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Eagle Pictures | 9 Titles

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John Wick: Chapter 2 (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 122 Minutes

Directed by | Chad Stahelski | Cinematography by | Dan Laustsen | Editing by | Evan Schiff

Starring | Keanu Reeves, Riccardo Scamarcio, Ian McShane

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Angenieux Optimo Anamorphic Lenses, ARRI / Zeiss Master Anamorphic Lenses

Memento (2000)

Motion Picture | 2D | Film Project | Black & White, Color | 2.39:1 | 113 Minutes

Directed by | Christopher Nolan | Cinematography by | Wally Pfister | Editing by | Dody Dorn

Starring | Guy Pearce, Carrie-Anne Moss, Joe Pantoliano, Mark Boone Junior

Cameras | Panavision Panaflex Gold II Camera

Lenses | Panavision E Series Anamorphic Lenses

Wind River (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 107 Minutes

Directed by | Taylor Sheridan | Cinematography by | Ben Richardson | Editing by | Gary Roach

Starring | Elizabeth Olsen, Jeremy Renner, Graham Greene

Cameras | ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera

Lenses | Angenieux Lenses, Zeiss Standard Speed Prime Lenses

Top Gun: Maverick (2022)

Motion Picture | 2D, 3D | 4K Project | Color | 1.90:1, 2.39:1 | 130 Minutes

Directed by | Joseph Kosinski | Cinematography by | Claudio Miranda | Editing by | Eddie Hamilton

Starring | Tom Cruise, Jennifer Connelly, Miles Teller

Cameras | Sony CineAlta VENICE Camera

Lenses | Sigma Lenses, Voigtländer Lenses, Zeiss Master Prime Lenses

Paddington 2 (2017)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 103 Minutes

Directed by | Paul King | Cinematography by | Erik Wilson | Editing by | Jonathan Amos, Mark Everson

Starring | Ben Whishaw, Hugh Grant, Hugh Bonneville

Cameras | ARRI ALEXA Series Cameras

Overboard (2018)

Motion Picture | 2D | Color | 2.39:1 | 112 Minutes

Directed by | Rob Greenberg | Cinematography by | Michael Barrett | Editing by | Lee Haxall

Starring | Eugenio Derbez, Anna Faris, Eva Longoria

Cameras | Sony PMW-F55 Camera

Lenses | Angenieux Lenses, Zeiss Master Prime Lenses

Midsommar (2019)

Motion Picture | 2D | 4K Project | Color | 2.0:1 | 147 Minutes

Directed by | Ari Aster | Cinematography by | Pawel Pogorzelski | Editing by | Lucian Johnston

Starring | Florence Pugh, Jack Reynor, Vilhelm Blomgren, William Jackson Harper

Cameras | Panavision Millennium DXL2 Camera

Lenses | Panavision Primo Artiste Lenses

The Hitman’s Bodyguard (2017)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 118 Minutes

Directed by | Patrick Hughes | Cinematography by | Jules O'Loughlin | Editing by | Jake Roberts

Starring | Ryan Reynolds, Samuel L. Jackson, Gary Oldman

Cameras | ARRI ALEXA Mini Camera, ARRI ALEXA XT Camera, ARRI ALEXA XT Plus Camera, GoPro HERO4 Black, Red Epic Dragon Camera

Lenses | Angenieux Lenses, Hawk V-Lite Vintage´74 Lens

Hacksaw Ridge (2016)

Motion Picture | 2D | Black & White, Color | 2.39:1 | 139 Minutes

Directed by | Mel Gibson | Cinematography by | Simon Duggan | Editing by | John Gilbert

Starring | Andrew Garfield, Sam Worthington, Luke Bracey

Cameras | ARRI ALEXA XT Plus Camera, Blackmagic Pocket Cinema Camera, Red Epic Dragon Camera

Lenses | Angenieux Optimo Zoom Lenses, Panavision Primo V Lenses

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