Cinematography by | Roger Deakins | Editing by | Jo Francis
Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera
Lenses | Zeiss Master Prime Lenses
Point Break (1991)
Directed by | Kathryn Bigelow | Cinematography by | Donald Peterman | Editing by | Howard E. Smith
Cameras | Panavision Cameras
Lenses | Panavision Lenses
The Happening (2008)
Directed by | M. Night Shyamalan | Cinematography by | Tak Fujimoto | Editing by | Conrad Buff IV
Cameras | Panavision Cameras
American Son (2008)
Directed by | Neil Abramson | Cinematography by | Kris Kachikis | Editing by | Karen Schmeer
Cameras | Panavision Panaflex Millennium XL Camera
Crank: High Voltage (2009)
Directed by | Mark Neveldine, Brian Taylor | Cinematography by | Brandon Trost | Editing by | Marc Jakubowicz, Fernando Villena
Monster’s Ball (2001)
Directed by | Marc Forster | Cinematography by | Roberto Schaefer | Editing by | Matt Chesse
Cameras | ARRIFLEX 35 IIIC Camera, ARRIFLEX 535 Camera
How Do You Know (2010)
Directed by | James L. Brooks | Cinematography by | Janusz Kaminski | Editing by | Richard Marks, Tracey Wadmore-Smith
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision Primo Anamorphic Lenses
Confessions of a Shopaholic (2009)
Directed by | P.J. Hogan | Cinematography by | Jo Willems | Editing by | William Goldenberg
Cameras | Panavision Panaflex Platinum Camera
Lenses | Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision Primo Anamorphic Lenses
Jeff, Who Lives at Home (2011)
Directed by | Jay Duplass, Mark Duplass | Cinematography by | Jas Shelton | Editing by | Jay Deuby
Cameras | Red One MX Camera
Girl, Interrupted (1999)
Directed by | James Mangold | Cinematography by | Jack N. Green | Editing by | Kevin Tent
Cameras | Panavision Panaflex Gold II Camera, Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera
Zombieland (2009)
Directed by | Ruben Fleischer | Cinematography by | Michael Bonvillain | Editing by | Alan Baumgarten
Alien Nation (1988)
Directed by | Graham Baker | Cinematography by | Adam Greenberg | Editing by | Kent Beyda
Cameras | ARRIFLEX Camera
Lenses | ARRI / Zeiss Lenses
U-571 (2000)
Directed by | Jonathan Mostow | Cinematography by | Oliver Wood | Editing by | Wayne Wahrman
Cameras | ARRIFLEX 435 Camera, ARRIFLEX 535 Camera
Lenses | Cooke S4 Lenses, Nikon - Nikkor Lenses
Rules of Engagement (2000)
Directed by | William Friedkin | Cinematography by | William A. Fraker, Nicola Pecorini | Editing by | Augie Hess
