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4K Distribution Resolution | 49 Titles

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Als Het Leven Soms Anders Is (2024)

Short Film | 2D | 4K Project | Color | 1.50:1 | 22 Minutes

Directed by | Lotte Ruules | Cinematography by | Max van de Pol | Editing by | Keno Aladjuz

Starring | Marie-Claire Molly, Bente van Pruissen, Marije van der Made

Cameras | Sony CineAlta VENICE Camera

Longlegs (2024)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 101 Minutes

Directed by | Osgood Perkins | Cinematography by | Andres Arochi | Editing by | Graham Fortin, Greg Ng

Starring | Maika Monroe, Nicolas Cage, Blair Underwood

Cameras | ARRI ALEXA Mini LF Camera, ARRICAM Lite (LT) Camera

Lenses | ARRI Signature Prime Lenses, Cooke S4/i Lenses

Je Bent Al Hier (2024)

Documentary | 2D | 4K Project | Color | 1.66:1 | 32 Minutes

Directed by | Inez Eltink | Cinematography by | Jor Broeder | Editing by | Keno Aladjuz

Starring | Sjoerd-Paul Beenders, Nigel Gerritsen, Dizzy Geurtzen

Cameras | Sony ILME-FX3 Camera

Rups (2024)

Short Film | 2D | 4K Project | Color | 1.50:1 | 23 Minutes

Directed by | Susanne Hagen | Cinematography by | Jesse Post | Editing by | Keno Aladjuz

Starring | Loulou van Stijn, Guusje Vos, Jamie Bouwmeester

Cameras | ARRI ALEXA Mini LF Camera

Trap (2024)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 105 Minutes

Directed by | M. Night Shyamalan | Cinematography by | Sayombhu Mukdeeprom | Editing by | Noemi Katharina Preiswerk

Starring | Josh Hartnett, Ariel Donoghue, Saleka Shyamalan

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke Panchro/i Classic Lenses, Zeiss Super Speed Lenses

Dunkirk (2017)

Motion Picture | 2D | 4K Project | Color | 1.43:1, 1.78:1 (16x9), 1.90:1, 2.20:1, 2.39:1 | 106 Minutes

Directed by | Christopher Nolan | Cinematography by | Hoyte Van Hoytema | Editing by | Lee Smith

Starring | Fionn Whitehead, Barry Keoghan, Mark Rylance, Tom Hardy

Cameras | IMAX MKIV Reflex Camera, IMAX MSM 9802 Camera, Panavision Panaflex 65mm HR Spinning Mirror Reflex - 65HSSM Camera, Panavision Panaflex System 65 Studio Camera - 65SPFX Camera

Lenses | Hasselblad Lenses, Panavision 65mm Prime Lenses, Panavision Sphero 65 Series Lenses

Zen Fist (2024)

Short Film | 2D | 4K Project | Color | 2.0:1 | 45 Minutes

Directed by | Taiyo Kanto | Cinematography by | Taiyo Kanto | Editing by | Taiyo Kanto

Starring | Daiki Dohi, Yuhei Fujii, Takeshi Ishida

Cameras | Blackmagic URSA Mini Pro Camera

Lenses | Canon EF Series Lenses, Tokina AT-X116 Pro DX 11-16 mm f2.8 Lens

The Pills (2021)

Short Film | 2D | 4K Project | Color | 2.0:1 | 6 Minutes

Directed by | Alexander Popov | Cinematography by | Olga Mitiguz, Alexander Popov | Editing by | Alexander Popov

Starring | Nikita Hrushev, Vladislav Ivanov, Petr Kasatiev

Cameras | Red Komodo Camera

Lenses | Sigma 18-35mm f1.8 DC HSM Lens

FML (2016)

Direct to Video | 2D | 4K Project | Color | 1.78:1 (16x9) | 98 Minutes

Directed by | Jason Nash | Cinematography by | Tobias Deml

Starring | Busy Philipps, David Dobrik, Jimmy Tatro, Andy Daly

Cameras | Sony α7R II Camera, Sony α7S II Camera

Lenses | Sony G 18–110mm f4.0 Lens, Sony G Master Series Lenses

Verwaant (2023)

Short Film | 2D | 4K Project | Color | 1.37:1 | 31 Minutes

Directed by | Syb Faes | Cinematography by | Bregje Pontzen | Editing by | Keno Aladjuz

Starring | Mijntje van Dongen, Rene van Kalken, Eric Kuijper

Cameras | Blackmagic Pocket Cinema 4K Camera

Fifth Story (2024)

Short Film | 2D | 4K Project | Color | 1.66:1 |

The Little Church That Could (2022)

Documentary | 2D | 4K Project | Color | 1.78:1 (16x9) | 13 Minutes

Directed by | James Newhook | Cinematography by | James Newhook, Ben Power | Editing by | James Newhook

Starring | Christopher Newhook, Tom O'Keefe, Kevin Noseworthy

Cameras | Blackmagic URSA Camera

The End of the Dial (2021)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 97 Minutes

Directed by | Brad Knull | Cinematography by | Elvis Ripley | Editing by | Elvis Ripley

Starring | Jeff Dernlan, Jacob Hightower

Cameras | Sony PXW-FS9 Camera

Lenses | Kowa Cine Prominar Anamorphic Lenses, P+S Technik Lenses

Society of the Snow (2023)

Motion Picture | 2D | 4K Project | Color | 2.55:1 | 144 Minutes

Directed by | J.A. Bayona | Cinematography by | Pedro Luque | Editing by | Andrés Gil, Jaume Martí

Starring | Enzo Vogrincic, Agustín Pardella, Matías Recalt

Cameras | ARRI ALEXA Mini LF Camera

Lenses | ARRI Signature Prime Lenses, Laowa 24 mm f/14 2X Macro Probe Lens, Panavision Super Speed Lenses, Panavision T Series Anamorphic Lenses

Hail, Caesar! (2016)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 106 Minutes

Directed by | Ethan Coen, Joel Coen | Cinematography by | Roger Deakins | Editing by | Ethan Coen, Joel Coen

Starring | Josh Brolin, George Clooney, Alden Ehrenreich, Ralph Fiennes

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 535 B Camera

Lenses | Zeiss Master Prime Lenses

Zack Snyder’s Justice League (2021)

Motion Picture | 2D | 4K Project | Color | 1.33:1 (4x3) | 242 Minutes

Directed by | Zack Snyder | Cinematography by | Fabian Wagner | Editing by | David Brenner, Carlos M. Castillón, Dody Dorn

Starring | Henry Cavill, Ben Affleck, Gal Gadot, Amy Adams

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, ARRIFLEX 235 Camera, ARRIFLEX 435 Camera

Lenses | Leitz Summilux-C Series Lenses

Towards the light (2022)

Documentary | 2D | 4K Project | Color | 1.78:1 (16x9) | 20 Minutes

Directed by | Alexander Popov | Cinematography by | Alexander Popov | Editing by | Alexander Popov

Starring | Uliya Abrosimova, Mariya Gavrilova, Jane Karlina

Cameras | Sony α7 Series Cameras

Rounded Corners (2019)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9), 1.85:1 | 87 Minutes

Directed by | Paul Check

Starring | Marie Check, Tinuke Adetunji, Paul Check, James Zeiss

Cameras | Panasonic VariCam 35

Lenses | Master Macro 100mm T2.0 Lens, Zeiss Master Prime Distagon 16 mm T1.3 Lens, Zeiss Master Prime Distagon 21 mm T1.3 Lens, Zeiss Master Prime Distagon 27 mm T1.3 Lens, Zeiss Master Prime Distagon 35 mm T1.3 Lens, Zeiss Master Prime Planar 50 mm T1.3 Lens

Photocopier (2021)

Motion Picture | 2D | 4K Project | Color | 1.85:1 | 130 Minutes

Directed by | Wregas Bhanuteja | Cinematography by | Gunnar Nimpuno | Editing by | Ahmad Hasan Yuniardi

Starring | Shenina Cinnamon, Dea Panendra, Giulio Parengkuan

Cameras | Red Monstro 8K Camera

Lenses | Leitz M 0.8 Series Lenses, Leitz THALIA Series Lenses

Northern Lights (2016)

Motion Picture | 2D | 4K Project | Color | 1.78:1 (16x9) | 54 Minutes

Directed by | Nicholas Connor | Cinematography by | Marco Fanton | Editing by | Nicholas Connor, Amy Pfeil

Starring | Gemma Paige North, Rhys Cadman, Katherine Quinn

Cameras | Blackmagic Cinema Camera

Lenses | Canon Lenses, Nikon - Nikkor Lenses, Rokinon Lenses, Samyang Lenses

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