Film Print | 1319 Titles
High Society (1956)
Directed by | Charles Walters | Cinematography by | Paul Vogel | Editing by | Ralph E. Winters
Cameras | VistaVision Cameras
The Wonderful World of the Brothers Grimm (1962)
Directed by | Henry Levin, George Pal | Cinematography by | Paul Vogel | Editing by | Walter Thompson
Cameras | Cinerama Camera
This Is Cinerama (1952)
Directed by | Merian C. Cooper, Gunther von Fritsch, Ernest B. Schoedsack, Michael Todd Jr. | Cinematography by | Harry Squire | Editing by | William Henry, Milton Shifman
Cameras | Cinerama Camera
The Trouble with Harry (1955)
Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | Alma Macrorie
Cameras | VistaVision Cameras
The Man Who Knew Too Much (1956)
Directed by | Alfred Hitchcock | Cinematography by | Robert Burks | Editing by | George Tomasini
Cameras | VistaVision Cameras
Funny Face (1957)
Directed by | Stanley Donen | Cinematography by | Ray June | Editing by | Frank Bracht
Cameras | VistaVision Cameras
The Greatest Story Ever Told (1965)
Directed by | George Stevens, David Lean, Jean Negulesco | Cinematography by | Loyal Griggs, William C. Mellor | Editing by | Harold F. Kress, Argyle Nelson Jr., J. Frank O'Neill
Cameras | Ultra Panavision 70 Camera
It’s a Mad, Mad, Mad, Mad World (1963)
Directed by | Stanley Kramer | Cinematography by | Ernest Laszlo | Editing by | Gene Fowler Jr., Robert C. Jones, Frederic Knudtson
Cameras | Ultra Panavision 70 Camera
The Man from U.N.C.L.E. (2015)
Directed by | Guy Ritchie | Cinematography by | John Mathieson | Editing by | James Herbert
Cameras | ARRI ALEXA XT Plus Camera, Canon EOS-5D Mark II Camera, Canon EOS-C500 Camera, GoPro HD Hero3 Camera
The Dark Horse (2014)
Directed by | James Napier Robertson | Cinematography by | Denson Baker | Editing by | Peter Roberts
Cameras | Sony CineAlta F65 Camera
Lenses | Hawk C-Series Lenses, Zeiss Ultra Prime Lenses
The Best of Me (2014)
Directed by | Michael Hoffman | Cinematography by | Oliver Stapleton | Editing by | Matt Chesse
Cameras | ARRI ALEXA XT Camera
Lenses | Hawk V-Lite Lenses, Hawk V-Series Lenses
An American in Paris (1951) 
Going My Way (1944)
Directed by | Leo McCarey | Cinematography by | Lionel Lindon, John F. Seitz | Editing by | LeRoy Stone
Cameras | Mitchell BNC Camera
The Sting (1973)
La casa muda (2010)
Directed by | Gustavo Hernández | Cinematography by | Pedro Luque | Editing by | Gustavo Hernández
Cameras | Canon EOS-5D Mark II Camera
Lenses | Canon EF 24-70 mm f2.8L II Lens
Gigi (1958)
Directed by | Vincente Minnelli | Cinematography by | Joseph Ruttenberg, Georges Barsky, Ray June | Editing by | Adrienne Fazan
36 Chowringhee Lane (1981)
Run All Night (2015)
Directed by | Jaume Collet-Serra | Cinematography by | Martin Ruhe | Editing by | Dirk Westervelt
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses
The Outsiders (1983)
Directed by | Francis Ford Coppola | Cinematography by | Stephen H. Burum | Editing by | Rob Bonz, Anne Goursaud, Melissa Kent, Roy Waldspurger
Fifty Shades of Grey (2015)
Directed by | Sam Taylor-Johnson | Cinematography by | Seamus McGarvey | Editing by | Anne V. Coates, Lisa Gunning, Debra Neil-Fisher
Cameras | ARRI ALEXA XT Plus Camera
Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses
