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D-Cinema (DCP - Digital Cinema) | 1199 Titles

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Julie & Julia (2009)

Motion Picture | 2D | 2K Project | Color | 1.85:1 | 118 Minutes

Directed by | Nora Ephron | Cinematography by | Stephen Goldblatt | Editing by | Richard Marks

Starring | Amy Adams, Meryl Streep, Chris Messina, Stanley Tucci

Cameras | Panavision Panaflex Lightweight Camera, Panavision Panaflex Platinum Camera

Lenses | Panavision Primo Primes Spherical Lenses

Fifty Shades of Grey (2015)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 125 Minutes

Directed by | Sam Taylor-Johnson | Cinematography by | Seamus McGarvey | Editing by | Anne V. Coates, Lisa Gunning, Debra Neil-Fisher

Starring | Dakota Johnson, Jamie Dornan, Jennifer Ehle, Eloise Mumford

Cameras | ARRI ALEXA XT Plus Camera

Lenses | Panavision ATZ 70-200 mm T3.5 Lens, Panavision AWZ2 40-80 mm T2.8 Lens, Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses

Agneepath (2012)

Motion Picture | 2D | Color | 2.39:1 | 174 Minutes

Directed by | Karan Malhotra | Cinematography by | Ravi K. Chandran, Kiran Deohans | Editing by | Akiv Ali

Starring | Hrithik Roshan, Priyanka Chopra Jonas, Sanjay Dutt, Rishi Kapoor

Cameras | ARRICAM Lite (LT) Camera, ARRIFLEX 435 Xtreme Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses

Goddess (2013)

Motion Picture | 2D | Color | 2.39:1 | 104 Minutes

Directed by | Mark Lamprell | Cinematography by | Damian Wyvill

Starring | Laura Michelle Kelly, Ronan Keating, Magda Szubanski, Levi Morrison

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses

Man & Beast (2012)

Motion Picture | 2D | Color | 2.35:1 | 11 Minutes

Directed by | Dante Ariola | Cinematography by | Jeff Cronenweth | Editing by | Andrea MacArthur

Starring | Jet Jurgensmeyer, Joe Sofranko, Peter Cornelius, Suzan Crowley

Cameras | Canon EOS-C500 Camera

Lenses | Canon EF Series Lenses

O Tempo e o Vento (2013)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 115 Minutes

Directed by | Jayme Monjardim | Cinematography by | Affonso Beato | Editing by | Gustavo Giani

Starring | Fernanda Montenegro, Thiago Lacerda, Marjorie Estiano, Janaína Kremer Motta

Cameras | Sony CineAlta F65 Camera

Lenses | Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

A Million Ways to Die in the West (2014)

Motion Picture | 2D | 2K Project | Color | 2.39:1 | 116 Minutes

Directed by | Seth MacFarlane | Cinematography by | Michael Barrett | Editing by | Jeff Freeman

Starring | Seth MacFarlane, Charlize Theron, Liam Neeson, Amanda Seyfried

Cameras | Sony PMW-F55 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Chappie (2015)

Motion Picture | 2D | 4K Project | Color | 2.39:1 | 120 Minutes

Directed by | Neill Blomkamp | Cinematography by | Trent Opaloch | Editing by | Julian Clarke, Mark Goldblatt

Starring | Sharlto Copley, Dev Patel, Hugh Jackman, Sigourney Weaver

Cameras | Canon EOS-5D Mark III Camera, GoPro (Woodman Labs) Cameras, Red Epic Camera, Sony HDC-1500 Camera, Sony PMW-EX3 Camera

Lenses | Panavision C Series Anamorphic Lenses, Panavision E Series Anamorphic Lenses, Panavision G Series Anamorphic Lenses

Dolphin Tale 2 (2014)

Motion Picture | 2D | Color | 1.85:1 | 107 Minutes

Directed by | Charles Martin Smith | Cinematography by | Daryn Okada | Editing by | Harvey Rosenstock

Starring | Morgan Freeman, Ashley Judd, Nathan Gamble, Cozi Zuehlsdorff

Cameras | Sony PMW-F55 Camera

Lenses | Panavision Primo Primes Spherical Lenses

Breakup at a Wedding (2013)

Motion Picture | 2D | Color | 85 Minutes

Directed by | Victor Quinaz | Cinematography by | Giovanni P. Autran | Editing by | Giovanni P. Autran, Evan Leed, Charlie Porter

Starring | Alison Fyhrie, Philip Quinaz, Mary Grill, Chris Manley

Cameras | Sony PMW-EX1 Camera

Shônen H (2013)

Motion Picture | 2D | Color | 1.85:1 | 121 Minutes

Directed by | Yasuo Furuhata

Starring | Yutaka Mizutani, Ran Itô, Tatsuki Yoshioka, Shun Oguri

Cameras | ARRICAM Lite (LT) Camera

Lenses | Angenieux Optimo 17-80 mm T2.2 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Mai wei (2011)

Motion Picture | 2D | Color | 2.39:1 | 137 Minutes

Directed by | Je-kyu Kang | Cinematography by | Mo-gae Lee | Editing by | Gok-ji Park

Starring | Dong-Gun Jang, Joe Odagiri, Bingbing Fan, In-kwon Kim

Cameras | Red One Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Cooke S4 Lenses

Mi-seu-teo Go (2013)

Motion Picture | 3D | Color | 1.85:1 | 132 Minutes

Directed by | Yong-hwa Kim | Cinematography by | Dae-seong Jeon, Hyeon-cheol Park | Editing by | Zino Kim

Starring | Dong-il Sung, Jiao Xu, Hee-won Kim, Kang-woo Kim

Cameras | Red Epic Camera

Lenses | Angenieux Optimo DP 16-42 mm T2.8 Lens, Angenieux Optimo DP 30-80 mm T2.8 Lens, Zeiss Ultra Prime Lenses

Sinsegye (2013)

Motion Picture | 2D | Color | 2.39:1 | 134 Minutes

Directed by | Hoon-jung Park | Cinematography by | Chung-hoon Chung, Eok Yu | Editing by | Sae-kyoung Moon

Starring | Jung-jae Lee, Min-sik Choi, Jung-min Hwang, Sung-woong Park

Cameras | Red One Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

Pour une femme (2013)

Motion Picture | 2D | Color | 2.39:1 | 110 Minutes

Directed by | Diane Kurys | Cinematography by | Gilles Henry | Editing by | Sylvie Gadmer

Starring | Benoît Magimel, Mélanie Thierry, Nicolas Duvauchelle, Sylvie Testud

Cameras | ARRICAM Lite (LT) Camera, ARRICAM Studio (ST) Camera, Moviecam Compact MK2 Camera

Lenses | Angenieux HR Zoom Lenses, Angenieux Optimo Zoom Lenses, Zeiss Master Prime Lenses

La fille du 14 juillet (2013)

Motion Picture | 2D | Color | 1.85:1 | 88 Minutes

Directed by | Antonin Peretjatko | Cinematography by | Simon Roca | Editing by | Carole Le Page, Antonin Peretjatko

Starring | Vimala Pons, Grégoire Tachnakian, Vincent Macaigne, Marie-Lorna Vaconsin

Cameras | ARRIFLEX 16SR3 Camera

Lenses | Angenieux HR Zoom Lenses, Panavision Primo Primes Spherical Lenses

Né quelque part (2013)

Motion Picture | 2D | Color | 87 Minutes

Directed by | Mohamed Hamidi | Cinematography by | Alex Lamarque | Editing by | Marion Monnier

Starring | Tewfik Jallab, Jamel Debbouze, Fatsah Bouyahmed, Abdelkader Secteur

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 15-40 mm T2.6 Lens, Angenieux Optimo 24-290 mm T2.8 Lens, Angenieux Optimo Zoom Lenses, Panavision Primo Primes Spherical Lenses

Grigris (2013)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Mahamat-Saleh Haroun | Cinematography by | Antoine Héberlé | Editing by | Marie-Hélène Dozo

Starring | Souleymane Démé, Anaïs Monory, Cyril Gueï, Marius Yelolo

Cameras | ARRI ALEXA Camera

Lenses | Angenieux Optimo 28-76 mm T2.6 Lens, Zeiss Standard Speed Prime Lenses

Shame (2011)

Motion Picture | 2D | Color | 2.39:1 | 101 Minutes

Directed by | Steve McQueen | Cinematography by | Sean Bobbitt | Editing by | Joe Walker

Starring | Michael Fassbender, Carey Mulligan, James Badge Dale, Lucy Walters

Cameras | ARRICAM Lite (LT) Camera

Lenses | Cooke S4 Lenses

The French Minister (2013)

Motion Picture | 2D | Color | 1.85:1 | 113 Minutes

Directed by | Bertrand Tavernier | Cinematography by | Jérôme Alméras | Editing by | Guy Lecorne

Starring | Thierry Lhermitte, Raphaël Personnaz, Niels Arestrup, Bruno Raffaelli

Cameras | ARRI ALEXA Plus Camera

Lenses | Angenieux Optimo 24-290 mm T2.8 Lens, Zeiss Master Prime Lenses

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